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in Madrid with Yashica FX-3 and Kodak Tri-X 400
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PostPosted: Sun Apr 22, 2012 5:23 pm    Post subject: in Madrid with Yashica FX-3 and Kodak Tri-X 400 Reply with quote

with Contax Distagon T* 2,8/28

1/


2/


3/


4/


5/



with Contax Planar T* 1,4/85

6/



All pictures were developed with Kodak D-76.


I hope you like its.

Regards.


PostPosted: Sun Apr 22, 2012 5:44 pm    Post subject: Reply with quote

I like them all very much, the one of the bike has a surprisingly good lighting, but all are really nice. Congrats for the nice results.

Jes.


PostPosted: Sun Apr 22, 2012 5:55 pm    Post subject: Reply with quote

I moved this to the B&W section and agree with Jes, nice work, love the scooter pic!


PostPosted: Sun Apr 22, 2012 9:05 pm    Post subject: Reply with quote

+1 good ones, congrats!


PostPosted: Sun Apr 22, 2012 10:03 pm    Post subject: Reply with quote

Thanks!


PostPosted: Sun Apr 22, 2012 10:11 pm    Post subject: Reply with quote

A lot bright on my screen.


PostPosted: Sun Apr 22, 2012 10:13 pm    Post subject: Reply with quote

Orio wrote:
A lot bright on my screen.


Orio, in what pictures there are?


PostPosted: Sun Apr 22, 2012 10:18 pm    Post subject: Reply with quote

dani9batan wrote:
Orio wrote:
A lot bright on my screen.


Orio, in what pictures there are?


#3 is worse for me. I understand that your focus is on the reflection on the Vespa, and for that, exposure is right.
However, that is about 5% of the photo, a bit too little to sacrifice the rest.
So you should (I make example of chemical darkroom, but this can be done in photoshop too) expose the whole photo
1 stop less, then dodge the Vespa part you want in focus.
Of course the reverse could be made (keep this exposure and burn everything else except the Vespa)
but it doesn't make sense to modify 95% of a photo; more practical to change global exposure then dodge the 5% of Vespa.


PostPosted: Sun Apr 22, 2012 10:33 pm    Post subject: Reply with quote

I understand you say me, I'm going to try it.