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Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.

Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.
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Flektogon 25/4
f22
30"
ISO100
Tripod

Too bad the flare...


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The flare is expected in such situations (except if you shoot with a Distagon 1.4/35, that is Wink )

The problem for me is not the flare but the very strong orange juice cast. It really kills the mood in my opinion, because it's too accentuated. I'd rather see the pic in B&W.


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It's great.


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Like this for instance:



Now the photo has Hercules strenght Smile
Why?
Because the B&W reinforces the graphical element, which is the strenght of the photo.
The yellow cast was distracting from it.


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I also like the B&W version, but the colors are natural. The lamps are of that color, one can do nothing about it. Very Happy


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Barata wrote:
I also like the B&W version, but the colors are natural. The lamps are of that color, one can do nothing about it. Very Happy


Yes you can (sorry Obama) Laughing
You can choose the B&W! Wink


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true! Laughing


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I prefer the b&w version, contrast is much better
perfect picture for Christmas with all those stars!


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Another option, I have removed the orange cast by setting the white point. Hope you don't mind.
It's like to draw a curtain, the image clears up.

But the BW version is much better for the drama Smile



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Very nice Carlsson. The image, in fact, gained another life. Wink

And, of course i dont mind! Very Happy

Edit: Could you explain me how do you did that? Embarassed


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Sorry I've missed that. Rolling Eyes
I'll do my best but a lot of people call me a bad teacher... Smile

Open your image in photoshop, duplicate the layer. We will use the new layer for the white balance adjustment (BW).

Press crtl+m, this will bring up the curves dialog.
Below the curve diagram you can see the eyedropper tool.
Left to right: black - grey - white.
We need to determine where the shadow, (midtone) and hightlight areas are.
Use the "white eyedropper" to pick the brightest point in your image (except the street lights) - you will see instantly what happens Smile. Do the same with the "black eyedropper" on the darkest part.

If you have difficulties to find the brightest and darkest area, close the curves dialog and select on the lowest part of your layer panel the following button (see image), select "threshold".



Now drag the slider (under the histogram "threshold") to the right, only a few parts will remain white - this is the brightest part of the image (keep the area in mind), now move the slider to the left. A little part will remain black, this is your darkest part of the image.
Ignore the streetlight, they don't matter. Smile

brightest part

darkest part


Delete the threshold layer and bring up the curves dialog (crtl+m)
Now select the brightest part with the "white eyedropper" and the darkest part with the "black eyedropper". Close the curve tool.

pick brightest

pick darkest


The result is too strong but now you can blend the "corrected" layer with your original layer until you like it (hopefully) Smile. Less is more Smile
regards
sandy


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Barata wrote:
I also like the B&W version, but the colors are natural. The lamps are of that color, one can do nothing about it. Very Happy


And without the use of Photoshop there are the color balancing filters:

http://www.geocities.com/cokinfiltersystem/color_corection.htm


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Thanks a lot for the effort you put into explaining me all the steps.

As to the other people that say you're not a great teacher... well, dont listen to them! Wink


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What a capture!
Great shot


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Nice picture ! And I have removed the flare Smile

tf




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How?! Shocked


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Barata wrote:
How?! Shocked


just several clicks with STAMP tool --- and done... Smile

tf


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Barata wrote:


Flektogon 25/4
f22
30"
ISO100
Tripod

Too bad the flare...

it looks like Ipanema in Rio