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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 7:33 pm Post subject: Hanging On - Velvia 50 |
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Laurence wrote:
Once more, this is not an image that has any great technical value;
however, it holds memory for me, because the tree was less than half
its current size when I first visited this fine trail in my teenage years.
So, for memory's sake here it is. I guess I could have cropped and fooled
around with settings, but this is pretty much out of the camera, and it
shows the surrounding Winter environment as well as the clasping tree.
Good old Velvia 50. No color enhancing, what you see is what
you get. The moss at this time of year shows its most
remarkable colorations, possibly because it is not competing with
the explosion of greenery that comes with Summer.
Once more, the image sharpens when you click for a larger
image, and then click once more if needed with the + indicator, to
bring up the original size.
Hanging On - To Memories
Pentax 645
Pentax-A 55/2.8
f:5.6 and 1/30th handheld (should have had the tripod to enhance DOF)
Velvia 50
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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shauttra
Joined: 17 Nov 2009 Posts: 778 Location: Latvia
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Posted: Wed Feb 16, 2011 7:42 pm Post subject: |
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shauttra wrote:
Amazing nature!!
By the way, as i see you have huge collection with slides, and question is- how do you rememmber all technical details at each photo, or all these parameters are written in some catalogue.. _________________ Mto-1000, Tair-3, Auto Exaktar 135mm 2,8, Samyang 14mm 2.8,
Jupiter 37A, Carl Zeiss Sonnar 135/3.5,
Helios-44, Mir-1, Revuenon 50/1.4,
Carl Zeiss Pancolar 50/1.8, Samyang 24/1.4, Auto Vivitar 35/2.8
www.radosi.lv
http://shauttra.blogspot.com |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Feb 16, 2011 7:54 pm Post subject: |
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Attila wrote:
Amazing capture! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 8:16 pm Post subject: |
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Laurence wrote:
shauttra wrote: |
Amazing nature!!
By the way, as i see you have huge collection with slides, and question is- how do you rememmber all technical details at each photo, or all these parameters are written in some catalogue.. |
Hello shauttra: Well, I am gratified that you feel this is a good slide. Velvia
certainly does well in these kinds of forests.
Regarding my slides; I do have a lot of slides that I haven't scanned. It
takes a lot of time, and I sort go in "bursts" when I have time available.
Sometimes I wonder why I'm even bothering to scan them into digital,
because - really, who is going to care after I'm gone? I guess the
main reason for posting them here on the forum, is so that you guys (and
girls) can at least get a glimpse of the true beauty around here.
I do not have all of my slides' exposure data captured. But, as I have
indicated in other posts, most of my medium format slides are shoved
into transparent sleeves, and then I shove my notes right into the same
sleeve. I almost ALWAYS have the good ol' pencil and tablet with me,
because I like to know what settings I've used.
Some of the slides are swimming around in boxes, but even a lot of those
have the paper data clipped to them. To me, writing it down right away
saves time on the computer, or in trying to rack my brain to remember
how I shot the slide.
And actually, there are probably 150 or more slides that I just didn't
write anything down for. Especially from the Yashica Mat. And, that's
okay too. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 8:19 pm Post subject: |
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Laurence wrote:
Attila wrote: |
Amazing capture! |
Wow, thanks Attila! It's just a tree!
Did you read where it looks like the images "sharpen up" to their
original sharpness when I click for larger versions. It seems that
the site must not capture all the data in images until it is "forced"
to show original size? Not a big deal, I am just curious - probably
just an anomaly of the software...
Maybe I should go ahead and apply sharpening before posting? _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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shauttra
Joined: 17 Nov 2009 Posts: 778 Location: Latvia
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Posted: Wed Feb 16, 2011 8:24 pm Post subject: |
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shauttra wrote:
Thanks, Laurence!
Your pictures for me are like a candy for children, who wants them more, more and more
I deeply appreciate your work! _________________ Mto-1000, Tair-3, Auto Exaktar 135mm 2,8, Samyang 14mm 2.8,
Jupiter 37A, Carl Zeiss Sonnar 135/3.5,
Helios-44, Mir-1, Revuenon 50/1.4,
Carl Zeiss Pancolar 50/1.8, Samyang 24/1.4, Auto Vivitar 35/2.8
www.radosi.lv
http://shauttra.blogspot.com |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 8:33 pm Post subject: |
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Laurence wrote:
shauttra wrote: |
Thanks, Laurence!
