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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Jan 09, 2008 4:13 am Post subject: Flektogon 25/4 Update - Additional Image |
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Laurence wrote:
I debated whether to post this shot, as it is not taken under very good light conditions. I was frankly not out for photographs, though I had the Flektogon mounted on my camera and in the back seat, as always. I wish I would have been carrying a neutral grad filter.
I've not taken many shots with the Flek yet, but at least this lens shows the nice wide aspect of this 25mm lens.
I'll be sure to post some good representative shots with the Flektogon soon, and I'll try to get nice scans from my friend's Nikon LS-50 Atilla, for a lens review of this fine glass.
Quinault Valley Scene
Flektogon 25/4
f:8, 1/125
Fuji Sensia
River Rocks with Ice Shards - Closest Focus - I'm not sure why the boulders to the right are out of focus, seems that even at f:4 they should be okay? I'll be able to tell more after more use of the lens. Almost certainly an error of my technique, or possibly a function of being at the closest limit of focus? The image is very very soft at the corners...
Flektogon 25/4
f:4, 1/125
Fuji Sensia
January 9, 2008
I still had the Flektogon 25/4 on the camera, as I made my way down the short trail to the wilderness beach north of Kalaloch Beach. It is typical "jungle-like" growth with the Black Willows taking a toehold against the pernicious wind coming off the North Pacific constantly, thus the twiny, interstitial growth that develops into odd shaped trunk patterns.
Although this is a VERY busy photograph, it still is a good indicator of the differentiation in sharpness from center to edges.
Again, the falloff of sharpness into the corners is pretty evident. The lens was stopped down a little, to f:5.6, but like Orio indicated it looks like things aren't going to start getting cleaner until maybe f:8 or higher.
Because of the long depth of field of this wide lens, there is very little differentiation to allow the viewer to gain a sense of depth.
Fortunately, I am going to be able to re-visit this "jungle" soon, and it has good possibilities. I would like to get the trail a bit more into the frame next time, and I also want to be able to decrease the depth of field in order to "snap" the willows into better focus and a more pleasing image. I may not be able to accomplish this with the Flektogon, so I will try some other lenses as well, to see if I can improve the imagery.
Beach Trail and Black Willows
Flektogon 25/4
f:5.6, 1/30
Fuji Velvia
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
Last edited by Laurence on Wed Jan 09, 2008 6:36 pm; edited 2 times in total |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Wed Jan 09, 2008 5:28 am Post subject: |
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patrickh wrote:
Beautiful - but I must stop buying no matter how good the lens looks. Cold up there huh. We have just had a two day blizzard - but down here in the valley it is gone by mid-day.
#2 gives me the shivers
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Attila
Joined: 24 Feb 2007 Posts: 57849 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Jan 09, 2008 6:21 am Post subject: |
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Attila wrote:
Wow! How lucky you are! Nice shoots on a very nice place! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 09, 2008 9:16 am Post subject: |
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Richard_D wrote:
Lovely composition. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Wed Jan 09, 2008 9:44 am Post subject: |
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LucisPictor wrote:
These shots are stunning! Very well done. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Jan 09, 2008 9:52 am Post subject: |
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Laurence wrote:
Thanks guys, but HORRIBLE softness in the corners. I hope it is just a problem with my technique. More shots will tell the story, and it MIGHT be the crappy scans are contributing to much of this.
Stay tuned... _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 09, 2008 10:04 am Post subject: |
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Orio wrote:
Laurence, you need to stop down the Flek to f/8 to obtain virtual evenness from centre to borders, wide open the corners are soft.
The poor Flek does miracles for the money, but can not turn itself into a Leica lens _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Jan 09, 2008 6:39 pm Post subject: |
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Laurence wrote:
Orio wrote: |
Laurence, you need to stop down the Flek to f/8 to obtain virtual evenness from centre to borders, wide open the corners are soft.
The poor Flek does miracles for the money, but can not turn itself into a Leica lens |
But Orio, I want ALL my lenses to be absolutely sharp from corner to corner at all apertures! I want it ALL, darnit!
You mean...I have to WORK with my lenses? Maybe I should just trade it all in for an auto-focus wonder! _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 09, 2008 6:53 pm Post subject: |
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Orio wrote:
Laurence wrote: |
But Orio, I want ALL my lenses to be absolutely sharp from corner to corner at all apertures! I want it ALL, darnit!
