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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jul 10, 2013 1:44 pm Post subject: |
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Orio wrote:
Coma is a Latin word which corresponds to today's italian "chioma" (english is something like "flowing hair" or "mane").
"Cometa" (English: "comet") is the diminutive, it means "piccola chioma" ("small mane"), because that is what comets look like when you see them from the Earth.
The meaning of the word is a perfect explanation for the appearance of the optical aberration called coma: light is deviated to form a trail that extends radially from the source.
The fact that is an aberration of transversal type means that it's not altered by different focusing, because it always lies on the focusing plane.
It's appearance can instead be progressively reduced by stopping down the iris of the lens.
You will notice that it can be altered the same way as purple fringing (transversal chromatic aberration), that's because both are aberrations of transversal kind.
Astigmatism is also a spherical aberration of transversal type. In spherical lenses it mostly appears as oblique astigmatism, i.e. the result of sagittal and tangential light rays focusing on different points of focusing plane.
The main visible difference between a coma aberration and an oblique astigmatism aberration is that coma produces blurring, whereas oblique astigmatism produces distortion. This of course is very roughly said (not scientifical description).
Many people who notice distorted out of focus highlights at the edge of an image think it's coma, while it's oblique astigmatism instead.
Coma is much more annoying because it creates radial blurring which is not only noticeable in out of focus highlights but impacts also an image in perfect focus.
Residual coma aberration can be noticed at the edges of very fast lenses of spherical type used wide open, such as the f/1.2 Nikkor in Rockwell's example. That is absolutely normal and quite unavoidable.
In all other lenses (99% of lenses) it should not be noticeable if the lens is of good quality, because making sure that coma is corrected is a top priority for lens makers.
Much more common (in spherical lenses) are astigmatic aberrations, for two reasons: 1) they are much harder to eliminate (without the help of aspherical elements) and 2) some manufacturers
choose to not correct them completely, because they can add to the character of a lens.
I remember having read the statement of a Zeiss engineer who openly admitted that field curvature (perhaps the most important consequence of astigmatism) was NOT entirely corrected ON PURPOSE
in the new Z-series 2/28 Distagon because it contributed in a decisive way to the feel of images created with the original Contax "Hollywood" lens and that Zeiss buyers expected to find again in the new Z version of the lens.
Like it happens with humans, a lens with some characteristic imperfections is more appealing than an absolutely perfect one.
For instance, many males prefer an "imperfect" (for classical canon) female like Brigitte Bardot to an absolutely perfect statuary body like Bo Derek
The link that I gave in my precious message:
http://hyperphysics.phy-astr.gsu.edu/hbase/geoopt/coma.html
contains text explanations that are very clear if you take the time to read them.
Other useful readings are:
http://www.aristidetorrelli.it/Articoli/Ottica/Parte3/Aberrazioni.html (Italian Language)
http://toothwalker.org/optics/astigmatism.html (English Language) _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Wed Jul 10, 2013 2:08 pm Post subject: |
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malsano wrote:
Thanks Orio for the details.
I posted two pictures that, following what you wrote, should explain the difference:
this should be Coma
this one should be astigmatism
is it?
I selected ,most probably, the two best lenses to show it _________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7 |
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sammo
Joined: 04 Jan 2012 Posts: 223 Location: CH and SI
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Posted: Wed Jul 10, 2013 2:40 pm Post subject: |
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sammo wrote:
If I understand well, first image has a small amount of coma, but huge amount of both trasversal and sagittal astrigmatism. Second has a bit larger amount of coma, but a very small amount of sagittal astigmatism and modest transversal astigmatism
Orio wrote: |
Coma2) some manufacturers
choose to not correct them completely, because they can add to the character of a lens. |
+1
That's probably why the 28mm f1.4 Nikon was not appreciated by some, because it was not built to produce character but an insanely sharp image. |
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Wed Jul 10, 2013 2:58 pm Post subject: |
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malsano wrote:
It should be exactly the opposite. _________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jul 10, 2013 3:24 pm Post subject: |
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Orio wrote:
Both images show both coma and astigmatism (and also transversal chromatic aberration, and possibly even some axial chromatic aberration too - are they corner crops?). _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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sammo
Joined: 04 Jan 2012 Posts: 223 Location: CH and SI
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Posted: Wed Jul 10, 2013 3:45 pm Post subject: |
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sammo wrote:
Can I note on the photos what I see as coma and astigmatism? |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jul 10, 2013 5:53 pm Post subject: |
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Orio wrote:
When the bright point seems to have tails, that is coma. Easily identifyable in the images posted by malsano.
When it looks like oval shape, that is oblique astigmatism.
For an example of oblique astigmatism, I borrow this image from Robert T. Wilson, that he posted somewhere else on this forum.
You can see the effect of oblique astigmatism in the shape of the highlights at the edges:
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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sammo
Joined: 04 Jan 2012 Posts: 223 Location: CH and SI
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Posted: Wed Jul 10, 2013 7:19 pm Post subject: |
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sammo wrote:
I give up...more I read on webpages, more I only see only astigmatism and no coma here |
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Aanything
Joined: 27 Aug 2011 Posts: 2201 Location: Piacenza, Italy
Expire: 2014-05-30
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Posted: Wed Jul 10, 2013 7:23 pm Post subject: |
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Aanything wrote:
So the "swirl" some lenses show in the oof highlights has something to do with this kind of astigmatism? _________________ C&C and editing of my pics are always welcome
Samples from my lenses
My gear
My Flickr |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jul 10, 2013 7:41 pm Post subject: |
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Orio wrote:
sammo wrote: |
I give up...more I read on webpages, more I only see only astigmatism and no coma here |
Astigmatism does not create "wings" to the bright points. At the worst possible astigmatism case, when radial and sagittal rays would never coincide in any points,
you would only see a shifted double of the original shape, that's all.
