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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Fri Jan 09, 2009 4:13 pm Post subject: Circular polarizer |
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Attila wrote:
Today I used B+W CP filter at first time, sky was blue , but I would more deep blue I did rotate filter almost around the clock , but I didn't see any changes. Is it normal ? Or I bought a fake filter ? _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Fri Jan 09, 2009 4:17 pm Post subject: |
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no-X wrote:
PL filters work only if you take pictures perpendiculary to sun (the sun must be on your left or on your right).
The effect doesn't look as good on LCD or viewfinder, as on the final picture. You can try - turn it 1/8, tak picture, turn it again by 1/8... etc. and than compare these pictures. _________________ (almost) complete list of Helios lenses |
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Jieffe
Joined: 04 Nov 2007 Posts: 754 Location: Belgium
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Posted: Fri Jan 09, 2009 4:23 pm Post subject: Re: Circular polarizer |
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Jieffe wrote:
Attila wrote: |
Today I used B+W CP filter at first time, sky was blue , but I would more deep blue I did rotate filter almost around the clock , but I didn't see any changes. Is it normal ? Or I bought a fake filter ? |
Taken from http://www.cs.mtu.edu/~shene/DigiCam/User-Guide/filter/polarizer.html :
One of the best-known use of polarizers is darkening blue sky. However, not all part of the sky can be darkened. A simple rule goes as follows (see the image below). Point your index finger at the sun and extend your thumb at a 90 angle to your index finger. Pointing your lens in the direction of your thumb will achieve the maximum effect.
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Fri Jan 09, 2009 4:58 pm Post subject: |
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Attila wrote:
Many thanks!! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Fri Jan 09, 2009 5:46 pm Post subject: |
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no-X wrote:
just for fun:
my old comparision: Singh-Ray LB Color-Combo polarizer (left) vs. Hoya WARM C-PL (right):
And illustration of different speed of different polarising filters (the upper - cheap OEC linear polarizer is twice as fast as the bottom warming CP-L filters (Singh-Ray and Hoya), but its polarisating power is not lower):
_________________ (almost) complete list of Helios lenses |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Fri Jan 09, 2009 10:35 pm Post subject: |
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Attila wrote:
Thank you! I met first time a cheap Korean one , this filter damaged lens IQ fully I did throw out. Now I have B+W and today I didn't see difference, I hope I will sometimes later. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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indianadinos
Joined: 06 Jul 2008 Posts: 1310 Location: Toulouse, France
Expire: 2011-12-05
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Posted: Fri Jan 09, 2009 11:11 pm Post subject: |
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indianadinos wrote:
Hello,
Attila you can also check your filter taking a picture of a glass object (kind of a sphere or a bottle) reflecting something: turning the filter you should be able to wipe out the reflections ... Or you can simply check your exposure meter: the strongest polarizing effect should be reached when the light measurement is about 2 f/stops slower ... I bought two B+W PL from an HK-based seller, and got great results wrt. my (now sold) Hoya PL ...
Best regards _________________ Please visit my blogs Shooting with a Pentax K10D / FF Visions
Takumar: 24/3.5, 28/3.5, 35/2, 35/3.5, 50/1.4, 55/1.8, 85/1.8, 105/2.8, 120/2.8, 135/3.5, 150/4, 200/4
Pentax-K: M28/2.8, K28/3.5, M50/1.4, A50/1.7, M50/4 Macro, K85/1.8, K105/2.8, K135/2.5, M200/4, M70-150/4
Zeiss: Flektogon 20/2.8, 20/4, 35/2.4, 35/2.8, Tessar 50/2.8, Pancolar 50/1.8, Biotar 58/2, Sonnar 135/3.5, Sonnar 180/2.8
Meyer: Primagon 35/4.5, Domiplan 50/2.8, Oreston 50/1.8, Primoplan 58/1.9, Trioplan 100/2.8, Orestor 100/2.8, Orestor 135/2.8
Schacht/Steinheil: Travenar 90/2.8, Travenon 135/4.5, Quinar 135/2.8, Quinar 135/3.5
Russian: MIR 37B, Industar 50/3.5, Helios 44M & 44M-2, Jupiter 37A
P6: Flektogon 50/4, Biometar 80/2.8, Orestor 300/4
Nikkor: Nikkor-O 35/2, Micro 55/3.5, Nikkor-S 50/1.4, Nikkor-Q 135/2.8
Fuji: EBC 28/3.5, EBC 55/3.5 Macro, EBC 135/2.5
Misc Lenses: Kiron 105/2.8 Macro, Tamron SP90/2.5
... and a few other Vivitar, Tamron, Sigma and Soligor lenses ...
