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Attila
Joined: 24 Feb 2007
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Location: Hungary
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 Posted: Mon Oct 13, 2008 4:59 pm Post subject: Tenerife - Bessa RF 6x9 folder |
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Attila wrote:
Bessa RF Skopar 10,5cm Velvia 100 + Epson V500 Gössen Lunasix 3
Full sizes images are here
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Items on sale on Ebay
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Last edited by Attila on Sat Nov 01, 2008 1:06 am; edited 3 times in total |
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Mon Oct 13, 2008 6:28 pm Post subject: |
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Orio wrote:
Looks like great image quality!
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Oct 13, 2008 6:29 pm Post subject: |
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Attila wrote:
Yes, and count it this is an un-coated lens from 1937
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Items on sale on Ebay
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trifox
Joined: 14 May 2008
Posts: 3614
Location: UK
Expire: 2014-05-29
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| Posted: Mon Oct 13, 2008 6:36 pm Post subject: |
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trifox wrote:
I don't know what to say 
simply nice pictures, Attila!
thanks for sharing
tf |
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Oct 13, 2008 6:41 pm Post subject: |
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Attila wrote:
Thanks! It is Abbaz fault he suggested to take this camera. Many thanks again!
_________________
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Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Oct 13, 2008 8:00 pm Post subject: |
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Laurence wrote:
I am shocked at the CLARITY you've been able to achieve here, Atilla! Did you scan with the Epson?
I do see a magenta cast that should be easy to tone down.
Regarding the compositions themselves, these are FIRST RATE!
Excellent work, really excellent.
You should use this beauty, with its WONDERFUL film size, much much more! That way WE get to see your beautiful images from this spectacular camera.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Oct 13, 2008 8:04 pm Post subject: |
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Attila wrote:
Many thanks Larry! Yes, I used Epson V500. Magenta cast I guess came from uncoated lens.
Film was fresh Velvia 100.
Take a look on Bessa L 15mm that is also provided, superb quality. Olympus OM 21mm f3.5 was very weak compare with these.
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Jesito
Joined: 24 Aug 2007
Posts: 5745
Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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| Posted: Mon Oct 13, 2008 10:27 pm Post subject: |
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Jesito wrote:
Wow Attila, you did it this time!....
I mean, the perfection!!!!
Congratulations, extremely good shots, wonderful colour, sharpness, lighting, composition...
Jes.
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Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Oct 13, 2008 11:02 pm Post subject: |
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Attila wrote:
Thank you Jes! This is a photographer paradise.
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Mon Oct 13, 2008 11:05 pm Post subject: |
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Katastrofo wrote:
3 and 5 are my faves! That Velvia really works great in these old folders, will
have to try it sometime!  Agree, where you were was paradise! |
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Oct 13, 2008 11:07 pm Post subject: |
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Attila wrote:
Velvia is a superb film for landscapes that is true, I made some closer shoots , result wasn't same good at all.
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Mon Oct 13, 2008 11:12 pm Post subject: |
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Katastrofo wrote:
| Attila wrote: |
| Velvia is a superb film for landscapes that is true, I made some closer shoots , result wasn't same good at all. |
Hummm, good to know, thanks! |
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Tue Oct 14, 2008 6:37 am Post subject: |
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A G Photography wrote:
I also experimented very noticeable magenta casts with Velvia 100. Actually Velvia 50 is so far superior that I never bought the 100 (or 100F, even worse) version anymore. If I want an ISO 100 color slide I go to Provia.
Maybe it is the Skopar fault, as I used an old Bessa too, but I heard this sort of problem from people using less archaeological cameras than us Attila 
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Tue Oct 14, 2008 6:49 am Post subject: |
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Laurence wrote:
I agree on the magenta cast with Velvia 100.
I've used Velvia 100 and 100F, and Velvia 50 for quite a long time now...the Velvia 100 is GREAT for the rain forest greens, but gives a magenta cast if I have a lot of sky and water. Same with 100F, but to a lesser extent.
Velvia 50 does not give the magenta cast so much, but seems to me to render the blues a little bit towards the violet spectrum. In the rain forest, it can be a problem because the greens are already super-saturated. The heavy saturation of Velvia 50 can make things almost garish at times. 