Your pictures for me are like a candy for children, who wants them more, more and more
I deeply appreciate your work! |
I don't know exactly what to say, shauttra. I guess "thank you" is the
best. I never really showed my work anywhere, because (as we all do
at times) I feel that it's not up to capabilities. I only started showing on
this forum because it seemed to be the most "gentle" forum without a
large amount of "flaming" and other bad behavior. The often good
responses have a way of boosting my confidence, knowing that not
every image that I feel is "good", is necessarily good in someone else's
mind. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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goombles
Joined: 08 Apr 2010 Posts: 136 Location: UK
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Posted: Wed Feb 16, 2011 8:44 pm Post subject: |
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goombles wrote:
Quote: |
Did you read where it looks like the images "sharpen up" to their
original sharpness when I click for larger versions. It seems that
the site must not capture all the data in images until it is "forced"
to show original size? Not a big deal, I am just curious - probably
just an anomaly of the software... |
Opening the image to it's original size makes a massive difference. After clicking the + button the image is only enlarged by ~4% but the sharpness and clarity increases by about 70% _________________
Cameras: Canon 7D, Olympus OM-2n, Spotmatic SPII
M42: Sonnar 135/3.5, Flektogon 35/2.4, SMC Takumar 50/1.4, SMC Takumar 55/1.8, SMC Takumar 35/3.5
Tamron: SP 90/2.5 Macro |
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shauttra
Joined: 17 Nov 2009 Posts: 778 Location: Latvia
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Posted: Wed Feb 16, 2011 8:47 pm Post subject: |
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shauttra wrote:
Laurence wrote: |
shauttra wrote: |
Thanks, Laurence!
Your pictures for me are like a candy for children, who wants them more, more and more
I deeply appreciate your work! |
I don't know exactly what to say, shauttra. I guess "thank you" is the
best. I never really showed my work anywhere, because (as we all do
at times) I feel that it's not up to capabilities. I only started showing on
this forum because it seemed to be the most "gentle" forum without a
large amount of "flaming" and other bad behavior. The often good
responses have a way of boosting my confidence, knowing that not
every image that I feel is "good", is necessarily good in someone else's
mind. |
I think every image which we make, records in EXIF some part of our memories. When we look at old pictures, we can remember many details about surrounding environment in moment when we make that picture. Making lots of pictures we can make our memories more richer and more colourful. Ofcourse it`s not possible to show all your emotions to other people, but most important is that you can remember these emotions...
Therefore i like to view my old pictures... _________________ Mto-1000, Tair-3, Auto Exaktar 135mm 2,8, Samyang 14mm 2.8,
Jupiter 37A, Carl Zeiss Sonnar 135/3.5,
Helios-44, Mir-1, Revuenon 50/1.4,
Carl Zeiss Pancolar 50/1.8, Samyang 24/1.4, Auto Vivitar 35/2.8
www.radosi.lv
http://shauttra.blogspot.com |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 9:02 pm Post subject: |
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Laurence wrote:
goombles wrote:
Opening the image to it's original size makes a massive difference.
After clicking the + button the image is only enlarged by ~4% but
the sharpness and clarity increases by about 70% Shocked
Yes! The difference is profound. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Wed Feb 16, 2011 9:09 pm Post subject: |
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poilu wrote:
great, magical capture! the bigger version is indeed sharper _________________ T* |
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rbelyell
Joined: 13 Oct 2009 Posts: 4269 Location: somewhere in the mountains of central NY
Expire: 2014-01-31
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Posted: Wed Feb 16, 2011 9:36 pm Post subject: |
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rbelyell wrote:
i love what you do with velvia, it just sings!
and yes, i also cannot figure out why my images as well look washed out and lack contrast and sharpness when posted here. 'clicking' does make a big difference, but its disappointing to not see on post what it is you post! many others dont seem to have this problem, but it is why ive kind of given up posting images here...too bad really...
but despite this even the unclicked image looks good to me!
