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saffersteve
Joined: 28 Jun 2011 Posts: 91 Location: London
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Posted: Fri Jul 08, 2011 6:41 am Post subject: How do you compare lenses? |
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saffersteve wrote:
To help me learn a little about how to compare lens I would like to put the following question to you. (feel free to hyperlink previous topics)
If you were given a number of 50mm lens that were unbranded.
How would you compare them to select the best?
Here are some items that may help with choosing the first cull.
-speed of lens
-weight
-macro
-type of lens grouping (Im putting this in but know nothing about this)
-coating/s
-build quality
-blades
-f-stops
Next when taking pictures with the chosen few. How would you rate.
-colour
-bokeh
-overall sharpness
-optics
-user friendly
-etc
What tests would you do.
-just go out and shoot
-optical chart
-dark room/ bright sun?
-etc |
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enzodm
Joined: 11 Sep 2010 Posts: 350 Location: Italy
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Posted: Fri Jul 08, 2011 6:49 am Post subject: |
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enzodm wrote:
This is a very nice review by Orio: http://forum.mflenses.com/voigtlaender-septon-2-50-for-bessamatic-review-t33501,highlight,%2Bsepton.html , where you can find most of the interesting features of a lens tested in real world examples. _________________
Canon 60D, Tamron 17-50VC, Canon 55-250IS, Sigma 50-150/2.8 plus:
Wide: Mir 20/3.5, Kenlock 24/2.8, Tamron 28/2.5, Yashikor 35/2.8, Mir 37/2.8
Fifties: Voigtländer Color Ultron 50/1.8, Pentacon 50/1.8, Zenitar 50/1.9, Leica Summicron 50/2, CZJ Pancolar 50/2, CZJ Tessar 50/2.8, Industar 50/3.5 , Rikenon 55/1.4, Petri 55/1.8, Helios 58/2
In the middle: Cyclop 85/1.5, Nikon 100/2.8
135s: Tamron 135/2.5, CZJ Sonnar 135/3.5, Jupiter 135/3.5, CZJ Triotar 135/4, Tamron Twin Tele 135-225
Tele: Soligor 200/2.8, Pentax Super Takumar 200/4, Hanimex 400/6.3, Makinon 500/8
Various: Schneider-Kreuznach Componar 135/4.5, Tominon 105/4.5, Vest Pocket Kodak meniscus, Wray Supar 2"/4.5
Sony Nex 6 plus:
Industar 69 28/2.8, Fujian 35/1.7, Rokkor 50/1.4, Jupiter 50/2, Cosmicar 50/2.8, Industar-22 50/3.5, Leitz Elmar 90/4, Canon Serenar 100/4
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WolverineX
Joined: 19 Apr 2009 Posts: 1693 Location: Zagreb , Croatia , Europe
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Posted: Fri Jul 08, 2011 7:46 am Post subject: Re: How do you compare lenses? |
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WolverineX wrote:
saffersteve wrote: |
To help me learn a little about how to compare lens I would like to put the following question to you. (feel free to hyperlink previous topics)
If you were given a number of 50mm lens that were unbranded.
How would you compare them to select the best?
Here are some items that may help with choosing the first cull.
-speed of lens
-weight
-macro
-type of lens grouping (Im putting this in but know nothing about this)
-coating/s
-build quality
-blades
-f-stops
Next when taking pictures with the chosen few. How would you rate.
-colour
-bokeh
-overall sharpness
-optics
-user friendly
-etc
What tests would you do.
-just go out and shoot
-optical chart
-dark room/ bright sun?
