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ylyad
Joined: 01 Jun 2010 Posts: 476 Location: Zentralschweiz
Expire: 2013-12-05
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Posted: Mon Jan 14, 2013 9:46 am Post subject: Metabones - Speed Booster |
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ylyad wrote:
Hi,
This hit the news last night: Metabones is proposing a new version of their Canon EF to Nex adapter with a focal reducer, allowing to compensate the crop factor, therefore increasing the aperture and improving the sharpness.
First tests here: http://philipbloom.net/2013/01/13/speedbooster/
Details here: http://www.metabones.com/images/metabones/Speed%20Booster%20White%20Paper.pdf
Any thoughts? Looking at mflenses that can be mounted on an EOS mount, this should apply to those ones too. And the optical principles could be re-used to build similar adapters to any mount _________________
Camera: Fuji X-E2, Fuji X100T
MF: Canon nFD 50/1.4, Canon nFD 100/2.8, Tokina RMC 135/2.8
Tamron SP 24-48/3.5-3.8
http://www.flickr.com/derdide/
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Mon Jan 14, 2013 11:04 am Post subject: |
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iangreenhalgh1 wrote:
Adding glass elements is a bad idea imho, usually sure to have a negative effect.
But this one might be okay, the high price suggests they have put some good class in there.
The concept is valid, but it doesn't really appeal to me, I prefer to use my lenses as the designer intended. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Mon Jan 14, 2013 11:41 am Post subject: |
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Attila wrote:
iangreenhalgh1 wrote: |
I prefer to use my lenses as the designer intended. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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ylyad
Joined: 01 Jun 2010 Posts: 476 Location: Zentralschweiz
Expire: 2013-12-05
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Posted: Mon Jan 14, 2013 1:13 pm Post subject: |
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ylyad wrote:
iangreenhalgh1 wrote: |
The concept is valid, but it doesn't really appeal to me, I prefer to use my lenses as the designer intended. |
Once you use them on a crop camera, you could consider you're not in that case anymore and using this adapter gets you closer to it. Let's take their example, the 50/1.8 wide-open, on an APS-C sensor:
- without their adapter, you have the field of view of a 75mm lens, with the depth of field of a 75/2.8
- with their adapter, it behaves like a 35/1.2, so you have the field of view of a 50mm lens, with the dof of a 50/1.8 lens _________________
Camera: Fuji X-E2, Fuji X100T
MF: Canon nFD 50/1.4, Canon nFD 100/2.8, Tokina RMC 135/2.8
Tamron SP 24-48/3.5-3.8
http://www.flickr.com/derdide/
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Jan 14, 2013 2:46 pm Post subject: |
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Orio wrote:
ylyad wrote: |
iangreenhalgh1 wrote: |
The concept is valid, but it doesn't really appeal to me, I prefer to use my lenses as the designer intended. |
Once you use them on a crop camera, you could consider you're not in that case anymore and using this adapter gets you closer to it. |
Definitely not closer to the original, the extra glass will change the optic's "fingerprint".
Of course the adapter may be useful to people who don't want to spend more money for extra lenses
(although I suspect that the price of this adapter will be higher than the average used manual lens)
But "useful" is one thing, "truer" is another. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Mon Jan 14, 2013 2:49 pm Post subject: |
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kds315* wrote:
A quite old idea from astronomy adopted to modern lenses, a inverse teleconverter, i.e. a positive achromatic element.
We had discussion here about that already...
See also on my BLOG: http://photographyoftheinvisibleworld.blogspot.de/search?q=reducer
without reducer/telecompressor:
with reducer/telecompressor:
overall system changed from f4 to f1.6 and the focal length from 84mm to 34mm!
P.S.: there are three threads about that now here... _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Jan 14, 2013 2:56 pm Post subject: |
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Orio wrote:
Very interesting Klaus! If you don't mind, I would like an explanation on how it's possible to increase the speed of a lens.
