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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Jun 05, 2011 4:09 am Post subject: Some portraits with Planar 1.4/50 ZS (M42) |
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Orio wrote:
Well, not all of them are portraits... but most are:
08.
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10.
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Sun Jun 05, 2011 5:15 am Post subject: |
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patrickh wrote:
Love those street affairs you display so well Orio. The costumes, faces - I can smell the woodsmoke and the coffee in the air
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
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P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
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RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Sun Jun 05, 2011 12:27 pm Post subject: |
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poilu wrote:
#1 is a painting, who place those woman in this perfect arrangement
great atmosphere in this series _________________ T* |
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Himself
Joined: 01 Mar 2007 Posts: 3248 Location: Montreal
Expire: 2013-05-30
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Posted: Sun Jun 05, 2011 1:17 pm Post subject: |
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Himself wrote:
#1 it is a painting. Scene, costume, composition, PP, everything indicates that. I guess that that was your intention too when you worked on it, to recreate that medieval court atmosphere.
It worths keeping it even if it shows slight traces of nisen bokeh due to the low shutter combined with their movement. _________________ Moderator Himself |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Sun Jun 05, 2011 9:36 pm Post subject: |
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Katastrofo wrote:
Especially like the last two, for the smiles. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Jun 05, 2011 9:55 pm Post subject: |
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Orio wrote:
Thanks, guys. I wish I could say that I arranged the scene, but I didn't. The women were gathered there in costumes for the Palio.
But, even if I did not pose them, I did grab the scene, intentionally! I mean that it immediately looked like a painting to me - and this is also the reason why I did not correct the white balance after.
The poses and expressions are almost perfect - the only one that I'm not happy with is the rightmost woman, she looks too daily. The rest of them, sincerely, I don't know if I could pose them better if I wanted! That was such a lucky strike.
Of course, with street photography, luck is indispensable and it can be there or not, but, the photographer must search for it in the first place. A few lucky shots may happen to you even if you don't look for them, but most of the times, meeting luck is the result of long hours of walking and of following your instinct for where there could be the best occasions.
I have to say that the image reminds me a lot of the movies of a portuguese film director, Manoel De Oliveira. He likes to make those movies full of quotations of famous paintings. Curiously, when I saw those women against the wall, the films of Oliveira came to mind first.
@ Bill : those smiles are wonderful, aren't they? So shining and sincere. The people in San Secondo are very friendly with the tourist, it's three years that I go there and I have yet to find one person that denied me a photograph, or that did not present me with a beautiful smile. And now that they start to know me as a regular photographer that goes there for the photo contest, they are even more friendly, and they want to help me in every way.
All the people in the Palio, all those that you see in my photos, are volounteers, they do that for free for their community, and actually they spend a lot of their own money for that. Except for the quintana (the palio horse contest), all the shows in the town in the three days are completely free. And all the tables along the roads offer you tastes of wine and of food. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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Jesito
Joined: 24 Aug 2007 Posts: 5745 Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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Posted: Sun Jun 05, 2011 11:50 pm Post subject: |
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Jesito wrote:
Great effect with the #1, Orio.
I like all them, very nice sequence, the sharper B&W are great also. If I had to choose one I would go for the one of the musics.
Thanks for sharing!.
Regards.
Jes. _________________ Jesito, Moderator
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
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