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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Sep 25, 2013 3:08 pm Post subject: What links Monet to Zeiss? |
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Orio wrote:
Find about that here:
http://corporate.zeiss.com/corporate/en_de/about-carl-zeiss/news/did-you-know/131st-issue-of-did-you-know-that-.html _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Sep 25, 2013 3:23 pm Post subject: |
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iangreenhalgh1 wrote:
Interesting.
However, I'm very far from a fan of Monet. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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fermy
Joined: 17 Feb 2012 Posts: 1974
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Posted: Wed Sep 25, 2013 3:33 pm Post subject: |
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fermy wrote:
What a relief. I was worried that Zeiss took inspiration from Monet in their lens design, or perhaps, even worse, Monet was inspired by Zeiss glass _________________ Many lenses and some film bodies for sale here: http://forum.mflenses.com/canon-fd-minolta-md-c-mounts-m42-pentax-and-more-t50465.html
Flickr http://www.flickr.com/photos/96060788@N06/ |
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RSalles
Joined: 12 Aug 2012 Posts: 1372 Location: Brazil - RS / South
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Posted: Wed Sep 25, 2013 3:48 pm Post subject: |
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RSalles wrote:
fermy wrote: |
What a relief. I was worried that Zeiss took inspiration from Monet in their lens design, or perhaps, even worse, Monet was inspired by Zeiss glass |
If I was a marketeer I could use the second statement.
Renato |
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fermy
Joined: 17 Feb 2012 Posts: 1974
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Posted: Wed Sep 25, 2013 4:06 pm Post subject: |
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fermy wrote:
RSalles wrote: |
fermy wrote: |
What a relief. I was worried that Zeiss took inspiration from Monet in their lens design, or perhaps, even worse, Monet was inspired by Zeiss glass |
If I was a marketeer I could use the second statement.
Renato |
And it would work great until the potential customer sees the "Impressions du soleil levant" _________________ Many lenses and some film bodies for sale here: http://forum.mflenses.com/canon-fd-minolta-md-c-mounts-m42-pentax-and-more-t50465.html
Flickr http://www.flickr.com/photos/96060788@N06/ |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Sep 25, 2013 5:02 pm Post subject: |
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iangreenhalgh1 wrote:
Monet - how the blind would paint. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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visualopsins
Joined: 05 Mar 2009 Posts: 11069 Location: California
Expire: 2025-04-11
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Posted: Wed Sep 25, 2013 8:00 pm Post subject: |
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visualopsins wrote:
Right, nobody like good bokeh. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Wed Sep 25, 2013 11:34 pm Post subject: |
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philslizzy wrote:
iangreenhalgh1 wrote: |
Monet - how the blind would paint. |
How would Beethoven have done it with an hearing aid? _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Sep 25, 2013 11:48 pm Post subject: |
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iangreenhalgh1 wrote:
philslizzy wrote: |
iangreenhalgh1 wrote: |
Monet - how the blind would paint. |
How would Beethoven have done it with an hearing aid? |
LOL, that's a bloody good question Phil! _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Thu Sep 26, 2013 2:40 am Post subject: |
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kds315* wrote:
Monet may have been able to see UV after his cataract surgery and THAT changed how he saw colors
and might have been the reason for his dramatic change in color use for his works...
(c) skepticalartist.com
http://www.skepticalartist.com/2013/06/25/claude-monet-and-ultraviolet-light-did-the-master-impressionist-painter-have-uv-supervision/ _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Sep 26, 2013 6:52 am Post subject: |
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Orio wrote:
Thanks Klaus for this excellent comparison image. There is indeed some change.
However in my very humble opinion, more than the surgery, what changed Monet's colours
was the exposure to the more recent post-impressionist works such as those by Van Gogh,
Gauguin and Redon. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Prometheus
Joined: 27 Feb 2008 Posts: 878 Location: Garphyttan, Sweden
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Posted: Sat Jan 11, 2014 1:25 pm Post subject: |
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Prometheus wrote:
iangreenhalgh1 wrote: |
Monet - how the blind would paint. |
What do you mean by that? _________________ Retrocamera.net |
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