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Fri Jan 09, 2009 11:24 pm Post subject: |
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Attila wrote:
Many thanks for great tip! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Sat Jan 10, 2009 9:23 am Post subject: |
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no-X wrote:
You could also test it on LCD - if you look through the filter in right direction (filter thread directed to you) and turn it round, the image on LCD will disappear.
Here is a nice video showing some possibilities of C-PL filter, so you can see the results:
http://www.youtube.com/watch?v=0Lia2cF72hY&fmt=6 _________________ (almost) complete list of Helios lenses |
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SkedAddled
Joined: 19 Oct 2008 Posts: 1443 Location: Michigan, USA
Expire: 2021-08-12
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Posted: Fri Jan 16, 2009 11:56 pm Post subject: |
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SkedAddled wrote:
I expect there are better methods for it, but I have always just turned the filter until the sky is as dark as the filter allows. Also, I simply make sure the sun is somewhere behind the end of the lens barrel, whether truly behind me or just to one side. These steps have nearly always provided satisfactory results. _________________ Craig
Of course I'm all right! Why? What have you heard!?
Canon Digital EOS 5D Mk IV, EOS 50D, Powershot S3 iS
Vivitar 28 f/2.8 OM - Zuiko 50 f/1.8 OM - Tamron SP 28-80 f/3.5 AD2[Favorite!] - Hanimar 135 f/3.5 M42 - Soligor 135 f/2.8 T4 - Tamron SP 60-300 f/3.8 AD2 - Soligor 75-260 f/4.5 M42 - Soligor 400 f/6.3 T4 - Soligor 500 f/8 T2 Cat + Matched 2X TC - Addiction Growing!
This is us -- We drive these -- We're named these |
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Rob Leslie
Joined: 20 Mar 2007 Posts: 1103 Location: UK Swindon
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Posted: Sat Jan 17, 2009 12:48 am Post subject: Re: Circular polarizer |
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Rob Leslie wrote:
Attila wrote: |
Today I used B+W CP filter at first time, sky was blue , but I would more deep blue I did rotate filter almost around the clock , but I didn't see any changes. Is it normal ? Or I bought a fake filter ? |
I have a couple of friends who can never see the difference in their viewfinder, even when I line it up for them.
I am thinking it may be to do with some peoples eyesight?
I should add that as far as I know the guys do have normal eyesight and are also fairly experienced photographers.
I have 4 polarising filters one is just a plastic Cokin one and I see a huge difference when I turn any of them but I repeat my couple of mates don't see a thing?
We have often had a good laugh over it! _________________ Pentax K10D & K100D. Many Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet +++ and many film cameras. Mainly a Digital user inc G5, GR2
http://robstreet.blogspot.com/
http://robleslie.blogspot.com/
http://roblesliephotography.blogspot.com/
http://www.flickr.com/photos/64956578@N00/ |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Jan 17, 2009 12:59 am Post subject: |
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Attila wrote:
Might be this is a problem for my eye too, I did see really nothing. Perhaps in better wheather I will see. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Jan 17, 2009 2:37 pm Post subject: |
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estudleon wrote:
As all know, the filters (all of them) reduce the definiton and the contrast of the lens . I prove it by myself. And the pol is a double filter - with two cristals-, perhaps with double effects too.
My test said: With hexanon 50/2 and XP2-at 400 iso-
Without filter : 90 pairs of l/mm
With B&W UV filter : 70 pairs of l/mm.
I saw with 60X microscope.
Is better the Post Prod correction? I don't know this.
The best for you, friend Attila.
Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Jan 17, 2009 2:46 pm Post subject: |
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Attila wrote:
I never use any filter about this reason what you say Rino, but polarizer can be life saver in some situation. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Jan 17, 2009 7:10 pm Post subject: |
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A G Photography wrote:
estudleon wrote: |
As all know, the filters (all of them) reduce the definiton and the contrast of the lens . I prove it by myself. And the pol is a double filter - with two cristals-, perhaps with double effects too.
