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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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 Posted: Mon Jul 07, 2008 5:55 pm Post subject: Kodak Retina IIa |
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Nesster wrote:
I really enjoy using this camera, it is a true pocketable folder... the lens is a good one but will bloom (which I use to advantage) and glare. Fitting a shade helps but then there's an extra step for folding it. I use it as a street shooter mainly, with a wrist strap, and the folding bit gives a good finger hold for carrying it around all ready to go.
First the camera itself, I think beautifully designed:
Some B&W work:
It does color too:
More photos, and full size scans at http://www.flickr.com/photos/nesster/sets/72157602047066794/
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-Jussi
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Last edited by Nesster on Fri Aug 07, 2009 8:34 am; edited 1 time in total |
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LucisPictor
Joined: 26 Feb 2007
Posts: 17633
Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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| Posted: Mon Jul 07, 2008 6:51 pm Post subject: |
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LucisPictor wrote:
Yes, film at its best! Well, what did I expect... look at the lens: a fast Schneider-Kreuznach Xenon! This, in the hand of a talented photographer... no wonder.
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poilu
Joined: 26 Aug 2007
Posts: 10472
Location: Greece
Expire: 2019-08-29
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| Posted: Mon Jul 07, 2008 7:02 pm Post subject: |
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poilu wrote:
nice & various samples, the portrait is the strongest of all
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Mon Jul 07, 2008 7:26 pm Post subject: |
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F16SUNSHINE wrote:
Beautiful work Nester! Very inspiring, makes me want to shoot more film again. I love the street shot of the curvy woman. But of course the color Portrait is just simply stunning 
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Mon Jul 07, 2008 7:41 pm Post subject: |
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Katastrofo wrote:
Agree with Andy, excellent work, Nesster! Hope to see more! 
Bill |
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Mon Jul 07, 2008 7:43 pm Post subject: |
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A G Photography wrote:
I'm curious what kind of film did you use for that portarait. It seems cross processed to me or maybe just expired for long time.
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Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
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DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Mon Jul 07, 2008 8:00 pm Post subject: |
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Orio wrote:
I like them all, Nesster. Very good compositions and captures, they set a mood and communicate a feeling.
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Mon Jul 07, 2008 8:11 pm Post subject: |
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Nesster wrote:
Thanks all... that portrait is of our youngest, at my mother in law's New York apartment. The light there is fantastic, though colorful. She has an entire wall length of big windows, but with thermal film on them, and a 'designer' paint job. I don't recall the film, it would be likely Fuji Pro 400H, or else one of Fuji's consumer ASA400s. The scan is yellowish, yes.
Last night I felt like playing around with an extension tube and a Super-Takumar 50/1.4...
For those not familiar with the Retina, the threaded button is the shutter release, and the second one is to 'unjam' the mechanism. It comes in handy when starting a roll, for example. Kodak moved the wind lever to the bottom in their next models, mine works beautifully but apparently this is a weak spot on the IIa. The film counter works by counting down - when you reach 1 the camera locks down! Some say Kodak did this so you wouldn't be able to squeeze in the extra 1-2 frames on each roll 
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Camera photos
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Mon Jul 07, 2008 8:14 pm Post subject: |
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A G Photography wrote:
| Nesster wrote: |
Thanks all... that portrait is of our youngest, at my mother in law's New York apartment. The light there is fantastic, though colorful. She has an entire wall length of big windows, but with thermal film on them, and a 'designer' paint job. I don't recall the film, it would be likely Fuji Pro 400H, or else one of Fuji's consumer ASA400s. The scan is yellowish, yes.
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It wasn't a critic! Actually I love that colors and I'd like to being able to replicate them on film without using Photoshop.
They'r also very "trendy", just open a woman fashion magazine and you'll see.
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Mon Jul 07, 2008 8:17 pm Post subject: |
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Nesster wrote:
Alessandro, I wasn't taking your comments as critical, just trying to remember what it was... I'm pretty sure I was shooting 400H, it's a really good film to try. There's a solidity to the color and the grain is better than with the consumer films. Plus it's not much more, at least at B&H prices.
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Mon Jul 07, 2008 8:24 pm Post subject: |
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A G Photography wrote:
I believe your words but then the lab should have something wrong (that turn right) because it still seems like a cross processed shot with those colors.
Just look at this cross processed example:
About cross processing: http://en.wikipedia.org/wiki/Cross_processing
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Mon Jul 07, 2008 8:43 pm Post subject: |
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Nesster wrote:
Ah yes... I bought 25 rolls of expired Fuji 160S in 120 size, it tends towards the blue (I end up taking down the blue channel curve to compensate) but does something like the color effects of cross processing:
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-Jussi
Camera photos
Print Photographica
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Richard_D
Joined: 21 Oct 2007
Posts: 2378
Location: Faversham Kent UK
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| Posted: Wed Jul 09, 2008 3:51 pm Post subject: |
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Richard_D wrote:
Nice shots, and the colour shift just works well!
_________________
Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Thu Aug 06, 2009 9:40 pm Post subject: |
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Nesster wrote:
I'm not sure how this ended up in the digital gallery after the re-org... Please someone put this in film rf ... probably the best place... thank you
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-Jussi
Camera photos
Print Photographica
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