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What's the latest lens you added to your collection?
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PostPosted: Mon Nov 25, 2024 12:41 am    Post subject: Reply with quote

BrianSVP wrote:
Interesting it gets such decent coverage, as IIRC, this lens was primarily paired with the 8mm Cine-Kodak magazines rather than the 16mm s mount cameras


I would be surprised, that is an awfully narrow (long) FOV for 8mm. The Wiki entry lists it under the 16mm lenses. I think the longest 8mm lens they list is the 38mm 2.5, but maybe you are right.


PostPosted: Mon Nov 25, 2024 2:46 pm    Post subject: Reply with quote

Mir wrote:
1965 LTM Canon 3.5/25mm


That's a very special lens since its construction is based on the Zeiss Topogon (which in itself was a color-corrected version of the original Goerz Hypergon).
Manufacturing the inner tiny thin negative lenses must have been a nightmare if we can believe Haruo Sato (Nikon):

https://imaging.nikon.com/imaging/information/story/0029/

Let us know about the lens ... BTW I literally have tried hundreds of different lenses, but never ever a Topgon type!

S


PostPosted: Thu Nov 28, 2024 4:27 pm    Post subject: Reply with quote

lumens pixel wrote:


How much did you pay for the choco biscuits? Which auction site?



far too much - those are Standardized Measuring Units (SMU), by the way, and are an industry standard for measuring things....


PostPosted: Thu Nov 28, 2024 4:28 pm    Post subject: Reply with quote

this past week, two Voigtlanders:

Voigtlander 75 vs 55 by Pepperberry Farm, on Flickr



Color-Heliar 75/2.5 on the left, Nokton 55/1.2 on the right....


PostPosted: Thu Nov 28, 2024 4:48 pm    Post subject: Reply with quote

The Nokton looks like an interesting lens, as does the Color-Heliar.
Had a look on the provided flickr link.
How recent is the Nokton? It has the A/I-s scoop on it's mount base, and fairly modern color coding for aperture stops.

Looking forward to samples from both...

-D.S.


PostPosted: Fri Nov 29, 2024 12:14 pm    Post subject: Reply with quote

Hey,
after many years I finally found out my password for the forum and since I just made a discovery, I thought I could show it.
I'm not really a collector, but a set of Yashica M42 lenses near me caught my interest, as I shoot with Pentax. It turned out that this photo equipment was only 500m away from me. Sry for the quick and dirty pic.

Yashica by regentag fotografie, auf Flickr


All Preset Lenses except the 50 of course. From left to right:

Super Yashinon-R 1:6.3 f=40cm No.4000042 - 15 Blades Iris

Super Yashinon-R 1:2.8 f=13.5cm No.1380486 - 16 Blades Iris

Super Yashinon-R 1:3.5 f=3.5cm No.350142 - 8 Blades Iris

Auto Yashinon 1:2 f=5cm No.114632 - 6 Blades Iris

Super Yashinon-R 1:4.5 f=20cm No.2000017 - 15 Blades Iris

Yashica Reflex 35

As you can see, some of the lenses are complete with caps and original lens hoods. A nice leather case and leather quiver are also included and are in good condition. There are also 4 old close-up lenses from B&W for the 50mm, as well as a couple of remote releases.

The 135mm lens is unfortunately in bad condition, but the others are pretty good. The 50mm is really great, super sharp wide open, that alone makes me very happy. I couldn't find the 35mm online, does anyone have any information?

Cheers, Jerome.


PostPosted: Fri Nov 29, 2024 2:11 pm    Post subject: Reply with quote

regentag wrote:
I couldn't find the 35mm online, does anyone have any information?

Cheers, Jerome.


Are you sure it's not a 3.5cm/2.8 rather than a 3.5? There are a couple of known variants that are 2.8, the first being a Tominon (which it says on the nameplate) with six bladed iris brought over from the Pentamatic system, and the second a Sankor.

The 5cm Auto Yashinon is a very well-regarded lens.


PostPosted: Fri Nov 29, 2024 2:36 pm    Post subject: Reply with quote

regentag wrote:
I couldn't find the 35mm online, does anyone have any information?

