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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Fri Oct 15, 2010 9:52 pm Post subject: Catching Light |
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vilva wrote:
Some studies:
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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Olivier
Joined: 18 Feb 2009 Posts: 5078 Location: France
Expire: 2015-08-06
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Posted: Fri Oct 15, 2010 10:18 pm Post subject: |
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Olivier wrote:
Veijo, your studies are outstanding.
I love your soft light pictures !
What is your light catcher in this case ?
Do you push the isos to the limit to have additional noise and obtain a part of this special and beautiful effect ? _________________ Olivier - Moderator
Dslr : Olympus Pen E-P2 - Fujifilm X-Pro2 - Canon 5D MkII.
SLr and MF lenses : for feedback and helping people, cameras and lenses I own : full list here http://forum.mflenses.com/viewtopic,p,1442740.html#1442740 |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Fri Oct 15, 2010 10:38 pm Post subject: |
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patrickh wrote:
Love them, especially #1
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Oct 16, 2010 12:40 am Post subject: |
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Orio wrote:
Absolutely beautiful, especially the first 4 are top class.
Fine and subtle and rich in gradations and absolutely non-constructed, non-rhethoric and non-pretentious.
This is cream of the crop soft focus photography! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Sun Oct 17, 2010 9:58 am Post subject: |
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vilva wrote:
Olivier wrote: |
Veijo, your studies are outstanding.
I love your soft light pictures ! |
Thanks
Quote: |
What is your light catcher in this case ? |
My customary 105/4.5 Radionar, soft focused.
Quote: |
Do you push the isos to the limit to have additional noise and obtain a part of this special and beautiful effect ? |
I think the noise is mostly due to the rather excessive spherical aberrations as I shot at 100-400ISO and slightly pulled the dark end to increase global contrast.I also applied some local contrast enhancement, which may have caused a slight increase in noise, of course.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Sun Oct 17, 2010 9:58 am Post subject: |
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vilva wrote:
patrickh wrote: |
Love them, especially #1 |
Thanks _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Sun Oct 17, 2010 10:29 am Post subject: |
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vilva wrote:
Orio wrote: |
Absolutely beautiful, especially the first 4 are top class.
Fine and subtle and rich in gradations and absolutely non-constructed, non-rhethoric and non-pretentious.
This is cream of the crop soft focus photography! |
Thanks a lot
Well, the first four were shot under easy conditions, the last four are more of a learning experiment as the small 350D viewfinder is no good for accurate focusing and judging the background effects in dim general lighting with strong OOF lights - one must learn by taking copious experimental shots and trying to adjust them during PP (although I'm much too lazy to go to the lengths some of the great names went in their wet darkrooms, I do only rather minor global adjustments, no localized effects.)
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Sun Oct 17, 2010 6:25 pm Post subject: |
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Anu wrote:
Stunning imagery. Pictures like this make me depressed as they remind me in very brutal way what a crappy photographer I am compared to the people with real talent. Simply amazing pictures! |
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MF-addicted
Joined: 11 Mar 2009 Posts: 803 Location: Stuttgart (Germany)
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Posted: Sun Oct 17, 2010 7:04 pm Post subject: |
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MF-addicted wrote:
Beautiful shots with own character. _________________
EOS 5D MK II, EOS 5D Classic, EOS 400D --------------------------------------------------------------------------------------------------------------------------------
Canon FD to EOS converted: FD 1,4/24 asph, FD 2,8/300 L
Carl Zeiss Jena:Pancolar 2/50, black Biotar 2/5,8cm 17bl., slim Biotar 1,5/7,5cm 18bl., Pancolar 1,8/80mm, Sonnar 3,5/135, Triotar 4/135
Carl Zeiss: Distagon 4/18T*, Distagon 1,4/35 HFT, Planar 1,4/50 T*, Vario-Sonnar 3,4/35-70 T*,Vario-Sonnar 4,5-5,6/100-300 T*
