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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Nov 15, 2008 1:11 pm Post subject: Rome isn't just glitters and tourism |
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A G Photography wrote:
Pentacon Six, Biometar 80/2.8 and Ilford D100, shot in a sunday morning in July in front of a church.
_________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
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DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Nov 15, 2008 1:13 pm Post subject: |
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Orio wrote:
Very good and sad one. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Nov 15, 2008 1:17 pm Post subject: |
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A G Photography wrote:
Orio wrote: |
Very good and sad one. |
I decided to make it public after some time as on a second review of that image it seems the person in it is unrecognizable.
I don't like to show this kind of images without a good reason as I'm not a photojournalist. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Sat Nov 15, 2008 1:24 pm Post subject: |
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LucisPictor wrote:
Excellent shot! Sad subject. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Nov 15, 2008 1:28 pm Post subject: |
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Attila wrote:
A G Photography wrote: |
Orio wrote: |
Very good and sad one. |
I decided to make it public after some time as on a second review of that image it seems the person in it is unrecognizable.
I don't like to show this kind of images without a good reason as I'm not a photojournalist. |
I am thinking same way than you. Picture is so excellent! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Sat Nov 15, 2008 3:50 pm Post subject: |
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patrickh wrote:
Rome has always had its dark side - this is a moving illustration of one part of that scene.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Rob Leslie
Joined: 20 Mar 2007 Posts: 1103 Location: UK Swindon
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Posted: Sat Nov 15, 2008 5:38 pm Post subject: |
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Rob Leslie wrote:
A great picture. I am pleased you showed it.
You should do more 'Street' shots.
It is IMO social comment and such images should always be shown _________________ Pentax K10D & K100D. Many Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet +++ and many film cameras. Mainly a Digital user inc G5, GR2
http://robstreet.blogspot.com/
http://robleslie.blogspot.com/
http://roblesliephotography.blogspot.com/
http://www.flickr.com/photos/64956578@N00/ |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Nov 15, 2008 6:02 pm Post subject: |
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Attila wrote:
Our city has many homeless their case is enough trouble without make attraction from them. This is a shame for any country to not care this people. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Nov 15, 2008 6:10 pm Post subject: |
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A G Photography wrote:
Rob I agree with you but a casual snapshot isn't the way to handle situations like this one.
One should program and prepare a journalistic work through images with the aim to be published or to expose it in public places so to sensibilize the public opinion about it.
Otherway is a sort of vouyerism, reason why I published this image because the person wasn't recognizable. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Nov 15, 2008 6:26 pm Post subject: |
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Orio wrote:
A G Photography wrote: |
Rob I agree with you but a casual snapshot isn't the way to handle situations like this one.
One should program and prepare a journalistic work through images with the aim to be published or to expose it in public places so to sensibilize the public opinion about it.
Otherway is a sort of vouyerism, reason why I published this image because the person wasn't recognizable. |
I'm sorry but I can not understand.
Would you not photograph a robbery because you are not a reporter police?
Or would you not photograph the strike of taxi drivers because you are not part of the syndicate?
Or would you not photograph an eco-monster abusive building because you are not subscribed to Greenpeace?
Facts like these are part of the experience of a person that walks in a city. You don't have to be a journalist to report what you see in a public place.
If you don't publish a photograph for privacy reason, then you should also not publish any photograph that potrays any person in a recognizeable way. Maybe you photograph a person in a street and he was not supposed to be there and he loses his job because of your picture. This has the same probability to happen than to photograph a vagabond and have him happen something bad. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Rob Leslie
Joined: 20 Mar 2007 Posts: 1103 Location: UK Swindon
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Posted: Sat Nov 15, 2008 6:39 pm Post subject: |
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Rob Leslie wrote:
I don’t understand the logic. The privacy laws are very clear here in the UK and we are also recorded by CTV cameras most places we go.
On purely moral grounds or consideration for others, do you ever think of the number of vegetarians you upset and offend by showing a photo of a juicy piece of Roast Beef!
Yes I know that is very silly and so is the idea of never photographing or showing a photo of a stranger in a public place.
I can respect your opinion and sensitivities but not if they imply others who do it are wrong. _________________ Pentax K10D & K100D. Many Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet +++ and many film cameras. Mainly a Digital user inc G5, GR2
http://robstreet.blogspot.com/
http://robleslie.blogspot.com/
http://roblesliephotography.blogspot.com/
http://www.flickr.com/photos/64956578@N00/
Last edited by Rob Leslie on Sat Nov 15, 2008 6:52 pm; edited 1 time in total |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Nov 15, 2008 6:46 pm Post subject: |
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A G Photography wrote:
It's not a matter of privacy, it's a matter of ethic.
If I shoot a drunken hobo sleeping on the ground is the same as the tourists who travel to poor countries taking snapshot and then going back to their homes to show their friends how "pictoresque" are the places where they went.
It's different if you travel to make a reportage, talk with the people, try to understand the problems and then make an attempt to explain them through the images.
Without this work a photo like the one above is just an exercise in style and it's acceptable until none is exposed in his identity.
