View previous topic :: View next topic |
Author |
Message |
philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
|
Posted: Tue Apr 02, 2013 6:26 pm Post subject: Colour filters with C41 processed as b&w |
|
|
philslizzy wrote:
Can I use old colour filters, ie yellow, red etc. like this. I am interested in processing a C41 film - Agfa Vista in caffenol. (Processing times suggestions will be good)
In the old b&w days I'd use a yellow, orange or even red filter to improve a sky. Will this work with colour emulsions developed as b&w? _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Tue Apr 02, 2013 10:01 pm Post subject: |
|
|
Orio wrote:
I don't know, but thanks to the low cost of overall process, I'd say it's worth taking a test roll if you're interested. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
twinquartz
Joined: 11 Jun 2012 Posts: 316 Location: Sweden
Expire: 2013-10-29
|
Posted: Wed Apr 03, 2013 11:12 am Post subject: |
|
|
twinquartz wrote:
Interesting question. Since I do not dare to
say a definite Yes or No, how about running a
simulation in Photoshop?
a) Open a really colourful photo in Photoshop.
b) Add a Photo filter... layer, 100% Yellow, Preserve Luminosity.
c) Add a Black & White... layer, Default settings.
d) Tick Photo filter... layer on/off and observe the difference.
Then try different Photo filter/B&W settings.
At least it is an interesting exercise |
|
Back to top |
|
|
spoilerhead
Joined: 25 Jan 2012 Posts: 68 Location: Austria
|
Posted: Thu Apr 04, 2013 11:40 am Post subject: |
|
|
spoilerhead wrote:
Logic says it should behave the same way as a normal B&W film. Of course you still get the orange mask. (and some brown stain in caffeenol)
Why: (This is simplified, real film of course consists of more layers, but the principle is the same)
B&W Film is essentially a single layer, sensitive to the whole spectrum of visible light.
Color film consists of 3 layers, each sensitive to a part of the spectrum. The sum of those parts is again the whole spectrum.
So, if you e.g. use a yellow filter, you won't expose the blue sensitive crystals in the B&W emulsion / the blue sensitive layer in the Color Emulsion.
so, i'm quite sure that it will work as expected. _________________ Eos (A/D) + M42 |
|
Back to top |
|
|
philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
|
Posted: Thu Apr 04, 2013 5:48 pm Post subject: |
|
|
philslizzy wrote:
twinquartz wrote: |
Interesting question. Since I do not dare to
say a definite Yes or No, how about running a
simulation in Photoshop?
a) Open a really colourful photo in Photoshop.
b) Add a Photo filter... layer, 100% Yellow, Preserve Luminosity.
c) Add a Black & White... layer, Default settings.
d) Tick Photo filter... layer on/off and observe the difference.
Then try different Photo filter/B&W settings.
At least it is an interesting exercise |
Well, yes this is an interesting excersice. I'll try this first. Whether or not it will work in real life (see belo) is another question. But always one to experiment and push boundaries I'll try both.
spoilerhead wrote: |
Logic says it should behave the same way as a normal B&W film. Of course you still get the orange mask. (and some brown stain in caffeenol)
Why: (This is simplified, real film of course consists of more layers, but the principle is the same)
B&W Film is essentially a single layer, sensitive to the whole spectrum of visible light.
Color film consists of 3 layers, each sensitive to a part of the spectrum. The sum of those parts is again the whole spectrum.
So, if you e.g. use a yellow filter, you won't expose the blue sensitive crystals in the B&W emulsion / the blue sensitive layer in the Color Emulsion.
so, i'm quite sure that it will work as expected. |
This was my initial thought before I placed the question on this forum ... but would it really work?
Of course there is only one way to find out! Do it!
Right I'm off over to the caffenol department to get a recipe. Must get some fixer. No recipes for that! _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
|
Back to top |
|
|
spoilerhead
Joined: 25 Jan 2012 Posts: 68 Location: Austria
|
Posted: Thu Apr 04, 2013 7:31 pm Post subject: |
|
|
spoilerhead wrote:
philslizzy wrote: |
This was my initial thought before I placed the question on this forum ... but would it really work?
Of course there is only one way to find out! Do it!
Right I'm off over to the caffenol department to get a recipe. Must get some fixer. No recipes for that! |
it shouldn't be worse than developing a non-filtered C41 film in caffenol
Darkroom Printing it could be quite challenging i guess, but if you scan it, you're good.
Don't forget that color filters "eat" light, so if you use an external meter, you got to compensate for it. _________________ Eos (A/D) + M42 |
|
Back to top |
|
|
philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
|
Posted: Fri Apr 05, 2013 8:57 pm Post subject: |
|
|
philslizzy wrote:
spoilerhead wrote: |
philslizzy wrote: |
This was my initial thought before I placed the question on this forum ... but would it really work?
Of course there is only one way to find out! Do it!
Right I'm off over to the caffenol department to get a recipe. Must get some fixer. No recipes for that! |
it shouldn't be worse than developing a non-filtered C41 film in caffenol
Darkroom Printing it could be quite challenging i guess, but if you scan it, you're good.
Don't forget that color filters "eat" light, so if you use an external meter, you got to compensate for it. |
I've printed from colour negs in the past in b&w, the contrast is low but it's doable. I assume the colour film devved in B&W chemistry will still have the orange mask. re the filter, I'll be metering thru it so no prob.
Just waiting for some fixer now. _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
|
Back to top |
|
|
jimithing616
Joined: 27 Mar 2013 Posts: 63 Location: Minneapolis, MN
|
Posted: Sat Apr 20, 2013 6:59 am Post subject: |
|
|
jimithing616 wrote:
There are a LOT of discussions about this on APUG... do a search over there and you will find pages of stuff. I could go on a little about it but the people over there have 10 times the knowledge that I do on the subject _________________ My Best Lenses (off the top of my head):
Konica UC 28mm 1.8 AR
Konica UC 80-200mm 4 AR x2
Konica 55mm 3.5 Macro w/Converter.
Minolta MD 24mm 2.8
Minolta MC 58mm 1.4
Minolta MD & MC 50 1.4
Vivitar 35mm 1.9 (minolta MD)
Canon FD 50mm 1.4 S.S.C. & FDn
Canon FD 24mm 2.8 S.S.C. & FDn
Canon FD 200mm 4 S.S.C
Canon FD 135 3.5 S.C. & FDn
Tamron Adaptall 2 24mm 2.5
Nikon AI-S 55mm 2.8 Macro
SMC Pentax-m 50mm 1.4
SMC Pentax-m 135 3.5
Spiratone Plura-Coat 28mm f/2 |
|
Back to top |
|
|
|
|
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|