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spkennedy3000
Joined: 12 Apr 2007 Posts: 334 Location: London
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Posted: Tue Jan 01, 2008 4:21 pm Post subject: First one of 2008 - The Black Hill |
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spkennedy3000 wrote:
Happy New Year all!!
Some views from Wales all with zuiko 18mm at f11.
Comments and critiques very welcome.
Cheers!
Simon _________________ G2 21 28 45 90
5d with flek 35mm f2.4 and zuiko 18mm f3.5, zuiko 24mm f2.8, zuiko 28mm f2.8, Canon EF 50mm f1.4, Nikon 105mm f2.5. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Tue Jan 01, 2008 4:33 pm Post subject: |
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Attila wrote:
So many people said you are master of B&W photography, I repeat again!
I am so amazed, superb captures!! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Borges
Joined: 09 Mar 2007 Posts: 646 Location: Moers, Germany
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Posted: Tue Jan 01, 2008 6:53 pm Post subject: |
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Borges wrote:
Comments and critiques very welcome? For me it's not possible to critize any of your shots - they are masterpieces. You're one of the best landscape photographers I have ever seen.
Michael _________________ list of lenses:
Helios 44 (many different versions), Jupiter-9 , Jupiter 21M, Jupiter 37AM, Mir-1W, Mir-1V, Mir-10A, Mir-47M, Zenitar Fisheye, Tair 11-2, Industar 50-2 and a few more ...
Our wedding photography blog:
http://www.yvonne-zemke.de/blog/
Websites:
http://www.yvonne-zemke.de
http://www.dearjohn.de |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Tue Jan 01, 2008 7:45 pm Post subject: |
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LucisPictor wrote:
Simon, these shots are fantastic (again)!
Actually, you master the Zuiko 18 so well, should you ever lose it, we here in this board should put our money together and buy you another one, just to make sure that you can still show us your captures!
I am overwhelmed by shot #2 and #3! I have never seen flaring used so well. It really works for the pictures.
These scenes remind of "The Lord of the Rings" and this movie shows some of the finest photography ever captured on moving pictures. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Bob
Joined: 15 Mar 2007 Posts: 675 Location: Wentzville, Mo.
Expire: 2011-12-08
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Posted: Tue Jan 01, 2008 8:16 pm Post subject: |
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Bob wrote:
Wonderful _________________ Bob
"In terms of addiction, there is nothing more powerful than men's toys."
Sammy Davis Jr. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jan 01, 2008 8:29 pm Post subject: |
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Orio wrote:
Second one is very dramatic, I would say cinematic - are all sunbeams real or did you postwork in any? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Tue Jan 01, 2008 8:33 pm Post subject: |
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Katastrofo wrote:
Luv all of these, Simon! Your choice of this new profession I'm sure has
been a rewarding one!
Bill |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Wed Jan 02, 2008 12:42 am Post subject: |
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F16SUNSHINE wrote:
These are brilliant Simon. You pick up where you left off with the B+W. I am truly inspired to shoot every time I see your photos. Thank you
Andy |
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Abbazz
Joined: 23 Jun 2007 Posts: 1098 Location: Jakarta
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Posted: Wed Jan 02, 2008 4:43 am Post subject: |
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Abbazz wrote:
Superb pictures, Simon. I knew that this Zuiko 18mm was a great lens, but you make it really shine -- and I mean shine, like in your second and third pictures
Cheers!
Abbazz _________________ Il n'y a rien dans le monde qui n'ait son moment decisif, et le chef-d'oeuvre de la bonne conduite est de connaitre et de prendre ce moment. - Cardinal de Retz
The 6x9 Photography Online Resource:
http://artbig.com/ |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Wed Jan 02, 2008 6:26 am Post subject: |
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patrickh wrote:
Amazing, simply amazing. You make me feel like a real nana - why cant I take shots like that?
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 02, 2008 9:17 am Post subject: |
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Richard_D wrote:
Simply stunning - any hints on how to get such great B&W? _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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spkennedy3000
Joined: 12 Apr 2007 Posts: 334 Location: London
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Posted: Wed Jan 02, 2008 8:17 pm Post subject: |
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spkennedy3000 wrote:
Thanks very much all for your kind words - a few more to come from this beautiful spot.
