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Barata
Joined: 31 Aug 2008 Posts: 223 Location: Ovar - Portugal
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Posted: Fri Nov 14, 2008 2:36 am Post subject: By the beach... at night |
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Barata wrote:
Flektogon 25/4
f22
30"
ISO100
Tripod
Too bad the flare... _________________ http://www.pictures-of-a-lifetime.com (now with a newsletter so you can keep track of the new pictures being added)
Body:
40D
Lenses:
AF
Sigma 18-200 F3.5-6.3 DC OS
MF
Asahi Super Takumar 50/1.4
ISCO - Gottingen - BEROLINA TELE WESTANAR 135/3.5
CZ Flektogon 25/4
WELTBLICK Auto Tele 135/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Nov 14, 2008 2:49 am Post subject: |
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Orio wrote:
The flare is expected in such situations (except if you shoot with a Distagon 1.4/35, that is )
The problem for me is not the flare but the very strong orange juice cast. It really kills the mood in my opinion, because it's too accentuated. I'd rather see the pic in B&W. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Fri Nov 14, 2008 2:50 am Post subject: |
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sichko wrote:
It's great. _________________ John |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Nov 14, 2008 2:53 am Post subject: |
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Orio wrote:
Like this for instance:
Now the photo has Hercules strenght
Why?
Because the B&W reinforces the graphical element, which is the strenght of the photo.
The yellow cast was distracting from it. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Barata
Joined: 31 Aug 2008 Posts: 223 Location: Ovar - Portugal
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Posted: Fri Nov 14, 2008 2:57 am Post subject: |
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Barata wrote:
I also like the B&W version, but the colors are natural. The lamps are of that color, one can do nothing about it. _________________ http://www.pictures-of-a-lifetime.com (now with a newsletter so you can keep track of the new pictures being added)
Body:
40D
Lenses:
AF
Sigma 18-200 F3.5-6.3 DC OS
MF
Asahi Super Takumar 50/1.4
ISCO - Gottingen - BEROLINA TELE WESTANAR 135/3.5
CZ Flektogon 25/4
WELTBLICK Auto Tele 135/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Nov 14, 2008 2:58 am Post subject: |
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Orio wrote:
Barata wrote: |
I also like the B&W version, but the colors are natural. The lamps are of that color, one can do nothing about it. |
Yes you can (sorry Obama)
You can choose the B&W! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Barata
Joined: 31 Aug 2008 Posts: 223 Location: Ovar - Portugal
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Posted: Fri Nov 14, 2008 3:01 am Post subject: |
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Barata wrote:
true! _________________ http://www.pictures-of-a-lifetime.com (now with a newsletter so you can keep track of the new pictures being added)
Body:
40D
Lenses:
AF
Sigma 18-200 F3.5-6.3 DC OS
MF
Asahi Super Takumar 50/1.4
ISCO - Gottingen - BEROLINA TELE WESTANAR 135/3.5
CZ Flektogon 25/4
WELTBLICK Auto Tele 135/2.8
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Fri Nov 14, 2008 7:52 am Post subject: |
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poilu wrote:
I prefer the b&w version, contrast is much better
perfect picture for Christmas with all those stars! _________________ T* |
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Carlsson
Joined: 26 Jul 2008 Posts: 793 Location: Portugal
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Posted: Fri Nov 14, 2008 8:38 am Post subject: |
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Carlsson wrote:
Another option, I have removed the orange cast by setting the white point. Hope you don't mind.
It's like to draw a curtain, the image clears up.
But the BW version is much better for the drama
_________________
Contax III, Zeiss Ikon ZM, Contax AX, EOS 5D, R-D1
https://mariaeero.com/contax/ |
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Barata
Joined: 31 Aug 2008 Posts: 223 Location: Ovar - Portugal
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Posted: Fri Nov 14, 2008 9:12 am Post subject: |
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Barata wrote:
Very nice Carlsson. The image, in fact, gained another life.
And, of course i dont mind!
Edit: Could you explain me how do you did that? _________________ http://www.pictures-of-a-lifetime.com (now with a newsletter so you can keep track of the new pictures being added)
Body:
40D
Lenses:
AF
Sigma 18-200 F3.5-6.3 DC OS
MF
Asahi Super Takumar 50/1.4
ISCO - Gottingen - BEROLINA TELE WESTANAR 135/3.5
CZ Flektogon 25/4
WELTBLICK Auto Tele 135/2.8
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Carlsson
Joined: 26 Jul 2008 Posts: 793 Location: Portugal
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Posted: Sun Nov 16, 2008 11:47 am Post subject: |
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Carlsson wrote:
Sorry I've missed that.
I'll do my best but a lot of people call me a bad teacher...
Open your image in photoshop, duplicate the layer. We will use the new layer for the white balance adjustment (BW).
Press crtl+m, this will bring up the curves dialog.
Below the curve diagram you can see the eyedropper tool.