Cheers, Jerome.


BrianSVP wrote:
Are you sure it's not a 3.5cm/2.8 rather than a 3.5?


That's why I asked my friend.

Edit: Also found out that I can screw in 46mm Filters or even the thick Close Up Lenses and still be able to screw the Lens Hood on. Nice.

Super Yashinon 3.5cm f3.5 by regentag fotografie, auf Flickr

Super Yashinon 3.5cm f3.5 by regentag fotografie, auf Flickr

Super Yashinon 3.5cm f3.5 by regentag fotografie, auf Flickr


Last edited by regentag on Fri Nov 29, 2024 7:01 pm; edited 1 time in total


PostPosted: Fri Nov 29, 2024 2:57 pm    Post subject: Reply with quote

regentag wrote:
Hey,
after many years I finally found out my password for the forum

Laugh 1


regentag wrote:
and since I just made a discovery, I thought I could show it.
I'm not really a collector, but a set of Yashica M42 lenses near me caught my interest, as I shoot with Pentax. It turned out that this photo equipment was only 500m away from me. All Preset Lenses except the 50 of course. From left to right:

Yashica Reflex 35
Super Yashinon-R 1:3.5 f=3.5cm No.350142 - 8 Blades Iris
Auto Yashinon 1:2 f=5cm No.114632 - 6 Blades Iris
Super Yashinon-R 1:2.8 f=13.5cm No.1380486 - 16 Blades Iris
Super Yashinon-R 1:4.5 f=20cm No.2000017 - 15 Blades Iris
Super Yashinon-R 1:6.3 f=40cm No.4000042 - 15 Blades Iris

As you can see, some of the lenses are complete with caps and original lens hoods. A nice leather case and leather quiver are also included and are in good condition. There are also 4 old close-up lenses from B&W for the 50mm, as well as a couple of remote releases.

The 135mm lens is unfortunately in bad condition, but the others are pretty good. The 50mm is really great, super sharp wide open, that alone makes me very happy. I couldn't find the 35mm online, does anyone have any information?

Cheers, Jerome.


Even though I know nothing about those old Yashica Reflex lenses, that seems to be a pretty cool (and maybe rare?) set of lenses. And loook at the SN of the 20cm and 40cm lenses: The 17th and the 42th ever made! Looking forward to hear what the real experts on this forum have to say about it ...

S


PostPosted: Fri Nov 29, 2024 3:35 pm    Post subject: Reply with quote

regentag wrote:
Hey,
after many years I finally found out my password for the forum

Laugh 1

It's true Very Happy The "I Forgot My Password" Function never worked for me and I am to lazy to make a new email address just for a new account.


PostPosted: Fri Nov 29, 2024 8:48 pm    Post subject: Reply with quote



I won an auction in the UK for 4 cameras, including 2 Agfa SLR cameras including the not often seen 180mm lens, and a clean copy of the 90mm lens. As usual, the auction hammer price was much much less than what it took to finally get the items to my location. The 180mm lens does not have the unique depth of focus moving indicator that the other focal lengths possess.






This well used Komura 135mm lens was a somewhat cheaper buy from Yahoo Japan, but needed cleaning and a helicoid regreasing. I was unable to completely disassemble the front section of the lens, but it cleaned up enough to use.



PostPosted: Fri Nov 29, 2024 10:20 pm    Post subject: Reply with quote

@ alun:

Great interesting stuff, as usual when you are posting! I hope to see / hear more anout those lenses, especially since I have very little experience with those DKL mount lenses from the 1950s (or is it early 1960s?) ...

And the fast 135mm certainly is interesting too, e. g. for portraits!

S


PostPosted: Sat Nov 30, 2024 1:28 am    Post subject: Reply with quote

The 180mm should be a nice lens. The DOF moving indicator is missing on some of other lenses too as a way to reduce cost.


PostPosted: Sat Nov 30, 2024 3:12 am    Post subject: Reply with quote

[quote="stevemark"]@ alun:

Great interesting stuff, as usual when you are posting! I hope to see / hear more anout those lenses, especially since I have very little experience with those DKL mount lenses from the 1950s (or is it early 1960s?) ...

