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visualopsins
Joined: 05 Mar 2009 Posts: 11067 Location: California
Expire: 2025-04-11
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Posted: Thu Aug 01, 2013 7:34 pm Post subject: Timothy O'Sullivan, 19th Century LF Wet Plate Box Camera(!) |
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visualopsins wrote:
How the Wild West REALLY looked: Gorgeous sepia-tinted pictures show the landscape as it was charted for the very first time
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He carted a dark room wagon around the Wild West on horseback so that he could develop his images. He spent seven years exploring the landscape and thousands of pictures have survived from his travels.
The project was designed to attract settlers to the largely uninhabited region.
O'Sullivan used a primitive wet plate box camera which he would have to spend several minutes setting up every time he wanted to take a photograph.
He would have to assemble the device on a tripod, coat a glass plate with collodion - a flammable solution. The glass would then be put in a holder before being inserted into a camera.
After a few seconds exposure, he would rush the plate to his dark room wagon and cover it in chemicals to begin the development process.
Considered one of the forerunners to Ansel Adams, ... |
_________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
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Posted: Thu Aug 01, 2013 7:54 pm Post subject: |
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Nesster wrote:
Excellent! Thank you for posting. I'm now filled with nostalgia towards something I haven't experienced (in this lifetime anyway). _________________ -Jussi
Camera photos
Print Photographica
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Thu Aug 01, 2013 9:26 pm Post subject: |
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sichko wrote:
Thanks for the link. _________________ John |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Aug 02, 2013 3:52 pm Post subject: |
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Orio wrote:
Wow, enchanting works, thanks for sharing!
Especially notable is his unbiased eye on the population: quite neutral, with a respectful realistic attitude. Remarkable! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Fri Aug 02, 2013 10:11 pm Post subject: |
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philslizzy wrote:
Super photos. Real history. I wonder how much more of this stuff is out there?
Photographers then were gentlemen of means who traveled long distances to new and strange lands taking photos for the future. _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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Doc Sharptail
Joined: 23 Nov 2020 Posts: 1216 Location: Winnipeg Canada
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Posted: Sun Feb 07, 2021 8:56 am Post subject: |
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Doc Sharptail wrote:
I'll go along with the commentary on this article up to a certain point.
The undeserved, veiled derogatory comments levelled at Edwin Curtis are totally uncalled for,
and express a total misunderstanding of the work that Curtis was doing.
Most excellent work otherwise, especially the landscape work.
-D.S. _________________
D-810, F2, FTN.
35mm f2 O.C. nikkor
50 f2 H nikkor, 50 f 1.4 AI-s, 135 f3.5 Q,
50 f2 K nikkor 2x, 28-85mm f3.5-4.5 A/I-s, 35-105 3.5-4.5 A/I-s, 200mm f4 Micro A/I, partial list.
"Ain't no half-way" -S.R.V.
"Oh Yeah... Alright" -Paul Simon |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Sun Feb 07, 2021 9:10 am Post subject: |
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kds315* wrote:
_________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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