Left to right: black - grey - white.
We need to determine where the shadow, (midtone) and hightlight areas are.
Use the "white eyedropper" to pick the brightest point in your image (except the street lights) - you will see instantly what happens . Do the same with the "black eyedropper" on the darkest part.
If you have difficulties to find the brightest and darkest area, close the curves dialog and select on the lowest part of your layer panel the following button (see image), select "threshold".
Now drag the slider (under the histogram "threshold") to the right, only a few parts will remain white - this is the brightest part of the image (keep the area in mind), now move the slider to the left. A little part will remain black, this is your darkest part of the image.
Ignore the streetlight, they don't matter.
brightest part
darkest part
Delete the threshold layer and bring up the curves dialog (crtl+m)
Now select the brightest part with the "white eyedropper" and the darkest part with the "black eyedropper". Close the curve tool.
pick brightest
pick darkest
The result is too strong but now you can blend the "corrected" layer with your original layer until you like it (hopefully) . Less is more
regards
sandy _________________
Contax III, Zeiss Ikon ZM, Contax AX, EOS 5D, R-D1
https://mariaeero.com/contax/ |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sun Nov 16, 2008 12:54 pm Post subject: |
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A G Photography wrote:
Barata wrote: |
I also like the B&W version, but the colors are natural. The lamps are of that color, one can do nothing about it. |
And without the use of Photoshop there are the color balancing filters:
http://www.geocities.com/cokinfiltersystem/color_corection.htm _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Barata
Joined: 31 Aug 2008 Posts: 223 Location: Ovar - Portugal
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Posted: Sun Nov 16, 2008 6:25 pm Post subject: |
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Barata wrote:
Thanks a lot for the effort you put into explaining me all the steps.
As to the other people that say you're not a great teacher... well, dont listen to them! _________________ http://www.pictures-of-a-lifetime.com (now with a newsletter so you can keep track of the new pictures being added)
Body:
40D
Lenses:
AF
Sigma 18-200 F3.5-6.3 DC OS
MF
Asahi Super Takumar 50/1.4
ISCO - Gottingen - BEROLINA TELE WESTANAR 135/3.5
CZ Flektogon 25/4
WELTBLICK Auto Tele 135/2.8
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Sven
Joined: 02 Aug 2008 Posts: 818 Location: Linköping Sweden
Expire: 2011-12-29
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Posted: Sun Nov 16, 2008 8:15 pm Post subject: |
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Sven wrote:
What a capture!
Great shot _________________ DSLR: Nikon D200, Pentax *istDL, Nikon D100 IR converted
SLR: Pentax Spotmatic, Pentax ME,
Nikkor:N 2.8/24 H 3.5/28, 2/35, 2/50, 1.4/50 1.8/85, 3.5/50-135, E 2.8/100, P C 2.5/105, 2.8/135, 2.8/180 ED, 4/200,
M42: Pentacon 4/200, S Takumar 1.8/55, Meyer Orestor 2.8/135, CZJ Flektogon 2.4/35, CZJ Pancolar 1.8/50, CZJ Sonnar 3.5/135
AF Lenses: Nikkor 1.8/50, Pentax 18-55
Flickr http://www.flickr.com/photos/29261959@N08/
Website http://www.hundbilder.nu/ |
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trifox
Joined: 14 May 2008 Posts: 3614 Location: UK
Expire: 2014-05-29
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Posted: Sun Nov 16, 2008 9:35 pm Post subject: |
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trifox wrote:
Nice picture ! And I have removed the flare
tf
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Barata
Joined: 31 Aug 2008 Posts: 223 Location: Ovar - Portugal
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Posted: Sun Nov 16, 2008 11:29 pm Post subject: |
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Barata wrote:
How?! _________________ http://www.pictures-of-a-lifetime.com (now with a newsletter so you can keep track of the new pictures being added)
Body:
40D
Lenses:
AF
Sigma 18-200 F3.5-6.3 DC OS
MF
Asahi Super Takumar 50/1.4
ISCO - Gottingen - BEROLINA TELE WESTANAR 135/3.5
CZ Flektogon 25/4
WELTBLICK Auto Tele 135/2.8
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trifox
Joined: 14 May 2008 Posts: 3614 Location: UK
Expire: 2014-05-29
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Posted: Mon Nov 17, 2008 12:52 am Post subject: |
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trifox wrote:
Barata wrote: |
How?! |
just several clicks with STAMP tool --- and done...
tf |
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onelazyday
Joined: 26 Sep 2008 Posts: 115 Location: Moscow, Russia
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Posted: Mon Nov 17, 2008 7:38 pm Post subject: Re: By the beach... at night |
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onelazyday wrote:
Barata wrote: |
Flektogon 25/4
f22
30"
ISO100
Tripod
Too bad the flare... |
it looks like Ipanema in Rio _________________ Your man in Moscow |
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