-etc |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech philosophy for me there _________________ my tools:Oly E-M5 + 45mm/1.8 + Oly E-520 + 12-60 + 14-42 + 70-300 + Sigma 105mm + FL-50R + EC20 + SRF-11 ring flash
http://forum.mflenses.com/wolverinex-testing-my-lenses-series-link-list-t39524.html
Last edited by WolverineX on Fri Jul 08, 2011 10:14 am; edited 1 time in total |
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saffersteve
Joined: 28 Jun 2011 Posts: 91 Location: London
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Posted: Fri Jul 08, 2011 8:58 am Post subject: |
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saffersteve wrote:
Wow that is a good real would test..... I will try to list/sumerise the tests Experts, please correct where needed.
1) contrast and flare review
2) cityscape at f/5.6 (depth of Black)
3) Sharpness, 100% crop reveals good detail
4) the inevitable Bokeh series of three shots, at f/2, f/3.5 and f/5.6 respectively
5) extremely high contrast scene taken wide open
6) Another Bokeh scene in order to check better the OOF highlights. Shot wide open
7) Colour - water scene, the lens renders quite nice deep blues
100% crop of Water Shot. Water is usually the best nest for CA artifacts
9) test the foreground blur. Image shot wide open
10) edge performance of the lens. wide open aperture, crop and look loss of definition at the edge
11) verify the compresence of foreground, mid-ground, and background elements, and possible happening of "3D" effect. (shot is taken wide open)
12) 100% crop of the OOF highlights looking for bright edge/absence of an inner bright point.
13) flare test shot, sun is just outside the frame, on top
14) sun is in the frame, Coma?
15) Geometrical distortion, Classic building shot (brick and streight lines.)
Run out of time......to be continued cleaned up when I get another mo...
Please continue to let me know what you check in a lens. |
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saffersteve
Joined: 28 Jun 2011 Posts: 91 Location: London
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Posted: Fri Jul 08, 2011 9:58 am Post subject: Re: How do you compare lenses? |
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saffersteve wrote:
WolverineX wrote: |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech phyilosophy for me there |
No arguments there WolverineX...been going though your sticky and see that you have done some really good reviews on your lens.
My only comment is that you make it look to easy...and all your lens perform...no mater what you shoot.
I look to contiue / refine my collection.....with the knowledge gained here. |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Fri Jul 08, 2011 10:02 am Post subject: Re: How do you compare lenses? |
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martinsmith99 wrote:
WolverineX wrote: |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech phyilosophy for me there |
+1 _________________ Casual attendance these days |
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WolverineX
Joined: 19 Apr 2009 Posts: 1693 Location: Zagreb , Croatia , Europe
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Posted: Fri Jul 08, 2011 10:15 am Post subject: Re: How do you compare lenses? |
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WolverineX wrote:
saffersteve wrote: |
My only comment is that you make it look to easy...and all your lens perform...no mater what you shoot.
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sorry about that, can't help it _________________ my tools:Oly E-M5 + 45mm/1.8 + Oly E-520 + 12-60 + 14-42 + 70-300 + Sigma 105mm + FL-50R + EC20 + SRF-11 ring flash
http://forum.mflenses.com/wolverinex-testing-my-lenses-series-link-list-t39524.html |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Fri Jul 08, 2011 10:34 am Post subject: |
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poilu wrote:
read this article to understand value of lens test
http://blogs.zeiss.com/photo/en/wp-content/uploads/2011/07/en_CLB_40_Nasse_Lens_Names_Planar.pdf
Zeiss wrote: |
In addition, we now see the limited value of the popular lens tests that examine each lens type in a repro application with a relatively small object field and suggest to us that the result is a measure of image quality in all photography situations |
_________________ T* |
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lauge
Joined: 14 Jun 2008 Posts: 101 Location: Copenhagen, Denmark
Expire: 2013-05-30
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Posted: Fri Jul 08, 2011 10:55 am Post subject: Re: How do you compare lenses? |
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lauge wrote:
WolverineX wrote: |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech philosophy for me there |
+1 _________________ M42:
S-M-C Takumar: 3.5/28 1.4/50 2.8/105
USSR: Industar 61L/Z
CZJ: Flektogon 2.4/35
MD:
Rokkor: 35-70/3.5
Kiron: 2.8/105 Macro
OM:
Zuiko: 50/1.8 75-150/4
Sigma: 24/2.8
Cameras:
Asahi Spotmatic F (looking for a sample with working light meter)
Olympus OM-1
Zeiss Ikon Contaflex IV
NEX 7 Sony A55 Konica Minolta Dynax 5D Minolta Dynax 7 Minolta AF 7000 |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Fri Jul 08, 2011 11:04 am Post subject: Re: How do you compare lenses? |
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kuuan wrote:
WolverineX wrote: |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech philosophy for me there |
right! well, almost . for me easy of use, how I like it's feel and touch and if it's sturdily built are important criteria too
but unfortunately it doesn't stop there. the question if there isn't another lens that I could like even better eventually turns up, and for i can't get and test every other lens myself suddenly online samples, Orio's compendium, even lists and tests have an appeal _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Fri Jul 08, 2011 12:56 pm Post subject: |
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kds315* wrote:
An old rule is that if the tester and the test procedure is not much better than the object tested (a lens in that case), the results are not worth the effort nor can they be objective!