Provia 100F is my film of choice for the deep woods. Velvia 50 for most other images, EXCEPT for people and skin tones. If there are people showing in the image then I like to go to Reala, which scans very well.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Tue Oct 14, 2008 7:01 am Post subject: |
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Orio wrote:
I find all Velvias excessive in both reddish tone and saturation.
I love the detail but the colours are so off that they force me to do massive post scanning adjustment. Which is time consuming and I don't like it.
I have a couple of Velvia rolls left, after them I will only buy and use Provia. It gives me enough detail, and the colours are very good for me. It can have a slight cool tonality at times, but I like it.
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Tue Oct 14, 2008 7:32 am Post subject: |
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A G Photography wrote:
| Laurence wrote: |
Provia 100F is my film of choice for the deep woods. Velvia 50 for most other images, EXCEPT for people and skin tones. If there are people showing in the image then I like to go to Reala, which scans very well. |
I used Reala but I also had some hard times scanning them (maybe my fault). This negative film has a far inferior resolution than slides like Provia, not to talk about Velvia. Greens are oversaturated and a bit "unreal" (even more than Velvia imho) but I agree that it could work nice with forests and woods.
This is a scan from a Reala:
If I had to shoot people I'd go with Astia.
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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LucisPictor
Joined: 26 Feb 2007
Posts: 17633
Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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| Posted: Tue Oct 14, 2008 9:00 am Post subject: |
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LucisPictor wrote:
Despite the distincive red/magenta cast, these shots are pretty impressive, Attila. Well done!
It is so much fun too shoot with these old medium format cams. If only development was cheaper here... 
_________________
Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator 
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Sevo
Joined: 22 Aug 2008
Posts: 1189
Location: Frankfurt, Germany
Expire: 2012-12-03
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| Posted: Tue Oct 14, 2008 9:41 am Post subject: |
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Sevo wrote:
| Laurence wrote: |
I do see a magenta cast that should be easy to tone down. |
A UV or skylight filter would have been useful - lenses of that vintage have less glass than modern designs, and hence pass more UV, which causes the strong blue cast of the distant haze in the pictures. And either excessive UV exposition hitting through on the magenta layer or the scanners (mis-) interpretation of the blue cast will have introduced that magenta stain...
Sevo |
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Tue Oct 14, 2008 9:51 am Post subject: |
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Attila wrote:
Thank you Sevo, this is a good idea !
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Sevo
Joined: 22 Aug 2008
Posts: 1189
Location: Frankfurt, Germany
Expire: 2012-12-03
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| Posted: Tue Oct 14, 2008 9:56 am Post subject: |
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Sevo wrote:
| LucisPictor wrote: |
It is so much fun too shoot with these old medium format cams. If only development was cheaper here... |
Pretty much any German chain drugstore is a outlet for one of the major lab factories (Cewe, Fujicolor and Orwo), and all of them still process 120 film, at the same (quite cheap) price as 35mm - simply drop it in a bag at the drugstore. The development itself is of reasonably high quality and very consistent (better than some pro labs monday runs) - the only downside is that won't do uncut film and their packing machinery does often cut into dark pictures on film from ancient cameras with odd spacing.
Sevo |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Tue Oct 14, 2008 9:14 pm Post subject: |
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Laurence wrote:
Reala CAN be made to look decent.
Though this photograph might not have the "color depth" of a slide, it's pretty true to the scene as I saw it. Perhaps a very slight tendency for the green to inhabit some blue spectrum more than the yellow spectrum.
Shadow detail is easily brought forth with Reala scans, as is the detail (in the roots for instance).
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Tue Oct 14, 2008 9:41 pm Post subject: |
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Attila wrote:
Beautiful!!
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Schnauzer
Joined: 09 Apr 2008
Posts: 2155
Location: Maine, USA
Expire: 2012-03-08
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| Posted: Tue Oct 14, 2008 9:43 pm Post subject: |
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Schnauzer wrote:
Those are really, really nice Attila. I enjoyed looking at them.
_________________
Ron |
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Wed Oct 15, 2008 10:40 am Post subject: |
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A G Photography wrote:
Incredibile shot Laurence. It gave me some motivation to try Reala again
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Wed Oct 15, 2008 1:17 pm Post subject: |
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Nesster wrote:
Fantastic, I love seeing the 6x9 working... and you get good focus. Right now my Bessa I isn't seeing very far...
_________________
-Jussi
Camera photos
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