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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Tue Jun 02, 2009 4:31 pm Post subject: Another Rollei Planar 50/1.4 Image |
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Laurence wrote:
This is an image looking straight down into a creek bed, with a nice ledge of Oxalis showing.
No saturation changes; however, I did add small amount of Unsharp Mask at 1/25/0. Otherwise, exactly as taken.
Rolleiflex SL35-M
Rollei Planar 50/1.8
Oxalis Ledge
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Bob van Sikorski
Joined: 12 Jan 2009 Posts: 287 Location: Czech Republic
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Posted: Tue Jun 02, 2009 5:39 pm Post subject: |
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Bob van Sikorski wrote:
another provia? i really like this "anti-bayer" colors of yours. _________________ Rokkor (MD 45/2.0, MC PF 50/1.7), Porst Color Reflex MC Auto 55/1.2, Jupiter 135/3.5
Minolta X-700, Minolta Dynax 4, Flexaret IIa (later version), Flexaret VI
Voigtländer Avus 9x12 (1927-1935 version)
Epson V500 + VueScan/Linux + RawTherapee 4.x + GIMP/wavelett sharpen plugin
Meopta Magnifax III (up to 6x9) + Opemus III (up to 6x6), Rodenstock Rodagon 50/2.8, Meopta Anaret 105/4.5
Proud user of czech films! company homepage: foma.cz, buy here: fomafoto.com |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Tue Jun 02, 2009 5:41 pm Post subject: |
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Laurence wrote:
Bob van Sikorski wrote: |
another provia? i really like this "anti-bayer" colors of yours. |
Yup, this could be considered "anti bayer AND anti foveon" I guess.
Looking at the image, it sure "loses" a lot in the web form. The original transparency is biting sharp, but I see problems in this image that are not in the transparency. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Tue Jun 02, 2009 5:51 pm Post subject: |
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poilu wrote:
Laurence wrote: |
but I see problems in this image that are not in the transparency |
do you mean that left border is sharp on the slide ? |
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Bob van Sikorski
Joined: 12 Jan 2009 Posts: 287 Location: Czech Republic
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Posted: Tue Jun 02, 2009 5:52 pm Post subject: |
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Bob van Sikorski wrote:
i understand. when i saw one picture taken by my brother in his web gallery (on S-IPS LCD) and later on Fomabrom paper (baryt-based), i was almost shocked how HUGE is difference "on web" (loss of quality). _________________ Rokkor (MD 45/2.0, MC PF 50/1.7), Porst Color Reflex MC Auto 55/1.2, Jupiter 135/3.5
Minolta X-700, Minolta Dynax 4, Flexaret IIa (later version), Flexaret VI
Voigtländer Avus 9x12 (1927-1935 version)
Epson V500 + VueScan/Linux + RawTherapee 4.x + GIMP/wavelett sharpen plugin
Meopta Magnifax III (up to 6x9) + Opemus III (up to 6x6), Rodenstock Rodagon 50/2.8, Meopta Anaret 105/4.5
Proud user of czech films! company homepage: foma.cz, buy here: fomafoto.com |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jun 02, 2009 8:11 pm Post subject: |
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Orio wrote:
Bob van Sikorski wrote: |
i understand. when i saw one picture taken by my brother in his web gallery (on S-IPS LCD) and later on Fomabrom paper (baryt-based), i was almost shocked how HUGE is difference "on web" (loss of quality). |
And these are the reasons why when I travel I always shoot slides, and also why I have taken a darkroom course. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Tue Jun 02, 2009 9:25 pm Post subject: |
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Laurence wrote:
Orio wrote: |
Bob van Sikorski wrote: |
i understand. when i saw one picture taken by my brother in his web gallery (on S-IPS LCD) and later on Fomabrom paper (baryt-based), i was almost shocked how HUGE is difference "on web" (loss of quality). |
And these are the reasons why when I travel I always shoot slides, and also why I have taken a darkroom course. |
Orio, you are a man after my own heart! I too, feel that slides
are not only more "dense" than digital - but shooting slides out
in the field is a whole lot simpler. And...I think that with slides,
I tend to pick out better scenes to photograph simply because
I must conserve a bit with just 36 chances per roll. I guess it is
spelled out passionately by Ken Rockwell. He tends to get a bit
TOO passionate, but I do agree with his views on shooting slides
in the field.
I wish I could have you guys see the slide on the light box -
the images are SO much more vibrant than jpegs for the web.
Also, I think the darkroom can be a penultimate craft to learn,
and will serve you very well Orio.
Bob, does your brother have a web site where I could see
his images? _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Tue Jun 02, 2009 9:48 pm Post subject: |
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Katastrofo wrote:
It's a great image, Laurence, my first thought was the lack of sharpness,
but vivid colors!
Orio, when are you going to have mailers available so I can send you my
rolls to process? |
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Bob van Sikorski
Joined: 12 Jan 2009 Posts: 287 Location: Czech Republic
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Posted: Tue Jun 02, 2009 9:56 pm Post subject: |
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Bob van Sikorski wrote:
Laurence i understand possibly too much. last 3/4 year i spend shooting 35mm films with Minolta bodies and now i have few days Pentax K200D. shooting in same places with capacity for 478 raw files is MUCH different than going to forest with one or two rolls and have no chance to switch between different sensitivies in place without loosing frames on 35mm. shooting digital is much more easiest, but also fastest and cheapest to see your mistakes, but again, have less soul and heart than shooting with manual body and manual lens (not mention developing rolls yourself, which i still don't tried ).
my brother: http://majezek.czweb.org/ _________________ Rokkor (MD 45/2.0, MC PF 50/1.7), Porst Color Reflex MC Auto 55/1.2, Jupiter 135/3.5
Minolta X-700, Minolta Dynax 4, Flexaret IIa (later version), Flexaret VI
Voigtländer Avus 9x12 (1927-1935 version)
Epson V500 + VueScan/Linux + RawTherapee 4.x + GIMP/wavelett sharpen plugin
Meopta Magnifax III (up to 6x9) + Opemus III (up to 6x6), Rodenstock Rodagon 50/2.8, Meopta Anaret 105/4.5
Proud user of czech films! company homepage: foma.cz, buy here: fomafoto.com |
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