Therefore I would agree to simply shoot known situations and objects in a somewhat comparable manner and learn from that how lenses behave differently.
A few people may have noticed that when I present lenses here, that I apply that method. I'm too much engineer not to know my weaknesses well, that's why... _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Big Dawg
Joined: 28 Jan 2009 Posts: 2530 Location: Thach Alabama
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Posted: Fri Jul 08, 2011 1:22 pm Post subject: Re: How do you compare lenses? |
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Big Dawg wrote:
WolverineX wrote: |
saffersteve wrote: |
To help me learn a little about how to compare lens I would like to put the following question to you. (feel free to hyperlink previous topics)
If you were given a number of 50mm lens that were unbranded.
How would you compare them to select the best?
Here are some items that may help with choosing the first cull.
-speed of lens
-weight
-macro
-type of lens grouping (Im putting this in but know nothing about this)
-coating/s
-build quality
-blades
-f-stops
Next when taking pictures with the chosen few. How would you rate.
-colour
-bokeh
-overall sharpness
-optics
-user friendly
-etc
What tests would you do.
-just go out and shoot
-optical chart
-dark room/ bright sun?
-etc |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech philosophy for me there |
Same here!
+1 _________________ Big Dawg |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Fri Jul 08, 2011 2:04 pm Post subject: Re: How do you compare lenses? |
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RioRico wrote:
WolverineX wrote: |
all i do is take the lens, mount it on my camera and go out and use it... then if i like the results i get from it, that makes it a good lens for me... no tech philosophy for me there |
I go just a little further than this. I have a very fast and simple test for weeding-out unacceptable lenses.
In the far corner of my office, atop a white cabinet on a white wall, are a bright light and some artist's posing figures. I sit at my desk about 3m away and aim my camera with a test lens at the figures. I snap the shutter, then review the image, zooming in closely. If I see a lot of colored fringing around the light and the cabinet edges, or if the figures' edges aren't sharp, the lens goes into my 'sell' pile.
Surviving lenses go into my lens-of-the-day rotation. I wander around shooting things; if I like the results, I use the lens more. If not, I use the lens less. Pretty simple, eh? _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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visualopsins
Joined: 05 Mar 2009 Posts: 11063 Location: California
Expire: 2025-04-11
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Posted: Fri Jul 08, 2011 4:45 pm Post subject: |
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visualopsins wrote:
kds315* wrote: |
[...] simply shoot known situations and objects in a somewhat comparable manner and learn from that how lenses behave differently.[...] |
+1
Some people use test charts for that. Not me, not yet anyway. I take a new lens on the 1km walk to check my mailbox, making photos similar to some I've made previously with other lenses, in a variety of different lighting situations, to compare results.
