View previous topic :: View next topic |
Author |
Message |
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Fri Sep 07, 2012 1:01 pm Post subject: New Apo-Sonnar 2/135 by Zeiss |
|
|
Orio wrote:
A dream lens!!
http://blogs.zeiss.com/photo/en/?p=2625
http://www.youtube.com/watch?v=qFMhilBU7BU&feature=youtu.be
Apochromatic, floating element for best performance at all distances, 0,8 meters minimum focusing distance,
9 blades iris.
Price is high, but lower than what is usual for apochromatic lenses (1600 Euros, 2000 USD) _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
berraneck
Joined: 24 May 2009 Posts: 972 Location: prague, czech republic
|
Posted: Fri Sep 07, 2012 1:25 pm Post subject: |
|
|
berraneck wrote:
sample photo from Stefan Czech? do they aim on my country with this lens? _________________ equipment doesn´t count, good photographs do |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Fri Sep 07, 2012 1:33 pm Post subject: |
|
|
Orio wrote:
berraneck wrote: |
sample photo from Stefan Czech? do they aim on my country with this lens? |
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
Aanything
Joined: 27 Aug 2011 Posts: 2187 Location: Piacenza, Italy
Expire: 2014-05-30
|
Posted: Fri Sep 07, 2012 1:36 pm Post subject: Re: New Apo-Sonnar 2/135 by Zeiss |
|
|
Aanything wrote:
Orio wrote: |
A dream lens!! |
Indeed.
I would have expected an higher price - not that I can afford one, it was just to say. _________________ C&C and editing of my pics are always welcome
Samples from my lenses
My gear
My Flickr |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Fri Sep 07, 2012 1:43 pm Post subject: Re: New Apo-Sonnar 2/135 by Zeiss |
|
|
Orio wrote:
Aanything wrote: |
I would have expected an higher price - not that I can afford one, it was just to say. |
Yes, exactly - I can't buy it, but the price will make it attractive for many more potential buyers than I would
have expected. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
aleksanderpolo
Joined: 24 Jan 2010 Posts: 684
|
Posted: Fri Sep 07, 2012 2:38 pm Post subject: |
|
|
aleksanderpolo wrote:
Finally something to compete with Apo Lanthar
Edit: Nevermind, see that it only goes to 1:4 |
|
Back to top |
|
|
Nisseliten
Joined: 26 May 2012 Posts: 332 Location: Sweden
|
Posted: Fri Sep 07, 2012 4:37 pm Post subject: |
|
|
Nisseliten wrote:
*Drool*
That's a frekkin' sweet looking lens, not "too" expensive either. Just expensive enough to make you wonder if you sold your kidney(s), your potted plants and the dogs you might get a chance to be disappointed with it because your not good enough to handle such a beast. _________________
DSLR: Canon 550D, Panasonic DMC-GF3
SLR: Leica R3mot electronic, Leica R4s, Leica R4mot electronic. and more.
Medium Format: Many.
Lenses
Leica: 19/2.8, 35/2, 35/2.8x2, 50/2, 60/2.8 macro, 90/2, 90/2.8, 180/3.4, 250/4, 500/8 T-Noflexar 400/5.6
Other: When will it end?!
Canon: 50/1.8, 70-200 f4 IS
|
|
Back to top |
|
|
Nikos
Joined: 17 May 2010 Posts: 1077 Location: Greece
Expire: 2015-01-02
|
Posted: Fri Sep 07, 2012 7:42 pm Post subject: |
|
|
Nikos wrote:
Very interesting lens.
Do you think its rendering will be better than the old Planar 2/135 Contax?
According to the MTF it has much better contrast/sharpness.