btw i note youve changed your devo quote. whip it good! _________________ Epson RD1 + Elmarit 21/2.8; Summarit 50/1.5; Summarit 75/2.5; Elmar-c 90/4; Sankyo Komura 135/2.8, Hektor 135/4.5; Braun Paxina 29 6x6; Photax Boyer Paris; Holga 120 Pano
GREAT STUFF FOR SALE:
Contax T
Hasselblad XPan + 45/4, 90/4
Kodak Retina Reflex IV + full set of Schneider Krueznach lenses
Mercury 2 half frame 35mm
Kodak Pro slr/n
Fuji GM670+100/3.5+65/8!
Praktisix 6x6 medium format + ZeissBiometar 120/2.8
Bessa T 101 Anniversary Edition in Navy Blue
Mamiya Six Folder with Zuiko 75/3.5
Adaptall: Tamron SP 28-85 macro
Cameras: Canon IX
PM for more complete descriptions/pix. All in great shape!
_________________________
'buy me a drink, sing me a song,
take me as i come 'cause i can't stay long' |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Feb 16, 2011 9:43 pm Post subject: |
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Attila wrote:
Laurence wrote: |
Attila wrote: |
Amazing capture! |
Wow, thanks Attila! It's just a tree!
Did you read where it looks like the images "sharpen up" to their
original sharpness when I click for larger versions. It seems that
the site must not capture all the data in images until it is "forced"
to show original size? Not a big deal, I am just curious - probably
just an anomaly of the software...
Maybe I should go ahead and apply sharpening before posting? |
I think GD library what I use for resizing either not set well or produce this images, sharpening before upload solve problem easily.
Just a tree, right, I never seen any in this combination how roots are on top of other tree. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 9:57 pm Post subject: |
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Laurence wrote:
shauttra wrote:
I think every image which we make, records in EXIF some part
of our memories. When we look at old pictures, we can remember
many details about surrounding environment in moment when we
make that picture. Making lots of pictures we can make our
memories more richer and more colourful. Ofcourse it`s not
possible to show all your emotions to other people, but most
important is that you can remember these emotions...
Therefore i like to view my old pictures...
I feel the same, shauttra. For instance, this following image is, once
again, not the greatest. The highlights seem to be blown out, although
a check of the Levels show that they are within tolerances.
However, the point again, is that the memories that go with the images
are the reason for viewing, as you have said.
This image has memories, because if you look down toward the bottom
where the water swirls behind the rock in the stream - that is where I
put my fishing lure when I was about 15 years old. I was fishing only
for smaller trout, but a Steelhead trout took my lure and raced off
with it, right up throught the rapids, breaking the line easily!
That was exciting.
One other thing is that I can drink this water at any time, and know
that it is pure and without contamination. That adds to the sense of
wildness for me.
Once again, if you click on the image to make it larger - then click once
again on the + sign, it will go to original sharpness.
Attila, I actually went ahead and applied 25/1/0 Unsharp Mask to this
image prior to posting. However, it still loses the sharpness once it
is loaded. But that's okay, it's just something to be aware of, since it is
easy to click a couple of times to bring it up to original.
Oh...I was going to say...take a look at shauttra's Pancolar images. The
colors are simply gorgeous, and the compositions are fine.
Trout Stream Memories
Revueflex 3003
Super-Takumar 55/1.8
35mm Velvia 100
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
Last edited by Laurence on Wed Feb 16, 2011 10:05 pm; edited 1 time in total |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 10:02 pm Post subject: |
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Laurence wrote:
poilu wrote: |
great, magical capture! the bigger version is indeed sharper |
Hey! Thank you poilu. I am waiting to see more of your Mediterranean
images, possibly including more pretty girls! _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Feb 16, 2011 10:04 pm Post subject: |
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Laurence wrote:
rbelyell wrote: |
i love what you do with velvia, it just sings!
and yes, i also cannot figure out why my images as well look washed out and lack contrast and sharpness when posted here. 'clicking' does make a big difference, but its disappointing to not see on post what it is you post! many others dont seem to have this problem, but it is why ive kind of given up posting images here...too bad really...
but despite this even the unclicked image looks good to me!
btw i note youve changed your devo quote. whip it good! |
Thanks rbelyell! I always enjoy hearing from you.
