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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed May 23, 2012 2:42 am Post subject: My first commissioned work - Black Combe from Kirksanton |
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iangreenhalgh1 wrote:
A few weeks ago I had a small exhibition of my work and a lady asked me to shoot a specific picture for her. She wanted a panoramic view of the mountain (well, big hill, it's 25ft short of mountain) Black Combe which overlooks the town of Millom where I live. She lives in a house on the lower slopes of the Combe and wanted the picture to include her house - you can see it about a third of the wat into the frame from the left, painted white.
5 shots stitched, Hexanon 1.4/50 on NEX-3.
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Wed May 23, 2012 4:00 am Post subject: |
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David wrote:
That's fabulous work. It may be the best image I've yet seen from you. Well done. That's definitely an image to be proud of. _________________ http://www.youtube.com/user/hancockDavidM |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed May 23, 2012 11:31 am Post subject: |
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iangreenhalgh1 wrote:
Cheers David, I was lucky with the light, very dramatic. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed May 23, 2012 12:54 pm Post subject: |
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Attila wrote:
David wrote: |
That's fabulous work. It may be the best image I've yet seen from you. Well done. That's definitely an image to be proud of. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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ChromaticAberration
Joined: 23 Dec 2010 Posts: 819 Location: Portugal
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Posted: Wed May 23, 2012 1:35 pm Post subject: |
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ChromaticAberration wrote:
Attila wrote: |
David wrote: |
That's fabulous work. It may be the best image I've yet seen from you. Well done. That's definitely an image to be proud of. |
+1 |
+1 _________________ Body: Fujifilm X-E1
Landscapes: Samyang 12mm f/2 NCS CS
Macro: Vivitar Series 1 105mm Æ’/2.5
Portrait: Helios-44 58mm Æ’/2.0
Low-light: SMC Takumar 50mm Æ’/1.4
_________________
Marketplace feedback
_________________
a pнoтograpн ιѕ neιтнer тaĸen or ѕeιzed вy ғorce. ιт oғғerѕ ιтѕelғ υp. ιт ιѕ тнe pнoтo тнaт тaĸeѕ yoυ. one мυѕт noт тaĸe pнoтoѕ.†– нenrι carтιer-вreѕѕon |
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pich900
Joined: 10 Jun 2007 Posts: 1745 Location: The Netherlands/Zwolle
Expire: 2012-12-27
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Posted: Wed May 23, 2012 1:35 pm Post subject: |
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pich900 wrote:
I believe she will be happy with the result, you had a great light and you've got here a very nice image! _________________ All my lenses are for sale, nikkor, Angenieux, Zeiss etc.....
Regards,
Pascal
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Nikon D700 |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Wed May 23, 2012 2:27 pm Post subject: |
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patrickh wrote:
Well done Ian. I hope you get more commissions from it
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Gurdie
Joined: 29 Jul 2008 Posts: 997 Location: Finland
Expire: 2013-02-20
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Posted: Wed May 23, 2012 2:52 pm Post subject: |
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Gurdie wrote:
Impressive! Congrats!
I think the jet vapour trails add an element to the picture - permanent vs short-lived, ancient vs. current. _________________ Markku
Give me two hours a day of activity, and I'll take the other twenty-two in dreams.
― Salvador Dali
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visualopsins
Joined: 05 Mar 2009 Posts: 10959 Location: California
Expire: 2025-04-11
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Posted: Wed May 23, 2012 3:04 pm Post subject: |
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visualopsins wrote:
Well to be honest the result from the effort put forth is very good but I think you can do much better.
There's a great scene, spectacular. Well framed. Good lighting. There are a lot of distracting stitching artifacts, but otherwise it is well photographed.
I think there is a phenomenal photo here not yet made. Different time of day perhaps. With even more dramatic sky. Perhaps with sunlight beaming onto the house & surrounding land. The smaller hill behind the house might be sunlit. From different angle perhaps. The scene has a lot of potential for some really spectacular photos -- the hard part is being there at the right time to make them. With luck, there will be many such moments. Go there often & get them all!
The scene is so complex. I'm sure from studying the photo you've noticed new details in the terrain not noticed before. Learn all the details by making many more photos in many different light. It takes a long time to get to know a subject like this well, establish rapport, show in best lights -- it takes years and years, the scene is never quite the same, always changing. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed May 23, 2012 3:35 pm Post subject: |
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iangreenhalgh1 wrote:
Thanks guys.
It's tricky to find the right viewpoint as the land to the south of the Combe is all flat, if there was a rise in the ground I could get up I'd try shooting from there, but there isn't sadly.
I was thinking of trying again in the morning so the light is coming from the right, not the left, then I ca give the client a couple of options to choose between.
Can you point out the more obvious stitching artifacts and I'll try to fix them with a bit of clone stamping. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Wed May 23, 2012 3:36 pm Post subject: |
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poilu wrote:
nice one, will be great on a wall ! _________________ T* |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed May 23, 2012 3:42 pm Post subject: |
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iangreenhalgh1 wrote:
Cheers Poilu.
I've made the sky bluer and done a little bit of clone stamping on the grass in the foreground:
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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visualopsins
Joined: 05 Mar 2009 Posts: 10959 Location: California
Expire: 2025-04-11
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Posted: Wed May 23, 2012 3:47 pm Post subject: |
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visualopsins wrote:
The artifacts I see are most evident in the close foreground field -- they almost look like reflections of the hills on water, or clouds shading parts of the field. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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skida
Joined: 02 Mar 2012 Posts: 1826 Location: North East England
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Posted: Wed May 23, 2012 4:33 pm Post subject: |
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skida wrote:
I think your customer will be delighted with the photo. I like the dramatic sky and the shadows on Black Combe. I think the subject lends itself to many great photos at different times and with different light, but it is easy to be too (self)critical and never be satisfied. I would love that hanging on my wall. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed May 23, 2012 4:48 pm Post subject: |
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iangreenhalgh1 wrote:
I'll see what I can do with the grass, should be able to even it out a bit.
Cheers Skida, I often find it hard to assess my own shots. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Yebisu
Joined: 13 Feb 2011 Posts: 1299
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Posted: Thu May 24, 2012 11:06 am Post subject: |
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Yebisu wrote:
Very nice and not too strong on the HDR.
I noticed the stiching artifacts in the grass too. Might be tricky to deal with. |
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hoanpham
Joined: 31 Jan 2011 Posts: 2575
Expire: 2015-01-18
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Posted: Thu May 24, 2012 11:17 am Post subject: |
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hoanpham wrote:
Very nice work. I haven't time to look at it until now. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu May 24, 2012 3:33 pm Post subject: |
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iangreenhalgh1 wrote:
Cheers.
I think the problem with the grass was due to the wind, the grass was blowing about and looked different shades depending on which direction it was facing. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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