BTW, Canon makes a very good double-element close-up filter (500D), which
would be a perfect companion to this lens for macro work around 1:2 magnification. _________________ Νίκος • www.diafragma.gr
Cameras: Canon EOS 5D Mark II, Sony α7R, Sony NEX-5N
MF lenses:
SLR:
Canon TS-E 17mm f/4, Zeiss 2.8/21 ZE, Zeiss 2/28 Contax, Zeiss 2/35 ZE, Zeiss 1.4/50 Contax, Zeiss 1.4/85 Contax, Zeiss Makro 2/100 ZE,
Zeiss 2/135 Contax, Zeiss 2.8/135 Contax, Zeiss Vario-Sonnar 35-70 Contax, Zeiss Vario-Sonnar 100-300 Contax, Zeiss F-Distagon Rollei, Canon FD 24mm f2, Minolta MD Rokkor 35mm f2.8
Rangefinder:
Zeiss 4.5/21 C Biogon ZM, Zeiss 2/35 Biogon ZM, Voigtländer 15mm f/4.5 Heliar L39, Leica Tele-Elmarit 2.8/90mm, Zeiss 2/45 Contax G, Zeiss 2.8/90 Contax G, Canon 50mm 1.8 LTM
AF lenses: Canon 15mm f/2.8 Fisheye, Canon 24-70 f/2.8 L, Canon 70-200 f/2.8 L IS II, Canon 70-200 f/4 L, Canon 300 f/4 L IS, Canon 100 f/2.8 macro
|
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Sat Sep 08, 2012 6:39 am Post subject: |
|
|
Orio wrote:
Nikos wrote: |
Very interesting lens.
Do you think its rendering will be better than the old Planar 2/135 Contax?
According to the MTF it has much better contrast/sharpness. |
Well, after almost 40 years, it'd better be, otherwise Zeiss would have a serious problem in their engineering dept.
I foresee at least two areas in which it will be visibly better: the flare resistance, due to the advancements in the T* coatings
technology and to the Sonnar design, and (obviously, being the old Planar non-Apo) the control of CA, which however
was very well controlled in the old Planar (although not completely absent).
But the Planar 2/135 is one of the best lenses ever designed. It will be bettered by the new Apo-Sonnar, but it won't be wiped out.
Like the Contax Distagon 2.8/21, the Planar 2/135 also used special types of glasses that are not allowed by today's laws.
It would be especially interesting to compare the Apo-Sonnar with the elusive 60 years version of the 2/135 Planar, which,
according to my friend Marco Cavina, was redesigned optically in order to comply with the new laws. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
Nikos
Joined: 17 May 2010 Posts: 1077 Location: Greece
Expire: 2015-01-02
|
Posted: Sat Sep 08, 2012 9:36 am Post subject: |
|
|
Nikos wrote:
Orio wrote: |
It would be especially interesting to compare the Apo-Sonnar with the elusive 60 years version of the 2/135 Planar, which,
according to my friend Marco Cavina, was redesigned optically in order to comply with the new laws. |
You mean an anniversary edition for Contax 60 years?
The tehnical data imply performance similar to the 2/100 Makro Planar (ZE/ZF), but without any CA.
This is simply spectacular.
(The 2/100 shows some CA in rare cases. In real world scenes it almost never happens, at least for my eyes) |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Sat Sep 08, 2012 10:05 am Post subject: |
|
|
Orio wrote:
Nikos wrote: |
You mean an anniversary edition for Contax 60 years? |
Yes. It is almost impossible to find. Very few were made.
EDIT: I just found one for sale right now in Austria, for very rich people only: Click here to see on Ebay _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
|
Posted: Sat Sep 08, 2012 4:55 pm Post subject: |
|
|
rawhead wrote:
I wonder if this is Cosina as well? _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
|
Back to top |
|
|
Nikos
Joined: 17 May 2010 Posts: 1077 Location: Greece
Expire: 2015-01-02
|
Posted: Sat Sep 08, 2012 6:33 pm Post subject: |
|
|
Nikos wrote:
rawhead wrote: |
I wonder if this is Cosina as well? |
Most probably, it is.
All the Zeiss lenses I have bought new, three from the ZE series and two ZM, are "made in Japan".