Carsten - thanks very much!! I will feel better now about taking the lens out in the rain, dropping it off Welsh cliffs etc
Orio, plenty of post in these - all the tricks I know! The flare is real, I don't remember adding any sunbeams.
Bill - my new profession is not photography although I would rather like it to be!!
Richard - 2 and 3 are blends of 2 exposures, one for the sky and one for the foreground. I painted in masks to combine, after each was individually processed.
Then "local contrast enhancement", and "contrast masking" (from luminous landscape tutorials) followed by adding contrast with more mask-painting onto multiple adjustment layers (lots of fun). I use a graphics tablet that makes this type of thing possible, also removes any problems with RSI.
Cheers again all!
Simon _________________ G2 21 28 45 90
5d with flek 35mm f2.4 and zuiko 18mm f3.5, zuiko 24mm f2.8, zuiko 28mm f2.8, Canon EF 50mm f1.4, Nikon 105mm f2.5. |
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hacksawbob
Joined: 28 Feb 2007 Posts: 1293 Location: LANCS UK
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Posted: Wed Jan 02, 2008 9:28 pm Post subject: |
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hacksawbob wrote:
Those are fantastic! I particularly like the last one, are you using CS3 BW conversion? _________________ LENS LIST |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 02, 2008 9:36 pm Post subject: |
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Orio wrote:
spkennedy3000 wrote: |
I don't remember adding any sunbeams.
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Then it must have been really a glorious view also in its "natural" state!
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Jan 02, 2008 10:15 pm Post subject: |
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Attila wrote:
Can you show original colorful ones ? _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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spkennedy3000
Joined: 12 Apr 2007 Posts: 334 Location: London
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Posted: Wed Jan 02, 2008 10:43 pm Post subject: |
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spkennedy3000 wrote:
Attila/Orio,
Oh dear - rumbled! It looks as though I did add a sunbeam or two. When I am processing I just work until it looks right and seldom revisit...
You can see that the lens gives a low contrast neutral rendering (I think) which is perfect for post production. I rely heavily on Photoshop to get things right. Also you can see how FILTHY my sensor is
These two exposures were combined:
In this less extreme light only one exposure was required.
Cheers,
Simon _________________ G2 21 28 45 90
5d with flek 35mm f2.4 and zuiko 18mm f3.5, zuiko 24mm f2.8, zuiko 28mm f2.8, Canon EF 50mm f1.4, Nikon 105mm f2.5. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 02, 2008 10:48 pm Post subject: |
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Orio wrote:
spkennedy3000 wrote: |
Attila/Orio,
Oh dear - rumbled! It looks as though I did add a sunbeam or two. |
OK, I am getting older but my photographic sight is still in good shape
Thanks for letting us know! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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spkennedy3000
Joined: 12 Apr 2007 Posts: 334 Location: London
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Posted: Wed Jan 02, 2008 10:51 pm Post subject: |
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spkennedy3000 wrote:
I will stop at nothing _________________ G2 21 28 45 90
5d with flek 35mm f2.4 and zuiko 18mm f3.5, zuiko 24mm f2.8, zuiko 28mm f2.8, Canon EF 50mm f1.4, Nikon 105mm f2.5. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Jan 02, 2008 10:55 pm Post subject: |
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Attila wrote:
You made to perfect these separate average shoots, well done. Thank you for teaching us! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 02, 2008 11:17 pm Post subject: |
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Orio wrote:
Simon's PP is top notch.
He could easily find a job as photographer in any magazine. Today, PP abilities are more important that the photographic stage, especially in the magazine/advertisement business.
Magazine publishers evaluate PP better because a photographer that is so good at PP, can make almost any picture look glorious. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Jan 03, 2008 12:36 am Post subject: |
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F16SUNSHINE wrote:
I for one am even more impressed. Digital manipulation is very new for me. Having come from "wet" photography and "zone system" pre-visualizing the final print is so imperative. If this is the "print" you pre-visualized when you took the shots it's really most amazing. Your grasp of the photoshop pallet far exceeds what can be done with traditional methods. But still has a tradition B+W dynamic (on steroids). These types of contributions will make us all better photographers. Once again I'm inspired to shoot and learn more. This forum is turning into a super resource. Many thanks to all.
Andy
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Jan 03, 2008 9:53 am Post subject: |
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Richard_D wrote:
Simon - thanks for sharing your techniques. Your post processing is superb (and your vision for what you can make out of the scene). _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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