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Lena
Joined: 24 Apr 2012
Posts: 495
Location: Pl
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 Posted: Sun Jul 22, 2012 7:20 pm Post subject: What went wrong here? Backlit photos. |
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Lena wrote:
I hope this is the correct place to ask this question.
Obviously it was not the best idea to shoot this picture like that ( the window was like 10ft behind the armchair ), but still something seems terribly wrong. The lens was Samyang 85/1.4 at aroung f2. I can't name what happened here...
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erkie
Joined: 08 Oct 2011
Posts: 308
Location: Missouri
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| Posted: Sun Jul 22, 2012 8:47 pm Post subject: |
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erkie wrote:
Did something go wrong ? A loss of contrast from shooting into bright light , the background blown out from metering on Kitty , Shallow DOF from the wide aperture . And all managed quite nicely by your lenses coatings . The White Balance may have been shifted a little but only you would know the answer to that for sure .
I have many lenses that would have give almost no image at all under these conditions 
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I shoot film and meter with digital 
Asahi H3v, Praktica FX3, Retina IIa, Spotmatic sp1000, Fujica V2, Yashica lynx5000, Pentax Sf1, Minolta SRT102, Minolta7000i, Pentax MX, Pentax ME, Pentax Kx
lensesM42- Isco Gottingen Westanar 50/2.8, Isco Gottingen Westron 35/2.8, Rikenon 35/2.8, Spiratone Tc 105/2.5, Spiratone Tc 200/4.5, Sankyo Kohki Komura 300/5, Sankyo Kohki Komura 135/3.5, Auto Tak 35/3.5, Super Tak 150/4, S-M-C Tak 50/1.4, S-M-C Tak 28/3.5, SMC Tak 55/2, Mamya Sekor 55/1.8
K- mount- Helios 44-K-4, Jc penny 28/2.8, Da 18-55, Da 55-300, Pentax F 35-70, SMCP M 50/1.4, SMCP M 50/1.7
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poilu
Joined: 26 Aug 2007
Posts: 10472
Location: Greece
Expire: 2019-08-29
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| Posted: Sun Jul 22, 2012 11:06 pm Post subject: |
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poilu wrote:
I don't understand what is the problem, the cat look nice
if you don't like the way the background is rendered, it is digital who don't work nice with overexposure
you can underexpose your cat to get more of the highlight and recover the shadows in post processing
or use film who deal better with this kind of scene
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enliten
Joined: 20 Sep 2011
Posts: 201
Location: Perth, WA
Expire: 2014-07-03
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| Posted: Mon Jul 23, 2012 3:16 am Post subject: |
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enliten wrote:
Lena, try shooting in raw as well as jpg. It will allow you to tone down some of the highlights. Apparently D90s have really good dynamic range (especially if shooting ISO 100 - 200), this will give you a heap of data to play with.
Of course the trouble with that is that a good portion of your cat is also white.
See how you go. |
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hoanpham
Joined: 31 Jan 2011
Posts: 2575
Expire: 2015-01-18
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| Posted: Mon Jul 23, 2012 3:21 am Post subject: |
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hoanpham wrote:
I cant see what is wrong here.
In such scene, use manual mode, shot raw, fix wb, spot meter on the cat.
F2 might give too shallow dof on 85mm. |
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Lena
Joined: 24 Apr 2012
Posts: 495
Location: Pl
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| Posted: Mon Jul 23, 2012 6:46 am Post subject: |
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Lena wrote:
I always shoot manual and in raw only. I just thought that the effect is not normaln, even given the circumstances. Thanks for the comments, I will have to be more careful with the light, I didn't expect the window to create such an effect. |
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visualopsins
Joined: 05 Mar 2009
Posts: 10958
Location: California
Expire: 2025-04-11
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| Posted: Mon Jul 23, 2012 2:39 pm Post subject: |
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visualopsins wrote:
For less effect, reflector some window light to cat dark side.
For the opposite effect, light subject bright and keep dark background.
Sunrise shines first on the tallest flower in the garden.
Expose for flower, image will be black background.
For less of this effect
wait for sun to rise higher
shine more light on background.
Cat likes furniture same colors. 
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Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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