This includes the 2/100 Makro Planar, which is very similar to the new Sonnar. _________________ Νίκος • www.diafragma.gr
Cameras: Canon EOS 5D Mark II, Sony α7R, Sony NEX-5N
MF lenses:
SLR:
Canon TS-E 17mm f/4, Zeiss 2.8/21 ZE, Zeiss 2/28 Contax, Zeiss 2/35 ZE, Zeiss 1.4/50 Contax, Zeiss 1.4/85 Contax, Zeiss Makro 2/100 ZE,
Zeiss 2/135 Contax, Zeiss 2.8/135 Contax, Zeiss Vario-Sonnar 35-70 Contax, Zeiss Vario-Sonnar 100-300 Contax, Zeiss F-Distagon Rollei, Canon FD 24mm f2, Minolta MD Rokkor 35mm f2.8
Rangefinder:
Zeiss 4.5/21 C Biogon ZM, Zeiss 2/35 Biogon ZM, Voigtländer 15mm f/4.5 Heliar L39, Leica Tele-Elmarit 2.8/90mm, Zeiss 2/45 Contax G, Zeiss 2.8/90 Contax G, Canon 50mm 1.8 LTM
AF lenses: Canon 15mm f/2.8 Fisheye, Canon 24-70 f/2.8 L, Canon 70-200 f/2.8 L IS II, Canon 70-200 f/4 L, Canon 300 f/4 L IS, Canon 100 f/2.8 macro
|
|
Back to top |
|
|
Esox lucius
Joined: 26 Aug 2008 Posts: 2441 Location: Helsinki, Finland
Expire: 2011-11-18
|
Posted: Tue Sep 11, 2012 8:20 am Post subject: |
|
|
Esox lucius wrote:
Yes, definitely on my list of stuff to buy. Would make a perfect studio portrait lens that will replace 2 other lenses in use at the moment (Nikkor 135/3.5, Nikkor-Q 135/2.8 ).
Last edited by Esox lucius on Tue Sep 11, 2012 10:32 am; edited 1 time in total |
|
Back to top |
|
|
iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
|
Posted: Tue Sep 11, 2012 9:35 am Post subject: |
|
|
iangreenhalgh1 wrote:
Esox lucius wrote: |
Yes, definitely on my list of stuff to buy. Would make a perfect studio portrait lens that will replace 2 other lenses in use at the moment (Nikkor 135/3.5, Nikkor-Q 135/2.. |
Interesting, you use the 135s for studio portraits? What kind of working distance does this give you? Using full frame or APS-C camera?
I still haven't found my ideal portrait lens, didn't occur to me to try a 135mm, I was looking at lenses in the 75-105mm range and was going to buy a Ai-s Nikkor 2.5/105 to try next but you get me thinking now. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
|
Back to top |
|
|
Esox lucius
Joined: 26 Aug 2008 Posts: 2441 Location: Helsinki, Finland
Expire: 2011-11-18
|
Posted: Tue Sep 11, 2012 10:20 am Post subject: |
|
|
Esox lucius wrote:
iangreenhalgh1 wrote: |
Interesting, you use the 135s for studio portraits? What kind of working distance does this give you? Using full frame or APS-C camera? |
I use full frame.
At 135mm, shoulder/face crops with room for lens vignetting are achieved at about 1.8-2.0m focusing distance. Face crops I reach at 135mm with about 1.5m focusing distance, plenty as 135mm primes usually have min. focus at 1.2-1.5m
I don't have "one" studio lens because I do a lot of different work. A typical studio shoot uses one or more of these: 85/1.4 (if I want to achieve very shallow depth of field or if I'm shooting half-body frames), 105/2.5 for the in-between, 135mm for CV portraits and the 180/4 if the light works better with a flattened perspective.