P.S. I have removed the thread in "official news" section. I can't find the third topic. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Mon Jan 14, 2013 2:59 pm Post subject: |
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sichko wrote:
3rd thread is here : http://forum.mflenses.com/metabones-caldwell-photographics-speed-booster-t56010.html _________________ John |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Jan 14, 2013 3:00 pm Post subject: |
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Orio wrote:
Thanks John, removed. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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edz
Joined: 20 Aug 2009 Posts: 82 Location: UK
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Posted: Mon Jan 14, 2013 4:37 pm Post subject: |
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edz wrote:
Orio wrote: |
If you don't mind, I would like an explanation on how it's possible to increase the speed of a lens. |
I think the basic principle is that the light rays are converged by the telecompressor, reducing the image circle. So a crop camera receives more light hitting the sensor when using a telecompressor than without it. (Light falling in the image circle but not on the sensor is mostly absorbed by the black interior of a camera I believe.) Is that what you were asking? |
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edz
Joined: 20 Aug 2009 Posts: 82 Location: UK
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Posted: Mon Jan 14, 2013 4:55 pm Post subject: |
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edz wrote:
Some early test shots are here:
http://philipbloom.net/2013/01/13/speedbooster/
To test the image quality / change in the lens' character, it would be interesting to see some comparisons of using full frame lenses on the following:
(i) full frame camera
(ii) full frame camera, cropped image
(iii) cropped camera
(iv) cropped camera + speedbooster
(v) cropped camera + speedbooster, cropped image
(i), (iv) have the same fov and dof.
(ii), (iii), (v) have the same fov and dof. |
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ylyad
Joined: 01 Jun 2010 Posts: 476 Location: Zentralschweiz
Expire: 2013-12-05
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Posted: Mon Jan 14, 2013 5:34 pm Post subject: |
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ylyad wrote:
@Orio: I agree it changes the fingerprint. What I mean is that using a full-frame lens on a crop camera is already changing the intention of the designer, anyway.
Regarding the "acceleration": the glass actually shortens the focal length, optically. Aperture is the division of focal length by diameter of front glass, so reducing the focal length decreases the f-number, i.e. increases the aperture. _________________
Camera: Fuji X-E2, Fuji X100T
MF: Canon nFD 50/1.4, Canon nFD 100/2.8, Tokina RMC 135/2.8
Tamron SP 24-48/3.5-3.8
http://www.flickr.com/derdide/
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Mon Jan 14, 2013 7:04 pm Post subject: |
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kds315* wrote:
Just a general remark: Sometimes, I would really, really wish that people would read (and understand) a book about lenses and lens designs except just talk about them... _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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fuzzywuzzy
Joined: 18 Dec 2010 Posts: 1258 Location: Down East, Canada, eh?
Expire: 2013-11-30
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Posted: Tue Jan 15, 2013 1:16 am Post subject: |
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fuzzywuzzy wrote:
Super interesting.
I'll never get a chance to try it at those prices, hope they make a budget version with just the glass and no EF autofocus electronics.
While I'm dreaming, they can make me an Exakta - NEX version too _________________ I welcome C&C, editing my pics and reposting them on the forum is fine.
NEX-F3
~~~~~~~~~
CZJ Sonnar 135/4, Biotar 58/2, Pancolar 50/2, Tessar 50/2.8, Flek 35/2.8, Flek 25/4
Super Takumar 135/2.5, 135/3.5, 100/4 bellows, 50/1.4, 28/3.5
Helios 58/2, 3M-5A 500/8, Mir 20M
Vivitar Series 1 70-210 - - - - - - - - Nikkor 200/4
Rikenon 28/2.8 - - - - - - - - Zeiss 50/1.7 Planar
PB 50/2.4, 135/2.8
Yashica 50/1.9, 28/2.8, 135/2.8
Hexanon 28/3.5, 50/1.4 |
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pavko
Joined: 31 Jan 2011 Posts: 216 Location: PL
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Posted: Tue Jan 15, 2013 9:44 am Post subject: |
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pavko wrote:
Cheapest version is 400$ for Leica-R to Sony Nex. Maybe this one would be within your budget?
I'm wondering whether to go nex/metabones/fd lenses (which I collect) way. It opens fd "almost" full frame experience . The only question that remains is what level of degradation this optical element introduces. |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Tue Jan 15, 2013 1:20 pm Post subject: |
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sichko wrote:
ylyad wrote: |
Aperture is the division of focal length by diameter of front glass, so reducing the focal length decreases the f-number, i.e. increases the aperture. |
Use of the diameter of front glass here can lead to errors. Wikipedia tells us that the f-number or relative aperture, N, is given by
N = f/D
where f the focal length of the lens and D is the diameter of the entrance pupil. Wikipedia also tells us that the entrance pupil is the optical image of the physical aperture stop as seen through the front of the lens.
Taking a Nikkor 50 mm f/1.8 Ai lens as an example (since I have one at hand) and measuring the Front Glass Diameter, FGD, and D with the lens aperture ring set to 1.8, I estimate ...
FGD = 32 mm, whence N = 50/32 = 1.56, and
D = 28 mm, whence N = 50/28 = 1.79.
Here the approximation, that FGD ~ D, is not too bad. However for the Nikkor 28 mm, f/2.8 Ais lens, and measuring D with the aperture ring set to 2.8 ...