IMHO of course. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Nov 15, 2008 6:49 pm Post subject: |
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Attila wrote:
Some people don't care if photographed, some people care. My face is my property I don't like to see anywhere without my permit even if law allowed to make it without my permit. This is aesthetic question to me.Sometimes I did also street shoots , sometimes I removed immediately right after it was inconvenience filling to me a few times I published, but I never was proud about what I did. _________________ -------------------------------
Items on sale on Ebay
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Nov 15, 2008 7:04 pm Post subject: |
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Orio wrote:
A G Photography wrote: |
Without this work a photo like the one above is just an exercise in style |
Why you call it that?
It's just honestly reporting what you see. No style issue implied.
It's about truth, which is the closer to truth? the one who photographs what he sees objectively, or the one who makes a selection and photographs only a collection of cute things? _________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Nov 15, 2008 7:12 pm Post subject: |
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Attila wrote:
A G Photography wrote: |
It's not a matter of privacy, it's a matter of ethic.
If I shoot a drunken hobo sleeping on the ground is the same as the tourists who travel to poor countries taking snapshot and then going back to their homes to show their friends how "pictoresque" are the places where they went.
It's different if you travel to make a reportage, talk with the people, try to understand the problems and then make an attempt to explain them through the images.
Without this work a photo like the one above is just an exercise in style and it's acceptable until none is exposed in his identity.
IMHO of course. |
I did travel in India pretty lot I made shoots from people because was so exotic to me. "Paparazzi" shoots still not make me happy what I did, but I have also great feel about that shoots when I made after friendly talks. They were friendly lovely people with amazing smiles, these shoots still my favorite ones. I would return back sometimes I would also follow this way what Alessandro say. _________________ -------------------------------
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Nov 15, 2008 7:34 pm Post subject: |
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A G Photography wrote:
Orio wrote: |
A G Photography wrote: |
Without this work a photo like the one above is just an exercise in style |
Why you call it that?
It's just honestly reporting what you see. No style issue implied.
It's about truth, which is the closer to truth? the one who photographs what he sees objectively, or the one who makes a selection and photographs only a collection of cute things? |
Truth doesn't exist.
Every image, photo or movie is filtered by ourselves and our choices, sensibility, culture, believes or simple unability to get the whole scene.
Messages exists and to be a useful message an image like the one above shouldn't be used out of its context.
Let's make an example with an iconic photo of the XX century by Pulitzer winner Eddie Adams:
Tell me the truth about this image.
Then read the interview made by Oriana Fallaci to Nguyen Ngoc Loan, South Vietnam's national police chief who executed the prisoner and I bet the truth would change.
And still we don't have the whole scene. None could ask the dead one which his truth was.
"Adams wrote in Time :
The general killed the Viet Cong; I killed the general with my camera. Still photographs are the most powerful weapon in the world. People believe them; but photographs do lie, even without manipulation. They are only half-truths.
What the photograph didn't say was, 'What would you do if you were the general at that time and place on that hot day, and you caught the so-called bad guy after he blew away one, two or three American people?'
Adams later apologized in person to General Nguyen and his family for the irreparable damage it did to Loan's honor while he was alive. When Nguyen died, Adams praised him as a "hero" of a "just cause"."
(http://article.nationalreview.com/?q=M2QxNWY0N2ZkY2IxMWJhZGQ4MTU3ZjhlZjg3NTk0NzE=#more) _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Riku
Joined: 23 May 2007 Posts: 1059 Location: Finland
Expire: 2017-04-30
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Posted: Sat Nov 15, 2008 8:13 pm Post subject: |
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Riku wrote:
Well said Alessandro. We hear too much about a photograph being "the truth". It's always just photographer's view of it. Not to mention possible photoshopping |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Nov 15, 2008 8:18 pm Post subject: |
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Attila wrote:
This is power of media, people are too stupid they believe everything what journalist says. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Nov 15, 2008 8:43 pm Post subject: |
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Orio wrote:
A G Photography wrote: |
Truth doesn't exist. |
If truth does not exist, then not even the moral that you invoked does, and the whole of your argument falls down. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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Riku
Joined: 23 May 2007 Posts: 1059 Location: Finland
Expire: 2017-04-30
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Posted: Sat Nov 15, 2008 8:59 pm Post subject: |
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Riku wrote:
Truth exists, but a photograph is just photographer's subjective view of it through a lens. A photograph can tell a very different story from what it should. The photo of this thread could be just someone who got tired on his way home, not necessarily a homeless person |
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Rob Leslie
Joined: 20 Mar 2007 Posts: 1103 Location: UK Swindon
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Posted: Sat Nov 15, 2008 10:37 pm Post subject: |
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Rob Leslie wrote:
In my experience most amateur picture takers don’t photograph strangers because they are frightened to do so and lack the confidence, evidence of which can often be seen by all the back of head or distant shots they show.
Others go to the other extreme and try telephoto lenses, concealed cameras or other furtive actions as a result they often end up with a punch on the nose or attracting the attention of the authorities.
In reality ‘Street’ photography is not fraught with danger or intrusive.