The Nikkor 70-200/2.8G AF-S fills all those needs and is superb wide open, but I rather handle a lightweight manual focus lens when working in the studio. That of course changes if the subject is an untrained dog or active little child (which is when I pick the superfast focusing zoom). _________________ Vilhelm
Nikon DSLR: D4, D800, Nikon D3, D70
Nikon SLR: Nikon F100, Nikon FM2n
Nikkor MF: 20/2.8 Ai-S, 24/2 Ai-S, 24/2.8 Ai-S, 28/2 Ai-S, 28/2.8 Ai-S, 35/1.4 AIS, 35/2 Ai-S, 45/2.8 GN, 50/1.2 Ai, 50/1.2 Ai-S, 50/1.4 Ai, 50/1.4 Ai-S, 50/1.8 AI-S "long", 50/1.8 AI-S "short", 55/1.2 Ai, 85/1.4 Ai-S, 85/1.8H, 105/2.5 Ai, 135/2.8Q, 135/3.5 Ai, 180/2.8 Ai-S ED
Nikkor AF/AF-S FX: 14-24/2.8G, 16/2.8D Fisheye, 16-35/4G VR, 17-35/2.8D, 24/1.4G, 24/3.5D PC-E, 24/2.8D, 24-70/2.8G, 28/1.4D, 28/1.8G, 35/1.4G, 35/2D, 50/1.4D, 50/1.4G, 50/1.8G, 60/2.8 Micro, 60/2.8G Micro, 70-200/2.8G VR, 70-200/2.8G VR II, 80-400/4.5-5.6D VR, 85/1.4G, 85/2.8D PC-E Micro, 105/2D DC, 105/2.8G VR Micro, 135/2D DC, 200/2G VR, 200-400/4G VR, 300/2.8G VR, 300/4D ED, 400/2.8G VR, 800/5.6E VR
Nikkor AF/AF-S DX: 10.5/2.8G Fisheye, 12-24/4G, 18-70/3.5-4.5G
Topcor: Auto-Topcor 58/1.4,
Voigtländer SL: 40/2 Ultron, 58/1.4 Nokton, 75/2.5 Color-Heliar, 90/3.5 APO-Lanthar, 125/2.5 APO-Lanthar, 180/4 APO-Lanthar
Zeiss ZF: Planar T* 85/1.4 ZF
M42 SLR: Voigtländer Bessaflex TM
M42: Flektogon 20/4, Flektogon 35/2.4, Tessar 50/2.8 T, Super-Takumar 55/1.8, Biotar 58/2 T, Pentacon 135/2.8, Sonnar 135/3.5
Medium format: several Zeiss Super Ikonta 532/16 Opton-Tessar 80mm f/2.8, Zeiss Ikonta 524/16 Opton-Tessar 75mm f/3.5
Leica: R7, M4, Super-Angulon-R 4/21, Elmarit-R 2.8/28, Summicron-R 2/35, Summicron-M 2/35, Summicron-M 2/50, Elmarit-R 2,8/180 |
|
Back to top |
|
|
Esox lucius
Joined: 26 Aug 2008 Posts: 2441 Location: Helsinki, Finland
Expire: 2011-11-18
|
Posted: Wed Jan 09, 2013 5:11 pm Post subject: |
|
|
Esox lucius wrote:
samples in large size: http://www.flickr.com/photos/silver2silicon/sets/72157631453059672/detail/
Going to put myself on the B&H pre-order list - this lens looks like the perfect portrait tele for studio use and would likely replace/complement the Nikkor 135/2D AF DC (defocus) lens I now use.
Last edited by Esox lucius on Wed Jan 09, 2013 7:18 pm; edited 1 time in total |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Wed Jan 09, 2013 5:17 pm Post subject: |
|
|
Orio wrote:
Looks nice, but I don't see that "sparkle" that I see in my 2/135 Contax Planar photos. Maybe it's because of the bad photographer.
I think that with the excellent CA removal that both Lightroom 4 and Capture One Pro 7 feature, the need for an APO lens for a digital photographer
is much less stringent than it used to be until last year. A good non-APO lens can now do the same work for half the cost. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
Esox lucius
Joined: 26 Aug 2008 Posts: 2441 Location: Helsinki, Finland
Expire: 2011-11-18
|
Posted: Wed Jan 09, 2013 7:17 pm Post subject: |
|
|
Esox lucius wrote:
Orio wrote: |
I think that with the excellent CA removal that both Lightroom 4 and Capture One Pro 7 feature, the need for an APO lens for a digital photographer is much less stringent than it used to be until last year. A good non-APO lens can now do the same work for half the cost. |
Very true, also I believe ACR7 is reason why suddenly so many APO lenses flood eBay.
I agree, (to an amateur) a good non-APO lens and pp will achieve almost the same for half the cost. It's aficionados and those who need out of camera results (less post-processing hours --> better profit margin or lower total price to charge client) who will buy this lens. |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Wed Jan 09, 2013 8:50 pm Post subject: |
|
|
Orio wrote:
Esox lucius wrote: |
I agree, (to an amateur) a good non-APO lens and pp will achieve almost the same for half the cost. It's aficionados and those who need out of camera results (less post-processing hours --> better profit margin or lower total price to charge client) who will buy this lens. |
Actually, since batch process is possible on both applications (even during import), I'd say that the processing time factor is also zeroed (usually one setting will cure all instances from one lens).
