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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jun 05, 2012 3:32 am Post subject: Testing Kodak Vision2 250D in BW chemistry |
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iangreenhalgh1 wrote:
I happen to have a large quantity of this film which is for the ECN-2 process and has a black remjet backing. I figured I'd try developing some in BW chemistry just out of curiosity. This was with a Pentax MV1 and M 1.7/50 lens.
Fomadon LQR 1:14 for 12 mins at 21C, film was exposed at 200.
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_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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themoleman342
Joined: 21 Oct 2007 Posts: 2190 Location: East Coast (CT), U.S.A.
Expire: 2013-01-24
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Posted: Tue Jun 05, 2012 4:17 am Post subject: |
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themoleman342 wrote:
That's really interesting. Some of them look like solarized prints. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Tue Jun 05, 2012 2:48 pm Post subject: |
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Attila wrote:
Tones are like, details are limited, unique look for sure. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Tue Jun 05, 2012 3:04 pm Post subject: |
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Katastrofo wrote:
I would say this is your most successful cross-processing, yet. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jun 05, 2012 8:28 pm Post subject: |
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iangreenhalgh1 wrote:
I like it, a different look, but I think the width of tones is great. Here's a few I shot in my Konica C35, these show better detail I think. These were exposed at 100, developed for 10mins at 1:14, 21C.:
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_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Tue Jun 05, 2012 8:37 pm Post subject: |
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Attila wrote:
Katastrofo wrote: |
I would say this is your most successful cross-processing, yet. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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mmelvis
Joined: 24 May 2010 Posts: 1326 Location: Florida,USA
Expire: 2015-05-09
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Posted: Wed Jun 06, 2012 1:15 am Post subject: |
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mmelvis wrote:
The results are very nice. |
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aspen
Joined: 15 Dec 2010 Posts: 307 Location: Maryland, USA
Expire: 2014-02-20
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Posted: Wed Jun 06, 2012 3:34 am Post subject: |
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aspen wrote:
Do you think you might try developing color with this film, or is the remjet a problem? _________________ Cameras; Sony Nex5n Lenses; Konica Hexanons; 21mm f2.8, 40mm f1,8, 50mm f1.4, 50mmf1.7,57mm f1.4, 100mm f2.8, 135mm f3.2, 200mm f4, MC Helios 77M-4 50mm f1.8, Jupiter 8 50 f2, Super Takumar 85mm f1.9, Vivitar Series 1 90mm f2.5 (Macro), Steinheil Munchen Culminar 85mm f2.8, Steinheil Munchen Exagon 35mm f2.8, Jupiter 37A 135mm, Astra Berlin 135mm f3.5, Angenieux 180mm f4 , Tair 3-PhS 300mm f4.5 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jun 06, 2012 4:32 am Post subject: |
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iangreenhalgh1 wrote:
Well, I had one roll of this developed at the local supermarket and the result was wierd - the emulsion looked like it had melted and all I got was a bunch of negs with wierd wavy lines on them. I don't have the chems to try C-41 DIY but I might get some soon. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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aspen
Joined: 15 Dec 2010 Posts: 307 Location: Maryland, USA
Expire: 2014-02-20
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Posted: Wed Jun 06, 2012 5:33 am Post subject: |
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aspen wrote:
I was intrigued by it for a few weeks, and researched on the web. A lot of older threads, and a few flickr images. I do like the colors, but the developing consensus was mostly negative. Not that it was all negative, though. A few got great results. But I can't justify it for myself, at the moment. I have over 100 rolls of Portra 160nc available to me (very cheap), and I, too, need to get c41 chemicals. I have 30 rolls shot, already, and have been tempted to run a few B/W. Anyways, I look forward to seeing what results you get, and how the process goes when you do get some c41. I think you definitely need to squeegie the remjet off while it's still wet, or those lines contaminate the film emulsion. If you can't find the threads by googling, I might be able to find them again. _________________ Cameras; Sony Nex5n Lenses; Konica Hexanons; 21mm f2.8, 40mm f1,8, 50mm f1.4, 50mmf1.7,57mm f1.4, 100mm f2.8, 135mm f3.2, 200mm f4, MC Helios 77M-4 50mm f1.8, Jupiter 8 50 f2, Super Takumar 85mm f1.9, Vivitar Series 1 90mm f2.5 (Macro), Steinheil Munchen Culminar 85mm f2.8, Steinheil Munchen Exagon 35mm f2.8, Jupiter 37A 135mm, Astra Berlin 135mm f3.5, Angenieux 180mm f4 , Tair 3-PhS 300mm f4.5 |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Wed Jun 06, 2012 5:59 am Post subject: |
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martinsmith99 wrote:
Results look sharp, but I'm not keen on the way the blacks block up. _________________ Casual attendance these days |
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skida
Joined: 02 Mar 2012 Posts: 1826 Location: North East England
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Posted: Wed Jun 06, 2012 9:35 am Post subject: |
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skida wrote:
I think this film gives much better results cross-processed than the Kodak ColorPlus, which is just an awful film generally. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jun 06, 2012 10:49 am Post subject: |
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iangreenhalgh1 wrote:
Ooh yes, Colorplus is pretty poor stuff
Here's some shots with a Pentax-M 3.5/135, all wide open:
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_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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kansalliskala
Joined: 19 Jul 2007 Posts: 5038 Location: Southern Finland countryside
Expire: 2016-12-30
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Posted: Wed Jun 06, 2012 1:59 pm Post subject: |
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kansalliskala wrote:
Very interesting. #2 first series is great.
England and Finland are same at b&w: #4 second series _________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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