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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Jan 30, 2008 5:43 am Post subject: Strictly Yashica Electro 35G Thread - New Images Jan 30 |
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Laurence wrote:
I just got back some negs from the Yashica Electro 35G.
This beauty of a camera was a nostalgic treasure given to me by F16SUNSHINE, and I can't say enough what it means to have this camera in my hands again after 39 years (where did all those years go?).
I shot a roll of HP5 black and white, and a roll of Fuji Reala print film. Here is the first shot from the Reala. I picked it, because it simply is print #1 and the first image I've taken from this beautifully designed camera!
The shot was on a recent sunny(!) day at the grounds of the golf course where I live (I never play golf, go figure!).
So, while this isn't exactly my usual "wilderness" image, I still like it for testing various elements in the scene, and the characteristics of how the Yashinon lens picks them up. And, of course, it's just a short walk to this little area of man-made beauty.
I scanned it normally, and cropped it a little to get some ugly looking leaves out of the periphery of the scene. That's about it, though.
The Yashinon 45/1.7 lens is outstanding. I am pleased, and plan on using this exquisitely designed camera a lot. It's a blast to use, with a unique metering scheme that is fast and very accurate.
This image could possibly benefit from some sharpening, but I still like it right out of the camera. The Reala film emulsion is really quite natural in its color rendition, and is coupled with the lens nicely, in my opinion. There a little bit of blur in the very bottom of the scene, but a higher f:stop would take care of that nicely next time.
I wanted to hand-hold the camera, so elected a more open lens with a faster shutter speed (the camera picks the shutter speed, based on where I set the exposure value). Hyperfocal focus (my own sort of "guess") was optimized on the red colored new growth in the upper center of the image.
Keep in mind that the negative is sparkling sharp on the lightbox with a study of the small bushes under a loupe'. My scans of 35mm are mostly crap, although this one isn't the worst I've seen come out of my scanner.
Slanted Winter Sun at McCormick Woods
Yashica Electro 35G
Yashinon SX 45/1.7 lens
f:5.6, shutter speed unknown
Fuji Reala 100
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
Last edited by Laurence on Thu Jan 31, 2008 1:57 am; edited 1 time in total |
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poilu
Joined: 26 Aug 2007 Posts: 10471 Location: Greece
Expire: 2019-08-29
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Posted: Wed Jan 30, 2008 7:25 am Post subject: |
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poilu wrote:
the colors of this scan are magical
usually you were on the cold side for yours older scans but this one is warm like honey. _________________ T* |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 30, 2008 8:48 am Post subject: |
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Orio wrote:
I second poilu's comment. It makes it look like a magical place.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 30, 2008 10:03 am Post subject: |
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Richard_D wrote:
Beautiful colour and detail! _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Thu Jan 31, 2008 2:04 am Post subject: |
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Laurence wrote:
I pulled the Electro 35 out of my coat pocket at the beach, and came in close to this pitted sandstone mass. The detail is very good, coming right out of the camera with no sharpening applied.
Yashica Electro 35 G
Yashinon 45/1.7
f:16, 1/60th second
Ilford HP5
On the way home, I stopped to take the last shot on the roll of this sailboat against a distant fogbank. I like the simplicity, and the Yashinon lens comes through with plenty of detail. What a handy camera!
Yashica Electro 35 G
Yashinon 45/1.7
f:8, 1/125th
Ilford HP5
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Jesito
Joined: 24 Aug 2007 Posts: 5745 Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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Posted: Thu Jan 31, 2008 3:01 am Post subject: |
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Jesito wrote:
Laurence, you always take wonderful shots, no matter which camera you have in hands...
Jes. _________________ Jesito, Moderator
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
Compact Digital Olympus C-5050, Aiptek Slim 3000, Canon Powershot A540, Nikon 5200, SIGMA DP1s, Polaroid X530, IXUS55, Kodak 6490, Powershot G9 and G10
CSCCanon EOS-M, Samsung NX100 and NX210, Lumix G5, NEX-F3 |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Jan 31, 2008 4:02 am Post subject: |
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F16SUNSHINE wrote:
Hi Larry
It's great to see you have the Electro out and about. I'm sure that camera will have a happy life
Andy |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Jan 31, 2008 4:42 am Post subject: |
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Orio wrote:
I like the boat and the essential composition.
The pitted sandstone is a true masterpiece IMO - perfect blend of careful composition, great detail, natural shapes and expressive B&W
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Jan 31, 2008 9:14 am Post subject: |
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Richard_D wrote:
Yes the stone is a great blend of composition, tone and form. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu Jan 31, 2008 4:57 pm Post subject: |
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patrickh wrote:
Larry
I dont care what camera you use - the pics are always lovely to look at
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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