Another tip: a FF camera makes any differences more apparent! I'd have a very difficult time comparing lenses on camera with 2x or even 1.6x crop factor. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Lloydy
Joined: 02 Sep 2009 Posts: 7797 Location: Ironbridge. UK.
Expire: 2022-01-01
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Posted: Fri Jul 08, 2011 7:24 pm Post subject: |
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Lloydy wrote:
I recently bought a 'classic' Vivitar Series 1 70-210 f3.5, and after a few days I realised that I'd also got a Vivitar 80-200 f4 that I'd had for a long time and rarely used.
They are different lenses in many respects but they are both from the same retailer, but different manufacturer ( Series 1- Kiron, the other is Kobori )
But they are both are fixed aperture zooms of approximately the same range, they had enough in common that I was curious to see what the difference was, after all, there was a huge difference in price when they were new.
So I tested them back to back, and the 'ordinary' Vivitar won hands down, it was way better than the Series1.
Later that day I took them both out and shot pictures as I would normally but changed lenses and shot twice as many pictures as I normally would.
The Series1 won hands down.
Lens testing as a comparison between lenses is difficult and has to be very carefully controlled.
And ultimately it's going to become a test of individual taste and preference in so many aspects of the way we view the images.
The most accurate tests are of charts in controlled lighting, but I don't shoot that kind of picture. I'm with WolverineX here, and RioRico, my test is, does the image on my screen make me go "wow" ? _________________ LENSES & CAMERAS FOR SALE.....
I have loads of stuff that I have to get rid of, if you see me commenting about something I have got and you want one, ask me.
My Flickr https://www.flickr.com/photos/mudplugga/
My ipernity -
http://www.ipernity.com/home/294337 |
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visualopsins
Joined: 05 Mar 2009 Posts: 11063 Location: California
Expire: 2025-04-11
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Posted: Fri Jul 08, 2011 10:06 pm Post subject: |
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visualopsins wrote:
Also if results are not so good, I put in line to try again another day; sometimes 3 or 4 times do that, before give up say 'I cannot get any good result.' Some lenses I need to learn how to use to best advantage before any good results. Then there are lenses even bad photos look exceptional good, have WOW! _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Jul 08, 2011 10:37 pm Post subject: |
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Orio wrote:
Thanks Enzo for mentioning my Septon review
I think that evaluating a lens (which is different from testing - in my opinion the test word should be reserved to experimentation lead in strictly scientifical ways)
is necessarily the result of the interaction between an individual (me, you, every one of us) with an object.
Therefore, it contains an irrepressible element of subjectivity.
The key in my opinion is to find a balance between each user's individual inclinations and some key objective features of the lens.
This means that the subjective element (how does a lens feel in your hands, how do the focusing or aperture control feel for you, how do you like the bokeh, and so on)
need not to overcome some objective ascertainment (how sharp is the lens, how well does it control flare or CA, how much it distorts, does it shift focus or not, and so on)
The two most common mistakes that I find in people's "tests" of lenses are the following:
1- they set up a quasi scientific test (typical: bookshelf test) but "along the way" they forget some fundamentals of scientific testing, such as:
metering light consistently, balancing colours consistently, taking all shots in the same position/condition, etc.
So you often see those tests with included excuses ("here's my four hours of work test, but sorry, I left AWB on, so you can not really evaluate the colour tint of the lenses,
and oops I did leave automatic exposure on, so exposure happens to not be consistent, and yes in take #4 I did use a too slow shutter time so please excuse the motion blur, and,
yes of course I misfocused the lens X shot, so you can not really compare sharpness with lens Z, and damn, I actually did focus take #6 farther, so the bokeh and CA are not really comparable with the rest...
When I read these I am always reminded of the time when I did teach Latin in Junior High, and the kids did deliver their written works with included excuses such as
"I had to rush out yesterday with my mom" or "my little sister was a pain in the neck I could not concentrate" or "I had that big math homework to make"
The point being: want to try yourself at a scientifical lens test? Ok, do it, but do it well. Make a list of things to go through. Make sure you don't forget about things. Make sure you are consistent in everything.