You mean...I have to WORK with my lenses? Maybe I should just trade it all in for an auto-focus wonder! |
No problem, every problem has a solution... and a price
Buy a Contax Distagon 25mm second version (MM)
perfectly sharp corner to corner. Maybe not supersharp at wide open, but for sure since f/4.
Or, even better, buy the new ZF version with Nikon mount, which will give your adapter more room in the infinity department (I had to sandpaper one of my adapters to get infinity with the Distagon 25 Contax).
But by the way I need to make two comments.
1) When you stop it down to f/8, the Flek really sings, and there is little doubt about that. OK it's not as sharp as a Nikkor or a Distagon. But it delivers a "freshness" to the images, that in my opinion, no other 24 or 25 mm lenses can give.
2) You live in a fantastic place. One day, if you can find a place to lay down my sleeping bag, I must pay you a visit.
Finally, I suggest that you do not update your original post when you add more images at a later time, because the thread becomes difficult to follow, as you anticipate, in the original post, replies to comments that will appear after it.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Jan 09, 2008 7:08 pm Post subject: |
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Laurence wrote:
Orio wrote: |
Laurence wrote: |
But Orio, I want ALL my lenses to be absolutely sharp from corner to corner at all apertures! I want it ALL, darnit!
You mean...I have to WORK with my lenses? Maybe I should just trade it all in for an auto-focus wonder! |
No problem, every problem has a solution... and a price
Buy a Contax Distagon 25mm second version (MM)
perfectly sharp corner to corner. Maybe not supersharp at wide open, but for sure since f/4.
Or, even better, buy the new ZF version with Nikon mount, which will give your adapter more room in the infinity department (I had to sandpaper one of my adapters to get infinity with the Distagon 25 Contax).
But by the way I need to make two comments.
1) When you stop it down to f/8, the Flek really sings, and there is little doubt about that. OK it's not as sharp as a Nikkor or a Distagon. But it delivers a "freshness" to the images, that in my opinion, no other 24 or 25 mm lenses can give.
2) You live in a fantastic place. One day, if you can find a place to lay down my sleeping bag, I must pay you a visit.
Finally, I suggest that you do not update your original post when you add more images at a later time, because the thread becomes difficult to follow, as you anticipate, in the original post, replies to comments that will appear after it.
- |
GREAT, I KNEW there was going to be a "price" to all of this...haha!
Good suggestions on lenses; wow, I can certainly dream.
And, as I'm sure you know, I'm "tongue in cheek" about expecting sharpness from the Flek in the corners at open apertures. But being honest, I WAS anticipating a bit better at f:5.6. So, I will ingest your wonderful suggestions, and take a series with the Flektogon in its sweet spots of f:8 and up.
One thing as a caveat to all of this: in the original slides and negatives, I see a sort of "personality" in the Flektogon - a sort of "look" that has a glow to it and gives a unique interpretation to the image. I can see it when I projected the slides last night, it jumped out at me. I would call it a "creamy smoothness" in the image, for lack of a better group of words.
Regarding the altering of the post, I did realize that after I posted in the new material. I thought of editing by cutting and pasting the material and inserting as a "reply" so that it would go to the end. But...I got lazy!
Regarding visitation, I given all members of this forum an open invitation to come over to the Pacific Northwest sometime in the near future. I have family issues at present that I will take care of, as that is my personal obligation. But I have already had a photography group of about 10 people come to my area this past summer. It not with pejudice or exaggeration that I say, "they all felt it was the best photographic trip they had ever experienced". I am EXTREMELY lucky here. We get our share of rain, with the southwesterly winds constantly streaming in from the Pacific basin, but the temperatures are moderated by the proximity of the ocean. Glaciation starts at the low elevation of 3500 feet, thus there are some tremendous glaciers that feed the rain forest valleys from the central core of the Olympic Mountains. In turn, we get the benefit of well-watered rain forests, huge boreal temperate forests, wonderful subalpine terrain, all very close to wilderness beaches.
I tend to expound heavily on this, but I feel that my description is accurate.
So again...YES, I will have great pleasure in sometime sponsoring visits from you folks from overseas. I think it is a great pleasure in life to "show" others the things I love. It puts a new perspective on things when I can look through others' personal reactions, and others' photographic interpretations, of this great land of ours. After all, this is NOT "my" part of the country...this is ALL OF OURS...we are ALL patrons of this great Earth, it belongs to ALL OF US.
If only governments would think somewhat the same.... _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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