I think that the buyers of the lens will mostly be those who like manual lenses of "noble origin" but don't like to deal with adapters and prefer to work with a native mount lens.
That will be especially true for Nikon users because of the register distance, but also many Canon users will appreciate being able to use automated aperture (which you can not do with adapted lenses). _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
Bruce
Joined: 15 Jan 2008 Posts: 842 Location: Boston, Ma USA
Expire: 2014-11-22
|
Posted: Wed Jan 09, 2013 10:31 pm Post subject: |
|
|
Bruce wrote:
Orio wrote: |
but also many Canon users will appreciate being able to use automated aperture (which you can not do with adapted lenses). |
Im not sure I understand what you mean here Orio, why would I not be upset with losing control of my aperture to my camera's computer?
Thanks _________________ Digital: Canon 40d & 5DmkII, Film: Hasselblad 203fe/Zeiss 80/2.8 cfe
Adapters for EOS: Cy; M42; Zenit39; Exakta; LeicaR; OlympusOM; PK; Nikon; Rollei35; Retina; Adaptal; P-6 |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Thu Jan 10, 2013 1:23 pm Post subject: |
|
|
Orio wrote:
Bruce wrote: |
Orio wrote: |
but also many Canon users will appreciate being able to use automated aperture (which you can not do with adapted lenses). |
Im not sure I understand what you mean here Orio, why would I not be upset with losing control of my aperture to my camera's computer?
Thanks |
An example is when you need to do some critical focusing and shooting at the same time. With automated aperture control you can focus the lens wide open and the shutter is closed to (say) f/8 the moment you shoot.
That would be a very common situation in fashion shooting, to name one occasion. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
metallaro1980
Joined: 10 Sep 2009 Posts: 385 Location: West Emilia - Fidenza (PR) 43036 - Italy
|
Posted: Sat Jan 30, 2016 6:25 pm Post subject: |
|
|
metallaro1980 wrote:
I bought it on ebay
uk seller.
I have the track id
DPD (dynamic parcel distribution)
Orio...if you want to test my Apo-Sonnar with your Planar 135 f/2... under my surveillance _________________
Olympus OM: 28 2.8, 35 2.8, 50 1.8 Made in Japan
Contax: 50 1.4, 85 1.4
Zeiss: 135 2.0 Apo-Sonnar ZE
Leica-R: 180 3.4 Apo-Telyt-R (Leitax)
Rollei QBM: 135 2.8 Rolleinar (Leitax), 50 1.4 HFT
Canon: 50 1.8, 40 2.8
M42: Helios 50 2.0, Jupiter-37A, Jupiter-21 200 4.0
Binocular: Hensoldt & Wetzlar DF 8x30
http://andreaverdi.altervista.org/ Vivaldi lives in my lenses.... |
|
Back to top |
|
|
kds315*
Joined: 12 Mar 2008 Posts: 16652 Location: Weinheim, Germany
Expire: 2021-03-09
|
Posted: Sun Jan 31, 2016 1:22 pm Post subject: |
|
|
kds315* wrote:
Congrats, a fantastic lens my friend told me (who has that and all teh other new APO ones...) _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
|
|
Back to top |
|
|
metallaro1980
Joined: 10 Sep 2009 Posts: 385 Location: West Emilia - Fidenza (PR) 43036 - Italy
|
Posted: Wed Aug 04, 2021 3:15 am Post subject: |
|
|
metallaro1980 wrote:
wide open
Carl Zeiss Apo-Sonnar T* 135 f/2 [ZE]
_________________
Olympus OM: 28 2.8, 35 2.8, 50 1.8 Made in Japan
Contax: 50 1.4, 85 1.4
Zeiss: 135 2.0 Apo-Sonnar ZE
Leica-R: 180 3.4 Apo-Telyt-R (Leitax)
Rollei QBM: 135 2.8 Rolleinar (Leitax), 50 1.4 HFT
Canon: 50 1.8, 40 2.8
M42: Helios 50 2.0, Jupiter-37A, Jupiter-21 200 4.0
Binocular: Hensoldt & Wetzlar DF 8x30
http://andreaverdi.altervista.org/ Vivaldi lives in my lenses.... |
|
Back to top |
|
|
|