Home

Please support mflenses.com if you need any graphic related work order it from us, click on above banner to order!

SearchSearch MemberlistMemberlist RegisterRegister ProfileProfile Log in to check your private messagesLog in to check your private messages Log inLog in

What Are the Best and Worst of Vivitar and Series 1 Lenses?
View previous topic :: View next topic  


PostPosted: Fri Jan 05, 2024 4:26 pm    Post subject: Reply with quote

BrianSVP wrote:
Lovely set from a fun lens. I always found the handling a little odd, but it never failed to deliver nice shots. What are your thoughts on the handling?



Well, I find the handling quite OK, since I prefer zoom lenses with separate commands for focus and focal length variation for the kind of pictures I'm using the lens for (mainly close-up and near macro in the wild). Nethertheless, the length and the weight of the S1 90-180 mm force me to use it mostly with a monopod and the IBIS of my A7 II since movement blur is very quick to creep into the pictures. For landscapes, I prefer either fixed focal length tele lenses or tele zoom lenses with better aberration correction near infinity. But even then, the 90-180 mm is far from bad once stopped down a little bit (f/8 or, better, f/11).


PostPosted: Thu Feb 06, 2025 9:16 pm    Post subject: Reply with quote

I just got a pretty nice sample of the Vivitar S1 3.8/24-48mm zoom. Here it is - together with another three of the most famous Series 1 zooms & varifocal lenses, namly the

Vivitar Series 1 24-48mm f/3.8 (made by Kiron)
Vivitar Series 1 28-90mm f/2.8-3.5 (made by Komine)
Vivitar Series 1 35-85mm f/2.8 (Variable focus, made by Kiron)
Vivitar Series 1 70-210mm f/3.5 (67mm version made by Kiron)



S


PostPosted: Fri Feb 07, 2025 11:05 am    Post subject: Reply with quote

Does any of these survive the comparison against a Canon nFD 70 210 f4 or a Minolta MD 75-200 f4,5 or 70 210 f4?


PostPosted: Fri Feb 07, 2025 1:00 pm    Post subject: Reply with quote

The best one is the one you don’t have, and the worst one is the one in your bag.


PostPosted: Fri Feb 07, 2025 1:01 pm    Post subject: Reply with quote

In my experience, the v3 (Komine) version of the VS1 70-210 is a significantly better lens than the Canon, beating it in image quality, max aperture (2.8-4 variable), and close focus ability (.7m vs 1.2mm). The Canon only really beats it in weight (700g vs 860g).

That Minolta f/4 is IMO a better lens than the Canon and is pretty comparable in image quality to the Vivitar.

The constant-aperture Kiron version of the Vivitar also produces excellent images, but is significantly more unwieldy than the later Komine version.

lumens pixel wrote:
Does any of these survive the comparison against a Canon nFD 70 210 f4 or a Minolta MD 75-200 f4,5 or 70 210 f4?


PostPosted: Fri Feb 07, 2025 7:33 pm    Post subject: Reply with quote

[quote="stevemark"]I just got a pretty nice sample of the Vivitar S1 3.8/24-48mm zoom. Here it is - together with another three of the most famous Series 1 zooms & varifocal lenses, namly the

Vivitar Series 1 24-48mm f/3.8 (made by Kiron)
Vivitar Series 1 28-90mm f/2.8-3.5 (made by Komine)
Vivitar Series 1 35-85mm f/2.8 (Variable focus, made by Kiron)
Vivitar Series 1 70-210mm f/3.5 (67mm version made by Kiron)

These are all in MD mount, right?
What's the condition of the 35-85?


PostPosted: Sun Feb 09, 2025 12:29 am    Post subject: Reply with quote

Phalbert wrote:
stevemark wrote:
I just got a pretty nice sample of the Vivitar S1 3.8/24-48mm zoom. Here it is - together with another three of the most famous Series 1 zooms & varifocal lenses, namly the

Vivitar Series 1 24-48mm f/3.8 (made by Kiron) CANON FD
Vivitar Series 1 28-90mm f/2.8-3.5 (made by Komine) MINOLTA MD
Vivitar Series 1 35-85mm f/2.8 (Variable focus, made by Kiron) CANON FD
Vivitar Series 1 70-210mm f/3.5 (67mm version made by Kiron) NIKON AI, KONICA AR


These are all in MD mount, right?
What's the condition of the 35-85?


All my Kiron manufactured lenses (S1 24-48, S1 35-80, S1 70-210) have visible haze on several lens surfaces, and therefore a reduced contrast. Otherwise they are impeccable (no aperture problems).

