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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Sep 20, 2012 11:06 am Post subject: Kiev-II, Jupiter-12, Kodak Vision2 500T, Fomadon LQR |
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iangreenhalgh1 wrote:
I have two copies of this lens, so decided to sell one, therefore better check it's working alright.
Seems to be to me.
#1
#2
#3
#4
#5
#6
#7
#8
#9
#10
#11
#12
#13
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Thu Sep 20, 2012 2:43 pm Post subject: |
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ForenSeil wrote:
looks good
#3 and #6 for me
Did you do PP or are these pics OOS? _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Thu Sep 20, 2012 2:56 pm Post subject: |
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Attila wrote:
#2 for me others are so so. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Sep 20, 2012 7:52 pm Post subject: |
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iangreenhalgh1 wrote:
Some have PP, some don't. Seems to me the shadows become too dark in bright light with Fomadon LQR, whether I can change this with different exposures or PP I'm not sure.
This is the only raw scan I kept, exposure was spot on but look how black the areas in shadow are:
This shot shows the problem clearly, the shot was a bit underexposed so the shadow areas are black, seems to me I must expose for the shadow areas. This film retains detail in the highlights really well so giving exposure for the shadows then pulling down the highlights in Photoshop might work.
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Sep 20, 2012 11:36 pm Post subject: |
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Orio wrote:
I think #10 #11 #12 are amongst the best photos you ever took (of those shown here) _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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erkie
Joined: 08 Oct 2011 Posts: 308 Location: Missouri
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Posted: Fri Sep 21, 2012 12:46 am Post subject: |
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erkie wrote:
I'm not sure about this particular film/dev combo but in any traditional BW film I use I try to expose for shadows and develop for highlights. Just not with Chromogenic film _________________
I shoot film and meter with digital
Asahi H3v, Praktica FX3, Retina IIa, Spotmatic sp1000, Fujica V2, Yashica lynx5000, Pentax Sf1, Minolta SRT102, Minolta7000i, Pentax MX, Pentax ME, Pentax Kx
lensesM42- Isco Gottingen Westanar 50/2.8, Isco Gottingen Westron 35/2.8, Rikenon 35/2.8, Spiratone Tc 105/2.5, Spiratone Tc 200/4.5, Sankyo Kohki Komura 300/5, Sankyo Kohki Komura 135/3.5, Auto Tak 35/3.5, Super Tak 150/4, S-M-C Tak 50/1.4, S-M-C Tak 28/3.5, SMC Tak 55/2, Mamya Sekor 55/1.8
K- mount- Helios 44-K-4, Jc penny 28/2.8, Da 18-55, Da 55-300, Pentax F 35-70, SMCP M 50/1.4, SMCP M 50/1.7
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Sep 21, 2012 1:09 am Post subject: |
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iangreenhalgh1 wrote:
Orio wrote: |
I think #10 #11 #12 are amongst the best photos you ever took (of those shown here) |
Cheers Orio. I took shots virtually identical with my Konica A4 a couple of weeks ago, different light and contrast but subject and composition were the same. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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mmelvis
Joined: 24 May 2010 Posts: 1326 Location: Florida,USA
Expire: 2015-05-09
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Posted: Fri Sep 21, 2012 1:15 am Post subject: |
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mmelvis wrote:
The 3rd shot is great, love the look on the persons face and the heavy shadows |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Sep 21, 2012 1:23 am Post subject: |
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Orio wrote:
iangreenhalgh1 wrote: |
Orio wrote: |
I think #10 #11 #12 are amongst the best photos you ever took (of those shown here) |
Cheers Orio. I took shots virtually identical with my Konica A4 a couple of weeks ago, different light and contrast but subject and composition were the same. |
I love the blacks here, and the almost lytho look. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Sep 21, 2012 3:07 pm Post subject: |
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iangreenhalgh1 wrote:
Cheers mmelvis, I like that one, just wish it wasn't quite so dark, you can see how the exposure is correct for the bright patch of sunlit wall behind, that has fooled my old Weston meter.
Thanks Orio, it's certainly a different look, that tower (training tower for the local fire brigade) is the only piece of tall building here, there is the school that is 3 stories but obviously, hanging around school grounds with a camera might not be the smartest move. I long for more architecture to use my wide angle lenses with. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Fri Sep 21, 2012 8:48 pm Post subject: |
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ForenSeil wrote:
#3 for me
Some are looking a bit underexposed _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Sep 22, 2012 12:24 am Post subject: |
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iangreenhalgh1 wrote:
3 was definitely underexposed, I had to pull up the dark areas in PP and play with the tone curve. Probably user error with the weston meter, I would say the exposure for 3 was spot on for the bright patch of sunlight behind when it should have been exposed for the dark foreground, probably just the angle I took the reading at. The Weston is a good meter, I must have shot 50 rolls with it by now, it's accurate but you have to be careful about where you point it if there is a large difference in brightness between areas of the frame, which 3 is a perfect example of. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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