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Architecture Contest
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PostPosted: Sat May 07, 2016 10:32 pm    Post subject: Reply with quote



PostPosted: Sat May 07, 2016 10:46 pm    Post subject: Reply with quote

Congrats Lars for perfectly mastering of light. Like 1 small


PostPosted: Sat May 07, 2016 10:47 pm    Post subject: Reply with quote



Wat Ket Karam, Chiang Mai, Thailand with Kenlock.McTor Wide 24/2.8


PostPosted: Sun Jul 03, 2016 11:46 pm    Post subject: Reply with quote

VOIGTLÄNDER Nokton ASPHERICAL 1.2/35

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PostPosted: Tue Oct 03, 2017 5:28 pm    Post subject: Reply with quote

Olivier wrote:
Wow.
Wolfgang, a great place very well exposed by your photograph !
Glass, steel and cement harmonize very well and I find your composition is very strong.

WIch equipment did you use ? Medium format ?

Like 1


PostPosted: Sun Oct 08, 2017 10:18 am    Post subject: Reply with quote



Assisi cathedral , taken with Vivitar 17mm /3,5 aperture probably f8 . The camera was Nex3


PostPosted: Wed Jan 30, 2019 12:56 am    Post subject: Reply with quote

CZJ Sonnar 135mm f/3.5, at around f/8-11ish









PostPosted: Thu Sep 19, 2019 3:40 am    Post subject: Reply with quote

From this spring. The Chinese Gate in Portland, Oregon. Nikkor 28-50mm f3.5 AIS, Nikon FM2n, Kodacolor 400 film.



Last edited by gaeger on Sat Jan 11, 2020 1:15 am; edited 1 time in total


PostPosted: Thu Sep 19, 2019 7:31 am    Post subject: Reply with quote

The eye of the photographer !
Nice shot.

It seems you've developed some films these days. Wink


PostPosted: Sat Jan 11, 2020 1:26 am    Post subject: Reply with quote

We took a hike out to the Dungeness Spit lighthouse in Washington state -- nearly 11 miles round trip, so you have to watch the tides. We started out about a half-hour past high tide, and big surf was pushing waves up over the dunes, so it was exciting -- you can't hike on the inland side of the spit because it's a bird sanctuary, so that leaves you trying to climb up onto logs to escape the waves! Nikkor 20mm f4 K, Nikon D5500. F11, 1/1000th sec., ISO 400.



PostPosted: Wed Jan 15, 2020 10:43 am    Post subject: Reply with quote

What a beautiful and very clean place.

I'm wondering why so much buildings around the lighthouse.
Are there inhabitants ?

Often, in France, we have automated lighthouses, alone, and no more guardians.

Have a nice day.
Olivier


PostPosted: Wed Jan 15, 2020 1:39 pm    Post subject: Reply with quote

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PostPosted: Thu Jan 16, 2020 2:24 am    Post subject: Reply with quote

Olivier; This light is decommissioned. But a group of volunteers works around the year to keep it up. People pay to stay in the keeper's house for a week, but they also have chores to keep everything looking good.


PostPosted: Sun Mar 15, 2020 4:49 pm    Post subject: Reply with quote

"Drawing contours, shapes, and lines
From the nebula, it shines,
Strange as fiction."
-- Stephen Edgar, "The Building of Light"

Architecture on the University of Washington campus. Vivitar 20mm f3.8 T4 lens in Nikon F non-Ai mount. Nikon D5500. F11, 1/1250th sec., ISO 200. Conversion in Nik Silver Efex Pro 2.



PostPosted: Mon Mar 16, 2020 5:47 pm    Post subject: Reply with quote


Bronica SQ-A, 80PS, Acros 100


PostPosted: Mon Feb 01, 2021 6:45 pm    Post subject: Reply with quote

Gosh, it's been almost a year since this thread was active! I was out with my Nikkor 85mm f1.8 K and my equally old Nikon F2 with Fuji Superia last week in an almost deserted downtown Seattle, and this is a result.



PostPosted: Mon Feb 01, 2021 7:13 pm    Post subject: Reply with quote

gaeger wrote:
Gosh, it's been almost a year since this thread was active! I was out with my Nikkor 85mm f1.8 K and my equally old Nikon F2 with Fuji Superia last week in an almost deserted downtown Seattle, and this is a result.


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PostPosted: Thu Nov 25, 2021 5:20 am    Post subject: Reply with quote

"Upon the wreckage of thy yesterday
Design the structure of to-morrow. Lay
Strong corner stones of purpose, and prepare
Great blocks of wisdom, cut from past despair."
-- Ella Wheeler Wilcox, "The Structure"

Grain terminal, Seattle. Nikkor 25-50mm f/4 AIS, Nikon D610.



PostPosted: Mon Jun 06, 2022 9:23 pm    Post subject: Reply with quote

Nordentro wrote:


Lovely space, well captured.


PostPosted: Thu Mar 16, 2023 8:04 pm    Post subject: Reply with quote

Eskmeals Viaduct, stitched from many HDR frames.



PostPosted: Fri Mar 24, 2023 5:15 am    Post subject: Reply with quote

Excellent shot.


PostPosted: Sat Nov 25, 2023 3:28 am    Post subject: Reply with quote

Fulda Cathedral, Germany. Typical low contrast / high overcast weather, and around noon, so pretty boring light for color images. Black and white however results in a quite good image. The rendering is typical for the Sony A900 set to a high DRO level (very well balanced foreground vs sky):




Another one from the Dom of Arlesheim / Switzerland. Again Sony A900 with DRO. Handheld.


S


PostPosted: Tue Mar 12, 2024 10:04 am    Post subject: Reply with quote

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Ligt Snowfall over the Garden of the Royal Danish Library - a few days before Christmas, Winter, 2023.

Pentax K5 & Pentax 35mm 2.8 macro limited.


Last edited by kasperbergholt on Wed Apr 03, 2024 4:57 pm; edited 4 times in total


PostPosted: Tue Mar 12, 2024 7:49 pm    Post subject: Reply with quote

That is pretty good for a 35.
Sounds like an interesting lens!

-D.S.


PostPosted: Tue Mar 19, 2024 11:35 am    Post subject: Reply with quote

Doc Sharptail wrote:
That is pretty good for a 35.
Sounds like an interesting lens!

-D.S.


It did do a decent job, I think Smile

If you're not familiar with it, it's a 'cousin' to the 77mm 1.8 limited designed by Mr. Jun Hirokawa. The 77mm limited was chosen as the 'The undisputed Greatest Pentax Lens of All Time’ on Pentax Forums in 2004, and they get some of the same things completely write.

There are two models 'HD Pentax-DA 35mm F2.8 (red marking)' and 'SMC Pentax-DA 35mm (green marking)' - mine is the older of the. I wish it was full-frame compatible; newer macro lenses are either 50mm or 100mm.