And the fast 135mm certainly is interesting too, e. g. for portraits!

S[/quote

Agfa was unique among the West German leaf shutter SLR makers, they used their own mount, as opposed to variations of the DKL mount used by Voigtlander, Braun, Kodak and Edixa.


#1


These first two are test shots wide open for the 90mm F/3.4
Sharpness is so-so, once again I particularly like the colours you get with Agfa lenses for both these SLRs and the Ambisillette rangefinder.

#2


#3


This last one is the 180mm lens wide open. The sun came out slightly to show more of the mentioned colour vibrance. The long lens does have some fringing, nearly all leaf shutter long lenses seem to show this, particularly the ones with largish front elements which channel the light out through a fairly small rear element.

In other news, I have moved house, many of my test shots will feature boats in future.


Last edited by Alun Thomas on Tue Dec 03, 2024 5:42 am; edited 1 time in total


PostPosted: Sat Nov 30, 2024 3:18 am    Post subject: Reply with quote

Yes, nice colors!

Dang, that's a LOT of timber! Import or export?


Last edited by visualopsins on Sat Nov 30, 2024 3:44 am; edited 1 time in total


PostPosted: Sat Nov 30, 2024 3:25 am    Post subject: Reply with quote

Looking at those pics, I'm almost 100% certain that's a rebrand of the Kyoei W.Acall of the same specs. Also seen as a Petri and other brands.

regentag wrote:
regentag wrote:
I couldn't find the 35mm online, does anyone have any information?

Cheers, Jerome.


BrianSVP wrote:
Are you sure it's not a 3.5cm/2.8 rather than a 3.5?


That's why I asked my friend.

Edit: Also found out that I can screw in 46mm Filters or even the thick Close Up Lenses and still be able to screw the Lens Hood on. Nice.

Super Yashinon 3.5cm f3.5 by regentag fotografie, auf Flickr

Super Yashinon 3.5cm f3.5 by regentag fotografie, auf Flickr

Super Yashinon 3.5cm f3.5 by regentag fotografie, auf Flickr


PostPosted: Sat Nov 30, 2024 3:35 am    Post subject: Reply with quote

visualopsins wrote:
Yes, nice colors!

Dang, that's a LOT of lumber! Import or export?


Timber for export, bulk carriers arrive with palm kernel from South East Asia used as stock feed, and depart with timber for China. Not sure if the same vessel carries each cargo. The other main export has historically been hydrocarbons, naptha, condensate, methanol, although this trade is dwindling now. The vessel pictured appears to be there for hydrocarbons.


PostPosted: Sat Nov 30, 2024 5:33 am    Post subject: Reply with quote

[quote="BrianSVP"]Looking at those pics, I'm almost 100% certain that's a rebrand of the Kyoei W.Acall of the same specs. Also seen as a Petri and other brands.

/quote]

This is the first time I've seen the 35mm Kyoei lens badged as a Yashinon. Not entirely surprising though, the 135/3.5, 180/3.5 and 250/4 lenses can all be found as Yashinon lenses.


PostPosted: Sat Nov 30, 2024 10:25 am    Post subject: Reply with quote

BrianSVP wrote:
Looking at those pics, I'm almost 100% certain that's a rebrand of the Kyoei W.Acall of the same specs. Also seen as a Petri and other brands.


Nice, thank you!


PostPosted: Sat Nov 30, 2024 2:15 pm    Post subject: Reply with quote

Definitely a rarity in this kit and seems to be in nice shape, too.

More common varieties of this lens would sell in the $150-$200 range, as it works well for UV photography, so with the rare branding, probably worth somewhat more.


Alun Thomas wrote:
BrianSVP wrote:
Looking at those pics, I'm almost 100% certain that's a rebrand of the Kyoei W.Acall of the same specs. Also seen as a Petri and other brands.



This is the first time I've seen the 35mm Kyoei lens badged as a Yashinon. Not entirely surprising though, the 135/3.5, 180/3.5 and 250/4 lenses can all be found as Yashinon lenses.


