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Nikos
Joined: 17 May 2010 Posts: 1077 Location: Greece
Expire: 2015-01-02
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Posted: Thu Oct 07, 2010 6:02 pm Post subject: How to test a filter? |
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Nikos wrote:
I am not sure if putting a UV filter on an expensive lens
(Zeiss, Leica, ...) is a good idea.
However, I have saved a lens this way.
The question is, can you think of a reasonable test?
A manufacturer "guarantees" 99.999 % light transmission etc.
How can we find out if the specifications are honoured? _________________ Νίκος • www.diafragma.gr
Cameras: Canon EOS 5D Mark II, Sony α7R, Sony NEX-5N
MF lenses:
SLR:
Canon TS-E 17mm f/4, Zeiss 2.8/21 ZE, Zeiss 2/28 Contax, Zeiss 2/35 ZE, Zeiss 1.4/50 Contax, Zeiss 1.4/85 Contax, Zeiss Makro 2/100 ZE,
Zeiss 2/135 Contax, Zeiss 2.8/135 Contax, Zeiss Vario-Sonnar 35-70 Contax, Zeiss Vario-Sonnar 100-300 Contax, Zeiss F-Distagon Rollei, Canon FD 24mm f2, Minolta MD Rokkor 35mm f2.8
Rangefinder:
Zeiss 4.5/21 C Biogon ZM, Zeiss 2/35 Biogon ZM, Voigtländer 15mm f/4.5 Heliar L39, Leica Tele-Elmarit 2.8/90mm, Zeiss 2/45 Contax G, Zeiss 2.8/90 Contax G, Canon 50mm 1.8 LTM
AF lenses: Canon 15mm f/2.8 Fisheye, Canon 24-70 f/2.8 L, Canon 70-200 f/2.8 L IS II, Canon 70-200 f/4 L, Canon 300 f/4 L IS, Canon 100 f/2.8 macro
Last edited by Nikos on Thu Oct 07, 2010 9:13 pm; edited 1 time in total |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 07, 2010 6:06 pm Post subject: |
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Orio wrote:
ask poilu to show you his test files... _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Thu Oct 07, 2010 8:03 pm Post subject: |
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poilu wrote:
I just received a b&w and it is a skylight, I thought it was the same like UV but this one is yellow and 1.1, it loose 10% of light
so I am not the best placed to talk about filter
next time I will order protection filter who don't change colors _________________ T* |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 07, 2010 8:24 pm Post subject: |
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Orio wrote:
poilu, wasn't it you to post a thread where you showed the poor IQ of a lens with a UV filter on compared to no filter?
Or is age playing tricks with my memory? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Thu Oct 07, 2010 8:44 pm Post subject: |
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poilu wrote:
yes borders was little better at 100% without filter but I cannot call it poor IQ
what I want to check is colors differences with or without filter
last week I got differences in sea color but it was cloudy, I have to make a controlled test to sort it out _________________ T* |
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visualopsins
Joined: 05 Mar 2009 Posts: 11012 Location: California
Expire: 2025-04-11
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Posted: Thu Oct 07, 2010 8:57 pm Post subject: |
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visualopsins wrote:
Hoods offer lens protection, while increase contrast by reducing flare, even the ever-present flare too dim to plainly see.
UV filter can cut some long distance 'haze' not seen by the eye but recorded by film. Sensors have UV filters, sufficient unless UV is very intense such as at high altitude. Depends on sensor UV filter characteristics, ymmv.
All filters, even clear (multi-coated) glass, reduce light throughput.
A test might be done at very high altitude with telephoto lens, try various
UV filters, see effect on exposure, especially blue channel histogram -- choose the one with cutoff minimizes most long distance 'haze'. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Nikos
Joined: 17 May 2010 Posts: 1077 Location: Greece
Expire: 2015-01-02
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Posted: Thu Oct 07, 2010 9:09 pm Post subject: |
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Nikos wrote:
poilu wrote: |
I just received a b&w and it is a skylight, I thought it was the same like UV but this one is yellow and 1.1, it loose 10% of light
so I am not the best placed to talk about filter
next time I will order protection filter who don't change colors |
Haha, they tried to sell me a skylight instead of a UV last week in a shop. (and it would be an expensive 82mm)
- "You know, you will just tweak the white balance a bit"
- "No thank you, I did not pay Zeiss a truck load of Euros to play with WB"
Cute, huh? |
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Arkku
Joined: 28 Feb 2007 Posts: 1416 Location: Helsinki, Finland
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Posted: Thu Oct 07, 2010 11:18 pm Post subject: |
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Arkku wrote:
There was an extensive UV filter test at lenstip. While some of the tests were done using special equipment, the tests of individual filters also show flare tests which are quit simple to set up. You may also want to simply pixel-peep resolution with and without filter.
Personally I'd just get a metal lens hood deep enough to protect the front element from impacts (unless you drop it on a spike =). A “protective” filter can theoretically also be risky as it's more prone to shattering (being a fragile flat sheet of glass suspended in a thin ring of soft metal) and filter shards can scratch your lens, especially if the filter breaks between a lens cap and front element due to bumping the camera bag. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 07, 2010 11:58 pm Post subject: |
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Orio wrote:
Arkku wrote: |
Personally I'd just get a metal lens hood deep enough to protect the front element from impacts (unless you drop it on a spike =). A “protective” filter can theoretically also be risky as it's more prone to shattering (being a fragile flat sheet of glass suspended in a thin ring of soft metal) and filter shards can scratch your lens, especially if the filter breaks between a lens cap and front element due to bumping the camera bag. |
+1 _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Fri Oct 08, 2010 6:16 am Post subject: |
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martinsmith99 wrote:
It angers me to see lens hods not used on normal - tele lenses. _________________ Casual attendance these days |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Oct 08, 2010 12:37 pm Post subject: |
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Orio wrote:
poilu wrote: |
yes borders was little better at 100% without filter but I cannot call it poor IQ
what I want to check is colors differences with or without filter
last week I got differences in sea color but it was cloudy, I have to make a controlled test to sort it out |
Change of colour does not worry me because on digital it is absolutely irrelevant, and on film the use of a UV may actually improve colour more often than damage it.
My concern is about the loss of micro-contrast that a UV filter or any glass surface between my lens and the subject can produce. The fact that the macro contrast does not change does not mean the micro contrast is not affected. If you shoot through a window a landscape outside, the macro contrast will be the same as with no window, but as you go 100% enlargement and check the areas with finer details you will see immediately loss of micro-contast.
I am afraid that this may happen too with UV filters, not as badly as with a window of course, but, to paraphrase Nikos, I did not spend thousands on my Contax lenses to have their performance weakened by a stupid piece of glass in front of them. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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symphonic
Joined: 23 May 2010 Posts: 550 Location: SE Europe, Croatia
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Posted: Fri Oct 08, 2010 2:25 pm Post subject: |
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symphonic wrote:
Arkku wrote: |
A “protective” filter can theoretically also be risky as it's more prone to shattering (being a fragile flat sheet of glass suspended in a thin ring of soft metal) and filter shards can scratch your lens, especially if the filter breaks between a lens cap and front element due to bumping the camera bag. |
I agree with you, but I guess that depends. Take a look at this. _________________ Toni,
EOS 450D
CZJ Sonnar 135/3.5 MC | Pancolar 50/1.8 MC
Contax Planar 50/1.4 AEJ | Contax Sonnar 135/2.8 AEJ
Yashica ML 28/2.8 | Zuiko 28/3.5
Vivitar Series1 105/2.5 OM
AF: Tokina 12-24 |
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