Else, if you have to do it extemporarily, then better not do it at all. It would come out faulty and a waste of your precious time.
2- some reviewers tend to concentrate their attention to one or two aspects only, and forget the rest.
Typical example, a reviewer makes a lot of tests about sharpness, but does not test CA - or, a reviewer is concerned a lot about bokeh, but does not test flare resistance.
Finally, my advice is that it's always best to evaluate lenses in real use conditions - stay clear of bookshelf or liquor bottle "tests". _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Yebisu
Joined: 13 Feb 2011 Posts: 1299
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Posted: Fri Jul 08, 2011 11:10 pm Post subject: |
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Yebisu wrote:
I mainly use Nikkors so none of my lenses cost enough for me to worry about testing or evaluating them. I like it that way. If I bought an expensive lens, I know I'd worry about how well it performed and whether it was worth the money.
As for evaluating them, I just slap them on the camera and start shooting. If I think the results are nice, then that's good enough for me.
I also agree with Orio about the subjective evaluation of a lens. How easy it is for you to focus, how well it balances on your camera etc. I love the pictures I get with my Nikkor Q 135/2.8 but it feels huge (and heavy) on my little D3000 so I don't use it often. |
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jjphoto
Joined: 17 Mar 2009 Posts: 415
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Posted: Sat Jul 09, 2011 3:43 am Post subject: |
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jjphoto wrote:
Doesn't it all depend on your reason for testing or comparing lenses. Decide what your reasons are, what you want from the lenses and then test accordingly.
There's no such thing as a 'best' lens, only one best suited for a specific application.
Don't bother testing for things that don't matter to you.
JJ |
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saffersteve
Joined: 28 Jun 2011 Posts: 91 Location: London
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Posted: Sat Jul 09, 2011 5:27 am Post subject: |
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saffersteve wrote:
Guys.....thanks for your contributions keep them comming, there is some really good stuff here for people new to lens.
One thing I'd say is, I/we are fortunate that we even find ourselves in the position to be able to compare lens in such large numbers.
I guess for most people it's a case of save for sometime then buy based on maket review/sales hype.
Newbies don't really have a place to learn this stuff and test for themselves.
Just one point I want to comment on.
Orio wrote: |
then better not do it at all. It would come out faulty and a waste of your precious time. |
Orio one of the best posts but....I can see that the old teaching habits never die
In my tests I failed in this very way but sometimes its amazing what other stuff one learns along the way. Some of us need to learning the hard way (ps the dog ate my homework)
My newbie thoughts when comparing my lens were much the same as when I was buying the DSLR camera,
a) Find the most technically advanced I could afford
b) Learn to use it.
But what I'm "learning slowly" is that lens are not like that. There is no "Most technically advanced" all lens are a compromise. Fast lens suffer certain flaws. lens with close macro anothor etc.
Looks like I'm going to have to choose a favourite lens per real world situation and have a lot of fun along the way. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Sat Jul 09, 2011 9:19 am Post subject: |
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Pancolart wrote:
There are two major approaches to lens testing: individual and standardized. Since it's much simpler and possibly more fun to do, the first flourishes on this forum and elsewhere too. When i was Pentaxian we managed to unify camera test settings and other conditions and use them on very similar objects like car registration plates. It was soo cool seeing Lens as variable being extracted from many.
Though all those problems Orio mentioned still occurred (and many others) the results were really interesting.
Point i'd like to make: standardization of testing procedure really makes sense. Of course this is something contrary to individual approach (like Wolverine).
Many on this forum use 5DmkII as main camera. If we could agree on standardized testing procedure (and settings)... _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Jul 09, 2011 10:55 am Post subject: |
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Orio wrote:
Good remarks Steve and Pancolart.