S


PostPosted: Sun Feb 09, 2025 7:46 pm    Post subject: Reply with quote

stevemark wrote:
I just got a pretty nice sample of the Vivitar S1 3.8/24-48mm zoom. Here it is - together with another three of the most famous Series 1 zooms & varifocal lenses, namly the

Vivitar Series 1 24-48mm f/3.8 (made by Kiron)
Vivitar Series 1 28-90mm f/2.8-3.5 (made by Komine)
Vivitar Series 1 35-85mm f/2.8 (Variable focus, made by Kiron)
Vivitar Series 1 70-210mm f/3.5 (67mm version made by Kiron)



S


The 24-48 / Kiron is a lens I've had for nearly 20 years, and I'm never tempted to sell it, it's great lens despite its size and weight.
The 35-85 is a lens I want to like, I've had three copies now and didn't like any of them, was it bad luck to get three bad lenses?
I've had a few 28-90, and loved every one of them, all Komine, one of the best walkabout lenses ever made Still got two, just in case .
I've got a 70-210 / 3.5 Kiron which is a nice lens, but I much prefer my 2.8-4 Komine. I like the extra stop and the lighter more compact lens.


PostPosted: Tue Feb 11, 2025 4:48 pm    Post subject: Reply with quote

The 35-85 is kind of an odd duck, but one area where it surprisingly hasn't gotten a lot of attention is how it renders bokeh on closeups.

Very defined "soap bubbles" similar to those that drive Meyer Trioplan prices through the roof, in a lens that typically sells for $50-$100.

Lloydy wrote:
stevemark wrote:
I just got a pretty nice sample of the Vivitar S1 3.8/24-48mm zoom. Here it is - together with another three of the most famous Series 1 zooms & varifocal lenses, namly the

Vivitar Series 1 24-48mm f/3.8 (made by Kiron)
Vivitar Series 1 28-90mm f/2.8-3.5 (made by Komine)
Vivitar Series 1 35-85mm f/2.8 (Variable focus, made by Kiron)
Vivitar Series 1 70-210mm f/3.5 (67mm version made by Kiron)



S


The 24-48 / Kiron is a lens I've had for nearly 20 years, and I'm never tempted to sell it, it's great lens despite its size and weight.
The 35-85 is a lens I want to like, I've had three copies now and didn't like any of them, was it bad luck to get three bad lenses?
I've had a few 28-90, and loved every one of them, all Komine, one of the best walkabout lenses ever made Still got two, just in case .
I've got a 70-210 / 3.5 Kiron which is a nice lens, but I much prefer my 2.8-4 Komine. I like the extra stop and the lighter more compact lens.


PostPosted: Tue Feb 11, 2025 6:21 pm    Post subject: Reply with quote

That 28-90mm version is an interesting focal length and aperture, I already have primes to cover up on c/y mount but this zoom would be interesting paired with the Zeiss 80-200mm. How good is wide open from 50-90mm for portraits ? That would be my main usage for it (maybe wider from time to time)


PostPosted: Wed Feb 12, 2025 8:12 am    Post subject: Reply with quote

@ kiddo
Remember, the 28-90 is vari-focal, not true zoom. If you can live with it... But it has a very good reputation. I can confirm that.
I have an OM and a PK copy.


PostPosted: Wed Feb 12, 2025 12:07 pm    Post subject: Reply with quote

kiddo wrote:
That 28-90mm version is an interesting focal length and aperture, I already have primes to cover up on c/y mount but this zoom would be interesting paired with the Zeiss 80-200mm. How good is wide open from 50-90mm for portraits ? That would be my main usage for it (maybe wider from time to time)


I have the 35-85mm and 28-90mm. For my kind of use I like the 35-85mm much more due to to the wider aperture and more character.

The 28-90mm has a lot of vignetting at 28mm. I really like this shot at 50mm:


At 90mm there is a really funky character present that can be useful.

90mm:


And the 35-85mm bubbles:



PostPosted: Wed Feb 12, 2025 2:07 pm    Post subject: Reply with quote

One other thing about the 28-90mm. Every single unserviced example of this lens I have ever come across, and it has been many, has had oily/slow aperture blades.

Every. Single. One.

The upshot of this is if you are planning on shooting film on your native mount you will have to have your lens serviced if you want proper exposures. I've seen this described as an "unserviceable" aperture, but fortunately, that's far from true, and the procedure is fairly simple.

1) Remove the three grub screws at the front, and unscrew the front group. Mark the original position and count the turns, as this group is used to set infinity.

2) Remove the second group using a pin spanner

3) Remove the three JIS screws on the front of the iris The iris now pops out as a single assembled unit

4) Apply acetone on the inset ring holding the element on the back of the iris and remove with a small friction tool.

5) The iris can now be cleaned by flooding with naphtha and swabbing

6) wipe off any excess oil from the inner barrel portions where the iris sits, and reinstall everything in the reverse order of disassembly

While you are in there, it's also worth checking the lens surfaces for any oil that might have migrated onto them and cleaning if necessary.

If you are using this lens on a fully manual adapter, some slowness in the blades is fine, but in many cases, they end up completely frozen, so you'll have to do such a cleaning, anyway.

Even if you don't realize that your example has a slow iris, after this cleaning, you will notice that the action is much snappier.