My test said: With hexanon 50/2 and XP2-at 400 iso-
Without filter : 90 pairs of l/mm
With B&W UV filter : 70 pairs of l/mm.
I saw with 60X microscope.
Is better the Post Prod correction? I don't know this.
The best for you, friend Attila.
Rino. |
If you try to shot landscapes without a polarizer and a ND split screen I will stare in marvel looking at your 90 lpm overexposed skies or underexposed terrains that will put a shame on pro landacapes shooters 70 lpm shots with perfect exposition all over the frame.
You know, shots need to be admired with a microscope
Sorry for being ironic, but really, this "lpm - MTF - whatever other microdevice misuration" has nothing to do with photography.
Btw, if someone of you really care for lpms, throw away the 35mm junk and use medium or large format for landscape shooting. 35 mm isn't simply the right instrument. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Jan 17, 2009 7:31 pm Post subject: |
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estudleon wrote:
A G Photography wrote: |
estudleon wrote: |
As all know, the filters (all of them) reduce the definiton and the contrast of the lens . I prove it by myself. And the pol is a double filter - with two cristals-, perhaps with double effects too.
My test said: With hexanon 50/2 and XP2-at 400 iso-
Without filter : 90 pairs of l/mm
With B&W UV filter : 70 pairs of l/mm.
I saw with 60X microscope.
Is better the Post Prod correction? I don't know this.
The best for you, friend Attila.
Rino. |
If you try to shot landscapes without a polarizer and a ND split screen I will stare in marvel looking at your 90 lpm overexposed skies or underexposed terrains that will put a shame on pro landacapes shooters 70 lpm shots with perfect exposition all over the frame.
You know, shots need to be admired with a microscope
Sorry for being ironic, but really, this "lpm - MTF - whatever other microdevice misuration" has nothing to do with photography.
Btw, if someone of you really care for lpms, throw away the 35mm junk and use medium or large format for landscape shooting. 35 mm isn't simply the right instrument. |
Touche.
Pardon. I dared to do what it pleases to me without your approval. Moan the happened thing. I will put more care the next time.
It did not affect your irony to me, although it would have preferred a subtility, but each does that one so it is enabled.
Thanks. Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Jan 17, 2009 7:37 pm Post subject: |
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estudleon wrote:
I omitted to think of the photographic aspect because now I can understand why my skies appera oversposed in 40 years taken pics).
It never is behind schedule for learning to photograph skies.
Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Jan 17, 2009 7:46 pm Post subject: |
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estudleon wrote:
I am very ashamed. Now I see that all the photographies of Bresson-Cartier are false. They altered skies to them since he did not use filter pol. Wow, of the things that one comes to find out.
Rino _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Jan 17, 2009 7:53 pm Post subject: |
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A G Photography wrote:
I'm sorry you took my ironic remarks this way, but I still think HCB never tested his shots lpms under a microscope to decide which lens to use. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Jan 17, 2009 7:59 pm Post subject: |
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estudleon wrote:
A G Photography wrote: |
I'm sorry you took my ironic remarks this way, but I still think HCB never tested his shots lpms under a microscope to decide which lens to use. |
But I do. And I happy with this and no need that nobody say OK or not, like I don't be ironic with the members of the forum.
Perhaps you have the reason, but .........
Regards, Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Sevo
Joined: 22 Aug 2008 Posts: 1189 Location: Frankfurt, Germany
Expire: 2012-12-03
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Posted: Sat Jan 17, 2009 8:12 pm Post subject: |
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Sevo wrote:
Once the bitching has subsided, let's get back to the original question...
Many post seventies SLRs (and every AF SLR) contain beam-splitting mirrors or prisms, which act as polarizers. That is the very reason that they require a "circular" polarizer, but it also reduces or obliterates the in-finder effect of any polarizer. If you need full visual control, you are better off with a older SLR that can still do with linear polarizers. |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Jan 17, 2009 8:21 pm Post subject: |
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A G Photography wrote:
Rino, probably this is the problem with internet, it lacks a lot of non verbal communications (gestures, smiles, etc). I was really laughing when I wrote my first comment and if we would have been sitting one in front of the other you'd probably would have tell me "f**k you" and laugh together with me.
I was ironic simply because if you want to give information on why and how use a circular polarizer or not lpms should not enter in the equation.