I guess that my concept can be summarized in a shorter way that I did above. Basically I think that tests as usually meant are useless, because they would require precision tools that most of us don't have, and because most of us make mistakes that undermine the validity of those tests.
Many times I read comments "look at that test, it shows that lens x is sharper than lens y". Only to find out that lens x was badly focused and the whole test was crap. It happened so many times.
Another factor is that most home made tests use one copy of a given lens, often used, of unknown whereabouts. Al least five copies should be used per every type of lens, and they should be new or at least same age and same usage level.
In other words it's impossible to make really useful tests on old often battered lenses and without precision tools.
Much better to make reviews that render your own personal impression of that given copy of a given lens, without the presumption of saying final words or etching facts on stone.
Of course, the review should be as global as possible and not focus only on one or two aspects of a lens. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sun Jul 10, 2011 11:08 am Post subject: |
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revers wrote:
Being a sharpness nut, I shoot a back-lit test chart to compare lenses. Last weekend I won a Canon FD 50/1.4 on eBay for $44 shipping included. I will be comparing it to my Minolta 50/1.4 (which I like a lot) when it comes. Minolta 58/1.4s have so far eluded me. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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walter g
Joined: 20 Feb 2010 Posts: 2463 Location: NC, USA
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Posted: Sun Jul 10, 2011 7:27 pm Post subject: |
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walter g wrote:
revers wrote: |
Being a sharpness nut, I shoot a back-lit test chart to compare lenses. Last weekend I won a Canon FD 50/1.4 on eBay for $44 shipping included. I will be comparing it to my Minolta 50/1.4 (which I like a lot) when it comes. Minolta 58/1.4s have so far eluded me. |
Please post the results.I'd like to see how close they are sharpness wise. _________________
Main cameras
Panasonic G5,Nikon J1,Pentax Q10,Sony Nex 6
Minolta MC W SI 2.5/28, MD 2.8/28, MC W SG 3.5/28, MC Celtic 3.5/28, MC W HG 2.8/35, MD Celtic 2.8/35, QE 4/35, Rokkor X 2/45, MC Rokkor X PG 1.4/50, MC Rokkor X PG 1.7/50, MD Rokkor X 1.7/50, MD 2/50, MC Rokkor PF 1.7/55, MC Rokkor PF 1.9/55, Auto Tele Rokkor PG 2.8/135, MC Tele Rokkor QD 3.5/135, TC 4/135, MC Celtic 4/200, MC Tele Rokkor PE 4.5/200
MD 28-70 f3.5-4.8, MD Macro 35-70 f3.5, Md 70-210 f4, MD Rokkor X 75-200 f4.5, MD 100-200 f5.6
Nikon Nikkor 4/20, O Auto 2/35, S Auto 1.4/50..... Miranda Auto 2.8/28, Auto 2.8/35, Auto 1.4/50, Auto EC 1.4/50, Auto 1.8/50, Auto EC 1.8/50,Auto 1.9/50, Auto 3.5/135
Various Soligor,Sun,Fujita,Komura,Spitatone, etc. Lenses
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s58y
Joined: 05 Sep 2010 Posts: 131 Location: Eastern NY
Expire: 2013-09-10
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Posted: Sun Jul 10, 2011 8:37 pm Post subject: |
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s58y wrote:
My only real lens "tests" are done outside, at night, with real stars. Astroimaging often brings out the worst in a lens, since stopping the lens down to f/5.6 or f/8 to get the best results is not usually acceptable, and there is extreme contrast.
The most important factors are CA, field flatness, and off-axis aberrations. (CA can be sometimes ignored for narrowband imaging, however.)
It's nice if the lens has a stiff focus ring, which won't move by itself when the lens is pointing straight up, with filters, lenshood, and dew heaters attached.
Much less important is geometric distortion and cool/warm color. Bokeh and closeup performance are irrelevant. In fact, a lens with a long close focusing distance is good, since the helicoid may have a finer pitch, and manual focusing may be easier. _________________
flickr photostream
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