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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Tue Dec 15, 2020 12:27 am Post subject: Minolta CE Rokkor 2.8/50 vs Fujinon-EP 3.5/50: canal capture |
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alex ph wrote:
After a closer inspection of two enlarger lenses by Fuji with different optical design, I proceed with an undirect comparison of two lenses constructed by different makers, Minolta and Fuji. Both lenses have Double Gauss design. The one is Minolta C.E. Rokkor 2.8/50, the other is Fujinon-EP 3.5/50.
Why the comparison is undirect? Just because the shots were made in different locations, with different light conditions. So, the result does not pretend to be considered as a rough test, but rather as a piece of observation based on rendering of similar (but not identic) subjects.
All shots are taken with the lenses wide open, put on Sony Nex, and with quick auto-contrast applied in IrfanView.
#1 Minolta C.E. Rokkor 2.8/50 at minimum (helicoid) distance
#2 Fujinon-EP 3.5/50 at minimum (helicoid) distance
#3 Minolta C.E. Rokkor 2.8/50, a close distance item
#4 Fujinon-EP 3.5/50, a close distance item
#5 Minolta C.E. Rokkor 2.8/50 focused at mid-distance subjects
#6 Fujinon-EP 3.5/50 focused at mid-distance subjects
#7 Minolta C.E. Rokkor 2.8/50 focused close to infinity
#8 Fujinon-EP 3.5/50 focused close to infinity
100% unprocessed crops from the above shots:
#9 Minimum (helicoid) distance Minolta
#10 Minimum (helicoid) distance Fujinon
#11 Mid-distance Minolta
#12 Mid-distance Fujinon
#13 Minolta at a distance close to infinity
#14 Fujinon at a distance close to infinity
In my eyes Fujinon is sharper WO, has less CA, with better corner performance. The difference in light conditions should also be taken into account: I presume that in better light Fujinon could show even better results. While Minolta's microcontrast looks finer and bokeh is smoother. It renders plenty small details, even being less sharp. In general terms Minolta behaves closer to a classic high quality Planar. |
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lumens pixel
Joined: 27 Feb 2019 Posts: 887
Expire: 2021-06-25
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Posted: Tue Dec 15, 2020 11:01 am Post subject: |
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lumens pixel wrote:
It would be interesting to see results stopped down @5,6.
I suppose enlarger lenses were not optimised for wide open work. I also suppose there is no or little focus shift since it would be really detrimental to the enlarged photo. To be checked nevertheless.
Thank you for posting these. _________________ Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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blotafton
Joined: 08 Aug 2013 Posts: 1636 Location: Sweden
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Posted: Tue Dec 15, 2020 1:35 pm Post subject: Re: Minolta CE Rokkor 2.8/50 vs Fujinon-EP 3.5/50: canal cap |
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blotafton wrote:
alex ph wrote: |
After a closer inspection of two enlarger lenses by Fuji with different optical design, I proceed with an undirect comparison of two lenses constructed by different makers, Minolta and Fuji. Both lenses have Double Gauss design. The one is Minolta C.E. Rokkor 2.8/50, the other is Fujinon-EP 3.5/50.
Why the comparison is undirect? Just because the shots were made in different locations, with different light conditions. So, the result does not pretend to be considered as a rough test, but rather as a piece of observation based on rendering of similar (but not identic) subjects.
All shots are taken with the lenses wide open, put on Sony Nex, and with quick auto-contrast applied in IrfanView.
In my eyes Fujinon is sharper WO, has less CA, with better corner performance. The difference in light conditions should also be taken into account: I presume that in better light Fujinon could show even better results. While Minolta's microcontrast looks finer and bokeh is smoother. It renders plenty small details, even being less sharp. In general terms Minolta behaves closer to a classic high quality Planar. |
The Rokkor has some field curvature. I have also tested that lens here:
http://forum.mflenses.com/minolta-ce-rokkor-50mm-28-t79284.html
I agree it has nice bokeh.
But I like it for general use. Or rather it's good enough for that. I've often picked the Rodagon instead. |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Fri Dec 18, 2020 5:50 am Post subject: |
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alex ph wrote:
Nice captures, Blotafton. You must be right about the curvature: you said it in a more scientific way, while I noticed about corner performance.
What is interesting, it seems to be a much more pronounced effect at distances close to infinit. While in close-up, even wide open, Minolta gives a very convincing result. For Fujinon that difference in not visible. Both at close and at far distance the corners of Fujinon-EP (as well as of the ES) arejust great, at least at APS-C.
Lumens pixel, I made some test shots at f5.6. It seemed to me less speaking that a comparison WO. As long as you are interested, I'll dig them and post here soon. |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Wed Dec 23, 2020 2:18 pm Post subject: |
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alex ph wrote:
Here is a demonstration of the lenses' performance with different aperture values.
First comes Fujinon-EP 3.5/50, unprocessed except resize. In fact, closing the iris does not change much in lens' sharpness and corner performance. They are very good from WO and at diferent distances, including long ones.
#1 Fujinon-EP 3.5/50 at f3.5
#2 Fujinon-EP 3.5/50 at f4
#3 Fujinon-EP 3.5/50 at f5.6
#4 Fujinon-EP 3.5/50 at f8
You can only say the difference looking at the OOF shapes that become better pronounced. The same is with crops: just a very slight difference, if any.
#5 A 100% crop at f3.5
#6 A 100% crop at f5.6
Here are crops from the central part of the shot:
#7 A 100% crop at f3.5
#8 A 100% crop at f5.6
Now some samples from Minolta C.E. Rokkor 2.8/50. Here the story is different. Corner performance (or field curvature) is clearly pronounced. And while you don't see it that strong at f5.6, at F2.8 it's pretty noticable when cropped.
#9 Minolta C.E. Rokkor at f5.6
#10 A 100% unprocessed crop at f2.8
#11 A 100% unprocessed crop at f5.6
Hope that gives an idea of how both 6-element Fujinon and Minolta enlarger lenses perform at various apertures.
I did not make close-up shots with the same intention. May try that when the outdoor light changes for better. |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Thu Dec 24, 2020 11:37 am Post subject: |
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kds315* wrote:
_________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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