Leitz: Elmarit-R 2.8/28 E55 II, Summicron-R 35 I, Elmarit-R Wetzlar 2.8/35 E55 II, Summicron-R 2/50 Wetzlar I, Macro Elmarit-R 2.8/60 I, Summicron-R 2/90 E55 I, Elmarit-R 2,8/90 I, Elmarit-R Wetzlar 2,8/135 I, Elmarit-R 2.8/180 Wetzlar E67 II, Vario Elmar 4/70-210 E60, MR Telyt-R 8/500
Schneider: Xenar 2.8/50
Russian: Industar 50-2, Industar 61,Helios-44-1 2/58mm,Helios-44-2 2/58mm, MC 3M-5CA 8/500
Meyer: Pentacon 3,5/30, Domiplan 2,8/50, Trioplan 2,9/50, Trioplan 3,5/75, Trioplan 2,8/100, Orestor 2,8/135mm, Orestegon 4/200
ISCO: Westron 2,8/35, Westron 3,5/35, Tele-Westanar 3,5/135, Tele-Westanar 4/180
Yashica: ML 15, ML 21, ML 24, ML 28, ML 35, ML 100/3.5 Macro,
Nikon: Nikkor AI 2,0/24, Nikkor AIS 2,0/28, Nikkor Ai 1,8/50, Nikkor-P (Sonnar) 2,5/105 silver, Nikkor-P (Gauss) 2,5/105 black
Steinheil Cassar 3,5-4,5/75 VL, Quinar 3,5/85, Culminar 4,5/105, Culminar 4,5/135, Auto-D Tele Quinar 2,8/135
Tomioka Tomioka - Cosinon 1,2/55, Tomioka - Revuenon 1,4/55
Voigtländer: Septon 2/50
Others: Officine Galileo Ingra 3,5/5cm, Wilon 4,5/75, Dallmeyer 4,5/4", Bonotar 4,5/105,
Lenses for sale, please contact via PM: None at the moment
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Sun Oct 17, 2010 7:19 pm Post subject: |
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LucisPictor wrote:
Veijo, it's a pleasure to see you (or rather your shots) here again!
Shots that nobody else I know can accomplish in such a typical manner.
Could you tell us which lens you have used? I am sure it's one of your classic ones, right? _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Tue Oct 19, 2010 7:56 am Post subject: |
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vilva wrote:
Anu wrote: |
Stunning imagery. Pictures like this make me depressed as they remind me in very brutal way what a crappy photographer I am compared to the people with real talent. Simply amazing pictures! |
Thanks.
Well, what to say, I feel rather embarrassed reading comments like that. As I see it, for me it is in a way much easier to work with a soft focus lens although it isn't suitable for all kinds of subjects, no lens is. A sharp lens can be a yoke which forces me to too much concentrate on purely optical perfection, and it can become a veil between me and perception. No lens is perfect, a panacea, and I've learned a lot by alternating between lenses and types of lenses, by taking just a single lens with me for a walk. On every walk there are moments when I bump into the limitations of the particular lens I have with me, it is is inevitable and it drives home the message, and in my mind's eye I see the "perfect" photos I'd have taken. Sometimes I even leave the camera at home and take just mental photos - with different lenses, real or ideal. Slowly I learn to see and perceive. The most difficult thing, however, is getting rid of preconceptions, finding something really my own.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Tue Oct 19, 2010 7:57 am Post subject: |
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vilva wrote:
MF-addicted wrote: |
Beautiful shots with own character. |
Thanks
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Tue Oct 19, 2010 7:58 am Post subject: |
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vilva wrote:
LucisPictor wrote: |
Veijo, it's a pleasure to see you (or rather your shots) here again!
Shots that nobody else I know can accomplish in such a typical manner.
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Thaks
Quote: |
Could you tell us which lens you have used? I am sure it's one of your classic ones, right? |
Yes, it is the 105/4.5 Radionar.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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Minolfan
Joined: 30 Dec 2008 Posts: 3438 Location: Netherlands
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Posted: Tue Oct 19, 2010 8:17 am Post subject: |
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Minolfan wrote:
Very nice, 1 (!), 3 and 4 my favorites. Inspiring stuff! |
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heartcat
Joined: 31 Dec 2009 Posts: 371
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Posted: Tue Oct 19, 2010 7:19 pm Post subject: |
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heartcat wrote:
What a lovely, dreamy quality these have. _________________ Canon 50D; CZJ Sonnar 135mm 3.5; SMC Takumar 55mm 1.8; Helios 44-2 58mm 2; Jupiter 37-A 135mm 3.5; Jupiter 11A 135mm 4; Pentacon 135mm 2.8; Nikkor-P 105mm 2.5;(Tokina) Vivitar 35mm 2.8; Tokina RMC 28mm 2.8; Vivitar 19mm 3.8; RMC Tokina 80-200mm 4.5; RMC Tokina 35-70mm 3.5; Panagor 90mm 2.8; Asahi Pentax extension tubes; 2xAuto Prinz teleconverter M42 |
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