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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Jan 07, 2013 6:21 pm Post subject: Interiors contest |
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Orio wrote:
Please post here some of your interiors photos. Please declare camera body , lens and every other technical details that you think it is important to know.
Please rate every pictures with the rate function. You can see it under every post. _________________ Orio, Administrator
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Jan 07, 2013 6:27 pm Post subject: |
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Orio wrote:
Parma, church of Santa Maria della Steccata (1521 a.C.), with the Santa Cecilia painting by Parmigianino (approx. 1522).
Leica M9, Zeiss Opton Sonnar 1.5/50 (Contax RF):
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jan 08, 2013 8:44 am Post subject: |
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iangreenhalgh1 wrote:
Similar subject but different approach. Contax IIIa, 1938 Sonnar 1.5/50, Ilford FP4+ in Fomadon LQN.
This is my local church, St. Georges, during the xmas tree festival they held. It was very dark so this was shot wide open at 1/25. Amazing to me a 1930s lens can resolve such detail at full aperture, and how much better a RF camera is for low light shooting because there is no reflex mirror to create vibration, no way could I have shot a 50mm lens at 1/25 with an SLR.
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jan 08, 2013 8:49 am Post subject: |
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iangreenhalgh1 wrote:
Another one shot at the same time, same camera and lens, also wide open, I couldn't decide which I preferred so I posted 'em both.
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Wed Jan 09, 2013 10:45 pm Post subject: |
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Katastrofo wrote:
Taken at The Flying Monkey:
Mamiya C2, TMAX 400, HC-110 1:63 |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Jan 09, 2013 10:58 pm Post subject: |
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Attila wrote:
#1 woman are excellent ideas and look , #2 is lot less _________________ -------------------------------
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Wed Jan 09, 2013 11:13 pm Post subject: |
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Katastrofo wrote:
Yes, well, it is an artists/sculptors lair and that's what was on display. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Jan 10, 2013 1:23 pm Post subject: |
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iangreenhalgh1 wrote:
I like #1 a lot too. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Jan 10, 2013 2:20 pm Post subject: |
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Orio wrote:
I voted for #2 because of the perspective and the reflection on the wooden floor, really beautiful (although I would decrease exposure by 1 stop). _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Aanything
Joined: 27 Aug 2011 Posts: 2187 Location: Piacenza, Italy
Expire: 2014-05-30
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Posted: Thu Jan 10, 2013 2:23 pm Post subject: |
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Aanything wrote:
both nice, #2 better for me too: light reflected from a well used wooden floor is something that always pleases me _________________ C&C and editing of my pics are always welcome
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Fri Jan 11, 2013 12:43 am Post subject: |
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Katastrofo wrote:
Thanks, fellas, need to see about some new interiors. Agree about the exposure in 2. |
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