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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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 Posted: Thu Apr 02, 2009 12:56 pm Post subject: Trioplan 2.8/100 on 5DII |
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Orio wrote:
stopped down:
stopped down:
wide open:
stopped down:
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Thu Apr 02, 2009 1:02 pm Post subject: |
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Orio wrote:
In my opinion, the last two images show that the common place that stopped down is always better for landscapes, is not always true.
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shad309
Joined: 08 Mar 2008
Posts: 453
Location: Illinois, USA
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| Posted: Thu Apr 02, 2009 2:32 pm Post subject: |
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shad309 wrote:
Agree completely! The landscape looks more inviting and interesting shot wide open.
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Canon 400D & 350D
Lenses- German, Japanese, & Russian |
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estudleon
Joined: 15 May 2008
Posts: 3754
Location: Argentina
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| Posted: Thu Apr 02, 2009 2:54 pm Post subject: |
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estudleon wrote:
| shad309 wrote: |
| Agree completely! The landscape looks more inviting and interesting shot wide open. |
More than wide open or not, I think that the "quid" is the distance to the subject, what do you want to show in the pic and how.
_________________
Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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estudleon
Joined: 15 May 2008
Posts: 3754
Location: Argentina
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| Posted: Thu Apr 02, 2009 2:55 pm Post subject: Re: Trioplan 2.8/100 on 5DII |
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estudleon wrote:
Excelent sensor!!!!
_________________
Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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shad309
Joined: 08 Mar 2008
Posts: 453
Location: Illinois, USA
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| Posted: Thu Apr 02, 2009 3:19 pm Post subject: |
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shad309 wrote:
What is "quid"? I don't understand this term 
_________________
Canon 400D & 350D
Lenses- German, Japanese, & Russian |
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LucisPictor
Joined: 26 Feb 2007
Posts: 17633
Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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| Posted: Thu Apr 02, 2009 3:52 pm Post subject: |
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LucisPictor wrote:
This sensor delivers (with the right lens) a clarity that I have rarely seen before! 
_________________
Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator 
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
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Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Thu Apr 02, 2009 4:05 pm Post subject: |
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Orio wrote:
| LucisPictor wrote: |
| This sensor delivers (with the right lens) a clarity that I have rarely seen before! |
Yes, you hit the point precisely (in my opinion)
Depth, roundness.
That is a quality that is already present in the original 5D. In this new one perhaps even more.
Of course like you say, it needs to be supported by proper lenses. All EOS cameras deliver smooth tones transitions. Lenses that have good microcontrast go together well with them, in my opinion.
This is why I find many of the stock Canon images, too "sweet", because EF lenses are often well resolving but low contrast. I think that German and Russian lenses are a better match for EOS cameras.
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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bawang
Joined: 26 Mar 2008
Posts: 548
Location: Indiana, USA
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| Posted: Thu Apr 02, 2009 4:53 pm Post subject: |
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bawang wrote:
| Orio wrote: |
| In my opinion, the last two images show that the common place that stopped down is always better for landscapes, is not always true. |
I guess it depends a lot on the 'story' you want the picture to tell. The first one works at WO as it projects an eerily feeling to it, at least that how I see it. The stopped down ver. simply does not work - I find it difficult to find the 'story' it is painting.
But your pictures with the 5D2 is really killing me. If you keep doing this, I might end up driving to the shop to get one.....arghhhhh! |
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estudleon
Joined: 15 May 2008
Posts: 3754
Location: Argentina
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| Posted: Thu Apr 02, 2009 5:20 pm Post subject: |
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estudleon wrote:
| shad309 wrote: |
| What is "quid"? I don't understand this term |
Excuse, Shad309.
It's a latin term that have more than one meaning. I used it here as the main of a problem or the question.
I have to , not you.
_________________
Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Thu Apr 02, 2009 5:47 pm Post subject: |
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Orio wrote:
| bawang wrote: |
I guess it depends a lot on the 'story' you want the picture to tell. The first one works at WO as it projects an eerily feeling to it, at least that how I see it. The stopped down ver. simply does not work - I find it difficult to find the 'story' it is painting. |
It does not work because there is too much stuff in the scene and shooting stopped down puts everything in focus creating confusion. The wide open shot keeps the different planes separated bettering the understanding of the scene.
That is what I wanted to say, it's not true that stopped down it's always the best for a landscape: it often is, but there are situations where it is not.
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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