FGD = 40 mm with N = 28/40 = 0.70, and
D = 10 mm with N = 28/10 = 2.80. _________________ John |
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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Tue Jan 15, 2013 2:17 pm Post subject: |
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Bille wrote:
http://www.canonwatch.com/rumor-metabones-working-on-a-speed-booster-for-canon-fd-mount-lenses/
Prepare for another FD price increase soon... |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Tue Jan 15, 2013 2:27 pm Post subject: |
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kuuan wrote:
amazing!
thank you Klaus for your expertise on the subject and samples, makes it so much more plausible and credible.
more samples appearing on the net, e.g. using the same lenses on 5DIII and NEX7: http://www.eoshd.com/content/9474/prototype-metabones-speed-booster-equipped-nex-7-vs-full-frame-5d-mark-iii _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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ylyad
Joined: 01 Jun 2010 Posts: 476 Location: Zentralschweiz
Expire: 2013-12-05
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Posted: Tue Jan 15, 2013 2:45 pm Post subject: |
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ylyad wrote:
sichko wrote: |
Use of the diameter of front glass here can lead to errors. Wikipedia tells us that the f-number or relative aperture, N, is given by
N = f/D
where f the focal length of the lens and D is the diameter of the entrance pupil. Wikipedia also tells us that the entrance pupil is the optical image of the physical aperture stop as seen through the front of the lens.
Taking a Nikkor 50 mm f/1.8 Ai lens as an example (since I have one at hand) and measuring the Front Glass Diameter, FGD, and D with the lens aperture ring set to 1.8, I estimate ...
FGD = 32 mm, whence N = 50/32 = 1.56, and
D = 28 mm, whence N = 50/28 = 1.79.
Here the approximation, that FGD ~ D, is not too bad. However for the Nikkor 28 mm, f/2.8 Ais lens, and measuring D with the aperture ring set to 2.8 ...
FGD = 40 mm with N = 28/40 = 0.70, and
D = 10 mm with N = 28/10 = 2.80. |
Sorry for the improper wording, many thanls for correcting
But this not change the principle of the calculation: if you add glass to shorten the focal length without changing the entrance pupil, you'll reduce the f number i.e. "increase" the speed _________________
Camera: Fuji X-E2, Fuji X100T
MF: Canon nFD 50/1.4, Canon nFD 100/2.8, Tokina RMC 135/2.8
Tamron SP 24-48/3.5-3.8
http://www.flickr.com/derdide/
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pavko
Joined: 31 Jan 2011 Posts: 216 Location: PL
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Posted: Tue Jan 15, 2013 3:25 pm Post subject: |
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pavko wrote:
Bille wrote: |
Prepare for another FD price increase soon... |
Please, no... FD's is last affordable line of high quality lenses that yet not attracted people and made prices mad... |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Tue Jan 15, 2013 3:39 pm Post subject: |
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sichko wrote:
ylyad wrote: |
But this not change the principle of the calculation: if you add glass to shorten the focal length without changing the entrance pupil, you'll reduce the f number i.e. "increase" the speed |
Absolutely. _________________ John |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jan 15, 2013 4:02 pm Post subject: |
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iangreenhalgh1 wrote:
pavko wrote: |
The only question that remains is what level of degradation this optical element introduces. |
That's the problem. nearly 400 quid for something that may reduce the IQ of my lenses. I don't need the extra speed, I was out today shooting Tech Pan at 25 ISO in winter light in northern England and I never had to open my Hexanon 1.7/50 wider than 2.8. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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ylyad
Joined: 01 Jun 2010 Posts: 476 Location: Zentralschweiz
Expire: 2013-12-05
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Posted: Tue Jan 15, 2013 4:24 pm Post subject: |
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ylyad wrote:
The extra speed allows to reduce depth of field, but in that case, I'd assume that sharpness is not so much looked after
The other useage is to increase the field of view, and that'd be different, especially on micro-4/3's _________________
Camera: Fuji X-E2, Fuji X100T
MF: Canon nFD 50/1.4, Canon nFD 100/2.8, Tokina RMC 135/2.8
Tamron SP 24-48/3.5-3.8
http://www.flickr.com/derdide/
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jan 15, 2013 4:37 pm Post subject: |
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iangreenhalgh1 wrote:
I don't like very shallow dof, sometimes it's okay but it's become hugely overused these days due to this bokeh fad.
I can sort of see the attraction of the wider field of view, but it's no replacement for a FF digicam imho. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Tue Jan 15, 2013 4:44 pm Post subject: |
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sichko wrote:
ylyad wrote: |
The other useage is to increase the field of view, and that'd be different, especially on micro-4/3's |
I think that will be the most important factor for some people. _________________ John |
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