Yes, the old Devo lyrical quote needed a change. Devo ALWAYS lifts
my spirits when I hear their music. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Thu Feb 17, 2011 2:33 am Post subject: |
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cooltouch wrote:
Hey Larry,
Once again, you've hit one out of the park. Gosh, I envy you your location. I really have to figure out a way to get back out to the West Coast. But location is only part of the equation, isn't it. Without your eye, too many of your photos would potentially just be snapshots.
Nice to see a Velvia scan, cuz I've got a bunch of it in 220 now, thanks to fellow member Rawhead. I've shot one roll of the 220 so far, and my situation wasn't as conducive to success as yours -- difficult lighting, so it was not easy to evaluate it. But I shot a roll of it in 35mm the same day, and the lighting was better for it, and for those shots I was really surprised.
I have a few questions about this photograph that doesn't have anything to do with photography. You mention you first visited this tree in your teenage years. I don't suppose you have any photos from one of your earlier visits? I am assuming that at least a couple of decades have passed since the first time you visited this location? And the fallen tree -- is it a redwood, do you happen to know? Maybe a western redcedar? Reason for all these questions is because the fallen tree looks to be in remarkably good shape for one that's been laying on the ground for so long. I guess whatever species it is, it must be one very impervious to rot.
Here in Houston, we had a blazingly hot summer back in 2000, and two of the pine trees in our back yard died. Within a couple years, they had sloughed off much of their bark, and we finally had them taken down. Within a couple more, the stumps had rotted away to the point where they had almost disappeared from view. Eleven years after, there is absolutely no trace of two pine trees that were each about 30" in diameter.
We have a large park within the city, called Memorial Park. Most of the park is just wild, undeveloped forest area that is interlaced with hiking and biking trails. I like walking the trails and observing nature at work, and one of the things I've noticed is how rapidly a tree rots in our climate once it has fallen. Now, I realize you're a lot farther north than I am, but you're also close to the coast, which moderates temperature, and your climate is a wet one. Probably wetter than Houston's. So, I don't think we have anything on you when it comes to the speed with which things rot. And that's why I'm wondering about that tree. And I guess I'd have to say that that is what I consider to be so remarkable regarding your photograph -- content-wise, that is. It just looks to be in too good of condition. Just doesn't seem possible that it could have been laying on the ground long enough for the "young" tree atop it to be as big as it is. And it almost appears that the tree growing over the fallen one has roots that have tapped into it, drawing sustenance from it. Which lends the photo a touch of an eerie feeling as well. Very cool. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Thu Feb 17, 2011 3:28 am Post subject: |
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mo wrote:
Quote: |
Wow, thanks Attila! It's just a tree |
I disagree.... it is a stunning tree and you have captured the "specialness" of it.I have never seen a tree grow over another...I think the moss and the background all work together on this photo as well as the choice of film. _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Thu Feb 17, 2011 3:42 am Post subject: |
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Laurence wrote:
Great questions and statements Michael!
I've shot one roll of the 220 so far, and my situation wasn't
as conducive to success as yours -- difficult lighting, so it was
not easy to evaluate it. But I shot a roll of it in 35mm the same
day, and the lighting was better for it, and for those shots I
was really surprised.
I am glad you are gaining some success! It's a challenge at first with
Velvia. You have to just keep going until you feel a "familiarity" with
the film's nuances in light. After a while you will be able to make a
good determination of shutter speeds, etc. I still utilize the Sunny 16
rules, because that makes things simpler. In a lot of cases, I'll use the
averaging meter on the Pentax 645, and use the Sunny 16 rules in
my head, and come up with my own "average" of the two systems.
In 90% of my shots, it seems to work. Backlight situations are harder.
You mention you first visited this tree in your teenage years.
I don't suppose you have any photos from one of your earlier
visits? I am assuming that at least a couple of decades have
passed since the first time you visited this location? And the
fallen tree -- is it a redwood, do you happen to know? Maybe
a western redcedar?