When you see those "wings", instead, that is coma. It's very identifyiable in malsano's images.
Aanything wrote: |
So the "swirl" some lenses show in the oof highlights has something to do with this kind of astigmatism? |
Yes, the oblique shape is determined by the difference in focal point between sagittal and tangential rays; being a transversal aberration, the aberration does not not create
an axial focus shift (which would result in blur), but a transverse focus shift, parallel to focal plane, which results instead in the distortion of the shape.
Since this astigmatism is spherical in origin, the effect of the aberration is radial, more pronounced the nearer you get to the edges. This radial arrangement causes the "tunnel" or "swirl" effect. |
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koji
Joined: 21 Jul 2008 Posts: 2106 Location: Hiroshima, Japan
Expire: 2012-12-27
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Posted: Wed Jul 10, 2013 8:24 pm Post subject: |
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koji wrote:
Here is typical coma of a wide angle lens, focused to the farthest tree.
These coma are called "front coma", i.e. coma appears in front of focused plane.
There is "back coma" too, generally speaking "front coma" is worse but
for some lens "back coma" is worse (I do not have an example in hand). _________________ Our Home Page has 18,200 photos in 575 directories today.
Lenses: https://www.pbase.com/kkawakami/top_level_my_lenses
Last edited by koji on Wed Jul 10, 2013 9:37 pm; edited 1 time in total |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jul 10, 2013 9:01 pm Post subject: |
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Orio wrote:
Thanks Koji, excellent example. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Thu Jul 11, 2013 5:37 am Post subject: |
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malsano wrote:
The two posted exemplum are, as told, selected because are exactly the opposite in terms of projects.
The first one Is an Olympus OM Zuiko 50 1,2 used at 1,2 on canon 5d mk III
a good "old" project without aspherical element. It should be the classic lens that can generate Coma
a good "old" project without aspherical element. It should be the classic lens that can generate Coma
The second one is a "modern" project with TWO aspherical elements. A lens that should be able, thanks to the aspherical element (I selected this one even because it has two asph..) , to avoid coma, but may be afflict to astigmatism following the kind Orio's information.
_________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7
Last edited by malsano on Thu Jul 11, 2013 5:51 am; edited 1 time in total |
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Thu Jul 11, 2013 5:46 am Post subject: |
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malsano wrote:
This is a Canon 50L 1.2 @ 1,2
as expected is different respect the Olympus ( I think "butterfly lights thanks astigmatism and COMA as the aura around the light ) and similar to the Canon 50 1.0 L in terms of lights results in the night.
_________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7 |
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Thu Jul 11, 2013 5:57 am Post subject: |
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malsano wrote:
to complete the matter...
Contax 50 1,7 AE at 1,7
The coma is present but the astigmatism is very well corrected
_________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7 |
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Thu Jul 11, 2013 5:58 am Post subject: |
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malsano wrote:
we e totally out of topic
is it possible move this part from 28mm test and create another topic " Coma and Astigmatism " ???
thanks _________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7 |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Thu Jul 11, 2013 1:21 pm Post subject: |
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sichko wrote:
malsano wrote: |
is it possible move this part from 28mm test and create another topic " Coma and Astigmatism " ??? |
Good idea. Some of the explanations given here are worthy of comment. _________________ John |
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Excalibur
Joined: 19 Jul 2009 Posts: 5019 Location: UK
Expire: 2014-04-21
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Posted: Thu Jul 11, 2013 2:30 pm Post subject: |
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Excalibur wrote:
Very interesting and have learnt something as I've just accepted lenses which probably had coma and Astigmatism and just thought "that's what you have to put up with, when using camera lenses" _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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malsano
Joined: 27 Nov 2012 Posts: 93 Location: Dubai
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Posted: Thu Jul 11, 2013 2:58 pm Post subject: |
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malsano wrote:
yes! cropped.
So at the end even modern lenses have coma _________________ "Every picture tells you a story"
CANON EOS: 5d mk III, 24 f1.4 L mkII, 24 f3.5 L mk II, 50 f1.0 L, 300 f2.8 L IS, 16-35 f2.8 L mkII, 24-70 f2.8 L
CANON FD: F1N AE, T90, 14 f2.8 L, 17 f4, 24 f1,4L, 24 f2, 28 f2, 35 f2 Thorio,35 f2.8 TS, 50 1.2 L, 55 1.2 ASPHERICAL, 85 f1.2L, 100 f2 , 135 f2, 200 f2,8 IF new, 300 f2.8 Fluorite, 20-35 f3.5 L, 28-85 f4, 35-105 f3.5, 35-105 f3.5-4.5 ASPH, 50-300 f4.5L, 80-200 f4 L, 100-300 f5.6 L, 500L f4,5
CONTAX 645 AE with 45 f2.8, 80 f2, 120 f4 makro,
CONTAX: Yashica FR, contax 15 f3.5, contax 18 f4 AE, contax 21 f2.8 , yashica 24 f2.8 ML, contax 28 f2 AE, yashica 28 f2.8 ML, contax 35 f1.4 AE, contax 50 f1.4 AE, contax 50 f1.7AE, contax 85 f1.2 60th MM, contax 100 f2, contax 135 f2 AE.
OLYMPUS OM: OM2, 18 f3.5, 21 f2, 35 f2.8 new, 50 f1.8 new, 55 f1.2
NIKON: F2As, 28 f1.4 D
LAICA R: 180 3,4 APO E60
HELIOS: 40-2 85 f1.5
SONY a7 |
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