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Testing Kodak Vision2 250D in BW chemistry
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PostPosted: Tue Jun 05, 2012 3:32 am    Post subject: Testing Kodak Vision2 250D in BW chemistry Reply with quote

I happen to have a large quantity of this film which is for the ECN-2 process and has a black remjet backing. I figured I'd try developing some in BW chemistry just out of curiosity. This was with a Pentax MV1 and M 1.7/50 lens.

Fomadon LQR 1:14 for 12 mins at 21C, film was exposed at 200.


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PostPosted: Tue Jun 05, 2012 4:17 am    Post subject: Reply with quote

That's really interesting. Some of them look like solarized prints.


PostPosted: Tue Jun 05, 2012 2:48 pm    Post subject: Reply with quote

Tones are like, details are limited, unique look for sure.


PostPosted: Tue Jun 05, 2012 3:04 pm    Post subject: Reply with quote

I would say this is your most successful cross-processing, yet.


PostPosted: Tue Jun 05, 2012 8:28 pm    Post subject: Reply with quote

I like it, a different look, but I think the width of tones is great. Here's a few I shot in my Konica C35, these show better detail I think. These were exposed at 100, developed for 10mins at 1:14, 21C.:


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PostPosted: Tue Jun 05, 2012 8:37 pm    Post subject: Reply with quote

Katastrofo wrote:
I would say this is your most successful cross-processing, yet.

+1


PostPosted: Wed Jun 06, 2012 1:15 am    Post subject: Reply with quote

The results are very nice.


PostPosted: Wed Jun 06, 2012 3:34 am    Post subject: Reply with quote

Do you think you might try developing color with this film, or is the remjet a problem?


PostPosted: Wed Jun 06, 2012 4:32 am    Post subject: Reply with quote

Well, I had one roll of this developed at the local supermarket and the result was wierd - the emulsion looked like it had melted and all I got was a bunch of negs with wierd wavy lines on them. I don't have the chems to try C-41 DIY but I might get some soon.


PostPosted: Wed Jun 06, 2012 5:33 am    Post subject: Reply with quote

I was intrigued by it for a few weeks, and researched on the web. A lot of older threads, and a few flickr images. I do like the colors, but the developing consensus was mostly negative. Not that it was all negative, though. A few got great results. But I can't justify it for myself, at the moment. I have over 100 rolls of Portra 160nc available to me (very cheap), and I, too, need to get c41 chemicals. I have 30 rolls shot, already, and have been tempted to run a few B/W. Anyways, I look forward to seeing what results you get, and how the process goes when you do get some c41. Smile I think you definitely need to squeegie the remjet off while it's still wet, or those lines contaminate the film emulsion. If you can't find the threads by googling, I might be able to find them again.


PostPosted: Wed Jun 06, 2012 5:59 am    Post subject: Reply with quote

Results look sharp, but I'm not keen on the way the blacks block up.


PostPosted: Wed Jun 06, 2012 9:35 am    Post subject: Reply with quote

I think this film gives much better results cross-processed than the Kodak ColorPlus, which is just an awful film generally.


PostPosted: Wed Jun 06, 2012 10:49 am    Post subject: Reply with quote

Ooh yes, Colorplus is pretty poor stuff Sad

Here's some shots with a Pentax-M 3.5/135, all wide open:


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PostPosted: Wed Jun 06, 2012 1:59 pm    Post subject: Reply with quote

Very interesting. #2 first series is great.

England and Finland are same at b&w: #4 second series