I think I DO have an old snapshot of me leaning against the downed log,
taken by my grandfather. I'm guessing I was about 18 years old at the
time, because I think it was the summer after graduation. So that is
44 years ago. I'll try to find that picture. The downed tree is Western
Red Cedar, a tree that is extremely resistant to rot, even in this area.
In fact, there are downed cedars that have resisted rot for nearly a
century. The tannins in the tree are a powerful resistor, and I am not
sure, but there are other natural compounds that also help.
Now, I realize you're a lot farther north than I am, but you're
also close to the coast, which moderates temperature, and your
climate is a wet one. Probably wetter than Houston's.
The climate is VERY wet in these valleys. This particular valley is draining
toward the northeast and into Hood Canal, so it is not as wet
as the western "true" rain forest valleys that drain directly to
the ocean. Those valleys average about 12-14 feet of
precipitation a year, and this Skokomish River valley averages about 10 feet per year.
Just doesn't seem possible that it could have been laying on
the ground long enough for the "young" tree atop it to be as big
as it is. And it almost appears that the tree growing over the fallen
one has roots that have tapped into it, drawing sustenance from it.
Which lends the photo a touch of an eerie feeling as well. Very cool.
I'm guessing that the young tree is 80 years old, give or take a decade.
Yes, there are roots that are tapping in to the old cedar; this is actually
quite common throughout the peninsula. The other side of the log shows
more small "stringer" roots than this side that shows bigger roots. You can
see where one root broke off, and has tapped into the log with smaller
rootlets.
The climate is so conducive to plant growth, that the mosses use the bark
of the roots themselves as their own "dirt", sending their own roots about
a centimeter into the bark.
Larry _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Sat Feb 19, 2011 5:32 pm Post subject: |
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PaulC wrote:
Laurence wrote: |
I never really showed my work anywhere, because (as we all do
at times) I feel that it's not up to capabilities. I only started showing on
this forum because it seemed to be the most "gentle" forum without a
large amount of "flaming" and other bad behavior. The often good
responses have a way of boosting my confidence, knowing that not
every image that I feel is "good", is necessarily good in someone else's
mind. |
I think you are enormously underestimating your ability. From what I've seen, your work easily stands up to comparison with today's crop of top landscape photographers (and I'm glancing through my copy of "Landscape: The world's top photographers" as I write). I had assumed that you were also marketing the photos you show here. It will be a pity if you just let them vanish one day because you don't realise how good they are. _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Feb 19, 2011 5:34 pm Post subject: |
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Attila wrote:
PaulC wrote: |
Laurence wrote: |
I never really showed my work anywhere, because (as we all do
at times) I feel that it's not up to capabilities. I only started showing on
this forum because it seemed to be the most "gentle" forum without a
large amount of "flaming" and other bad behavior. The often good
responses have a way of boosting my confidence, knowing that not
every image that I feel is "good", is necessarily good in someone else's
mind. |
I think you are enormously underestimating your ability. From what I've seen, your work easily stands up to comparison with today's crop of top landscape photographers (and I'm glancing through my copy of "Landscape: The world's top photographers" as I write). I had assumed that you were also marketing the photos you show here. It will be a pity if you just let them vanish one day because you don't realise how good they are. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Feb 20, 2011 2:14 am Post subject: |
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Orio wrote:
Spectacular tree! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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spleenone
Joined: 26 Dec 2009 Posts: 1130 Location: Slovakia
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Posted: Sun Feb 20, 2011 10:40 am Post subject: |
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spleenone wrote:
That tree is one of the best photos I've seen recently. I mean for quite long time. _________________ Shoot on analog mainly with
Nikkor glass
then Pentacon6TL for squares
and Fujica GL690 in case of 6x9
Carpe diem! |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Sun Feb 20, 2011 5:53 pm Post subject: |
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Katastrofo wrote:
Yes, Poilu, summer will be here eventually and expectations are high!
Laurence, what a beautiful image in the larger file! Gorgeous dripping-wet
colors, love it! And like another world away... |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun Feb 20, 2011 7:09 pm Post subject: |
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Laurence wrote:
Thanks SO MUCH to the rest of you! I will be actually trying to get the
similar shot again, but with more depth of field. The moss in the Winter
seems to shine under gray skies, especially when there is just a bit
of filtered sunlight shining through to the forest floor. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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