If definition is paramount in a shot there are appropriate instruments that gives all the definition you can need and even beyond.
Then one can shot with an old triplet of the '20 or with a 8x10 view camera, it depends which results want to achieve. I could care less.
Still in landscape shooting ND split screens and polarizers are essential instruments because you have to bring the dynamic range of the scene into the more limited dynamic range of the film, especially if we're talking about slides and digital.
There's no discussion about it unless one loves black shadows or blown out skies.
Anyway to bring the thread on a more technical discussion I just posted an example image shot on Velvia 50 with a very cheap lens (Meyer Lydith) and then scanned and post produced at Canon 5D (Mark I) resolution so to compare.
Be careful, the image is HUGE.
http://forum.mflenses.com/velvia-50-in-35mm-t13981.html#118157 _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Sat Jan 17, 2009 8:35 pm Post subject: |
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PaulC wrote:
Sevo wrote: |
Once the bitching has subsided, let's get back to the original question...
Many post seventies SLRs (and every AF SLR) contain beam-splitting mirrors or prisms, which act as polarizers. That is the very reason that they require a "circular" polarizer, but it also reduces or obliterates the in-finder effect of any polarizer. If you need full visual control, you are better off with a older SLR that can still do with linear polarizers. |
My Canon 5D works perfectly well with a circular polariser and I can see the effect through the viewfinder, no problem. I would expect it to be obvious in skies (at right angles to the sun), looking at sparkling water or looking at reflections in windows.
If you really want top quality, you have to take care not to overdo the polarisation of blue skies. At the correct angle, a polariser can turn them almost black and (in digital) trying to pull the blue back up again results in horrible chromatic noise.
I can't remember if a polariser produces any effect at all in skies taken when the sun is directly overhead, I suspect it won't because the light will be equally polarised in all directions. If you took your pictures at noon you may not have given the filter a chance (though at this time of year the sun is probably low for you anyway). _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Jan 17, 2009 8:37 pm Post subject: |
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estudleon wrote:
A G Photography wrote: |
Rino, probably this is the problem with internet, it lacks a lot of non verbal communications (gestures, smiles, etc). I was really laughing when I wrote my first comment and if we would have been sitting one in front of the other you'd probably would have tell me "f**k you" and laugh together with me.
I was ironic simply because if you want to give information on why and how use a circular polarizer or not lpms should not enter in the equation.
If definition is paramount in a shot there are appropriate instruments that gives all the definition you can need and even beyond.
Then one can shot with an old triplet of the '20 or with a 8x10 view camera, it depends which results want to achieve. I could care less.
Still in landscape shooting ND split screens and polarizers are essential instruments because you have to bring the dynamic range of the scene into the more limited dynamic range of the film, especially if we're talking about slides and digital.
There's no discussion about it unless one loves black shadows or blown out skies.
Anyway to bring the thread on a more technical discussion I just posted an example image shot on Velvia 50 with a very cheap lens (Meyer Lydith) and then scanned and post produced at Canon 5D (Mark I) resolution so to compare.
Be careful, the image is HUGE.
http://forum.mflenses.com/velvia-50-in-35mm-t13981.html#118157 |
Itself having the conception of positivar the negative in 40 xs 50 or 30 x 40. For it an average of near 90 l/mm or more is required in the negative of 35mm.
If we used a negative of 4x5 or 8x10 it is another thing.
And the polarizer, unquestionably useful, continues being two crystal pieces the front of the objective with the consequences already said.
If we want to maintain the image in the monitor or to make copies smaller, is all OK with pol and others filters of effects.
I did not clarify that the question, for my, is the size of the copy since whenever volume I do it to photos with that purpose like objective.
And as far as the communication, I also request my excuses. Under no concept I have wanted to offend neither nor no member of the forum.
Regards, Rino _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Jan 17, 2009 8:40 pm Post subject: |
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A G Photography wrote:
PaulC wrote: |
I can't remember if a polariser produces any effect at all in skies taken when the sun is directly overhead, I suspect it won't because the light will be equally polarised in all directions. |
Yep, very limited effect that doesn't worth the effect.
You have to rely on the ND split filters in those occasions (using a darker one than with the polarizer), even if shooting at noon with the sun overhead isn't the best practice anyway. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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