PostPosted: Sat Nov 30, 2024 4:58 pm    Post subject: Reply with quote

BrianSVP wrote:
Definitely a rarity in this kit and seems to be in nice shape, too.

More common varieties of this lens would sell in the $150-$200 range, as it works well for UV photography, so with the rare branding, probably worth somewhat more.


I did not clean up anything yet but the whole kit is well treated by the owner and everything is firsthand. The seller, the granddaughter, told me her grandfather who owned all this is still alive. A shame I could not talked to him.
I will test the 3.5cm and 5cm lenses on a walk soon and post some pictures from the results.
As I said I am not a collector but that does not mean I don't keep a good lens for myself.


PostPosted: Sun Dec 01, 2024 7:22 pm    Post subject: Reply with quote

Alun Thomas wrote:
stevemark wrote:
@ alun:

Great interesting stuff, as usual when you are posting! I hope to see / hear more anout those lenses, especially since I have very little experience with those DKL mount lenses from the 1950s (or is it early 1960s?) ...

And the fast 135mm certainly is interesting too, e. g. for portraits!

S


Agfa was unique among the West German leaf shutter SLR makers, they used their own mount, as opposed to variations of the DKL mount used by Voigtlander, Braun, Kodak and Edixa.


Ouch ... I really shouldn't write about things I have "little experience" Wink ... Thanks for correcting me!


Anyway, another Petri camera has arrived yesterday:



The camera and the lenses look very nice, BUT two of the lenses are fogged, and the camera itself has a locked shutter. Everything is included - lens shade for the 200mm, plus the two lens quivers (?? ... is this the coreect english word?) for the 35mm and the 200mm:



The new set is nicely complementing the Petri rangefinder (right) and the the Petri FT EE I recently had aqcuired. Both the rangefinder as well as the FT EE were dysfunctional when I got them, but after some cleaning and minor repairs both are working again. Shutter speeds may not be 100% accurate, but the long speeds sound resonable, and the shortest tim (1/500s on the SLRs) opens reliably.



So I have now the Petri EE Auto 1.8/55mm and EE Auto 1.7/55mm normal lenses, plus the EE Auto 2.8/35mm wideangle and the EE Auto 4/200mm tele.

Ah yeah ... some time ago either Alun Thomas or OldHand asked whether the Petri EE Auto 1.8/55 and the EE Auto 1.7/55 were the same optical computation. They are not - the EE 1.7/55mm clearly has bigger lenses than the EE 1.8/55mm:



S


PostPosted: Tue Dec 03, 2024 3:51 am    Post subject: Reply with quote

With the FTEE, Petri managed to beat some big names to produce a focal plane shuttered SLR with TTL auto exposure. Konica was first with the FTA, with the Canon EXEE following, before the Petri model. Some of the other big names were somewhat later to the party.


PostPosted: Tue Dec 03, 2024 4:58 pm    Post subject: Reply with quote

Minty Tokina SD 400mm f5.6 in PKA mount - not easy to find these, usually there's one or two around but at high BIN's. I got lucky!
I think I have actually posted pics before with a previous one (maybe not - can't find it if I did...). IIRC it's good-ish but just doesn't quite cross a "oh yes" rubicon.

You can see first test pics, against a sigma apo 135-400mm, here.

addendum here's a pic. Cropped, resized. pentax K3ii. F9.



PostPosted: Tue Dec 03, 2024 9:40 pm    Post subject: Reply with quote

@Alun: Thanks for that additional information - I wasn't aware of that!

@ Marcus: That's an interesting find indeed! I have the corresponding 2.8/135mm, 3.5/200mm and 5.6/300mm lenses from the same series, but never ever came across the Tokina SD 5.6/400mm here in Switzerland. I have, however, a German book ("Mit Objektiven gestalten" by Hans Bortsch, Laterna Magica, München 1982) where the Tokina SL is described, including the lens section. Since both lenses are [8/5] constructions, their optical computation is probably similar, if not identical. Does anyone have information about that?

While some people claim that the Tokina SL and the Konica AR 5.6/400mm lenses are clones, this is definitely wrong. The Konica AR is a quasi-apochromatic [9/5] construction, and the lens section is completely different from the Tokina SL.

S