I never try to conceal my camera and most photos are taken as people walk into the frame. When possible I try to give my subject a smile and speak to them and in many situations I will see a shot, approach the person and ask if they mind me taking a ‘Natural’ picture of what they are doing, the hard part is then to stop them posing.
I have found 99% of people are happy to be photographed and the 1% who are not are always polite in their refusal. Perhaps because I am open about it I have never had anybody be abusive to me or anything like that.
I have had people ask what I am doing and it is always a question I welcome. The person asking often ends up posing for me or telling me about some interesting photo location.
All of this ‘Chat’ about the truth etc of photography makes little sense and IMO is a subject for the viewer not the photographer. The photo used as an example is excellent and it matters little if it was posed, misrepresented or even a manipulation. It is a great image and it also opened many peoples eyes to the everyday horrors of war.
As Riku has just posted photos can always be interpreted in different ways. IMO this isn’t the fault or even the concern of the photographer. I'm sure many still believe the Hills of Wales (UK) are natural wonders, in reality most of them are old coal slags and mining works, the photographer can't be responsible for the opinions or ignorance of the viewer.
(Time for some to ask if they are photographers or still just viewers! (You have to think about that one!)
When Nguyen died, Adams praised him as a "hero" of a "just cause"
Here we go. A 'Just cause' ?
Whose just cause?
It is generally considered by many that the Vietnam war (Which the Americans lost) was a very unjust cause which came about through a misunderstanding. Ex servicemen now go on holiday there and have a good time with those 'Bad guys'
I agree this isn’t something we should go into here but it is an example of ‘Interpretation’ before and after the fact. It doesn’t matter if I am right or you are right there is a difference of opinion and so there is a difference in interpreting this image.
Typical ‘Intrusive’ photo which is always worth taking and showing.
Taken last weekend, Remembrance Sunday
More of those photos
http://roblesliephotography.blogspot.com/2008/11/remembrance-sunday.html _________________ Pentax K10D & K100D. Many Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet +++ and many film cameras. Mainly a Digital user inc G5, GR2
http://robstreet.blogspot.com/
http://robleslie.blogspot.com/
http://roblesliephotography.blogspot.com/
http://www.flickr.com/photos/64956578@N00/
Last edited by Rob Leslie on Sat Nov 15, 2008 11:04 pm; edited 1 time in total |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Nov 15, 2008 11:03 pm Post subject: |
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A G Photography wrote:
Rob Leslie wrote: |
I agree this isn’t something we should go into here but it is an example of ‘Interpretation’ before and after the fact. It doesn’t matter if I am right or you are right there is a difference of opinion and so there is a difference in interpreting this image.
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I completely agree, everyone interprets the word around her trying to catch the truth. But it's always her opinion on what she perceives, not absolute truth. Otherway we'd be God.
Anyway this discussion was made in past by philosophers for centuries... (aletheia = truth)
What I tried to tell was a smaller concept, alas when in front of complex scenes or subjects (could be a hobo but could also be a portrait or a work of art) some work is needed to know them so to being able to respect them in the images you take.
I didn't have the time to barely know that person who was sleeping, so the image of him is just a snapshot, maybe a good looking one (alas an exercise in style). But nothing more. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Nov 15, 2008 11:14 pm Post subject: |
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Orio wrote:
A G Photography wrote: |
I completely agree, everyone interprets the word around her trying to catch the truth. But it's always her opinion on what she perceives, not absolute truth. Otherway we'd be God.
Anyway this discussion was made in past by philosophers for centuries... (aletheia = truth) |
Well, Alessandro, you are now turning the cards.
First you say that truth does not exist, now instead you speak of "absolute truth"... but did I ever talk of absolute truth?
Obviously I always talked of human truth, truth as we perceive it. I look at a scene in the streets. The things and persons are there. they are real, not an illusion, so they are something true. Perhaps reality is just the first step of truth, but there it is. That sleeping person was not an optical illusion, and he existed in the same reality level as the Colosseo or the Pantheon, which are also true, because they are what they are (monuments), just like that man is what it is (a man).
This is the truth as we humans can perceive it.
Nobody can speak of absolute or God's truth, except priests (and I am not).
Anyway, you mention philosophers, you should ask any real philosopher if a moral can exist, when there is no truth.
They all will answer that it's not possible, because a moral to exist requires the possibility to tell right from wrong.
If truth does not exist, and only subjective opinions exist, then neither the moral can exist, because in absence of truth it's not possible to tell what is right and what is wrong.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Nov 15, 2008 11:25 pm Post subject: |
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Orio wrote:
A G Photography wrote: |
I didn't have the time to barely know that person who was sleeping, so the image of him is just a snapshot, maybe a good looking one (alas an exercise in style). But nothing more. |
But what could be known more of him, if truth does not exist?
If we are unable to give anything but our subjective views, why care at all to get to know the person that was sleeping?
That would be wasted time, starting from your point of view.
So just be content with your style exercise. Even if you spent one year living with that person, you would not be able to get to the truth of him, just your personal vision, so why bother at all?
And why give the thread a title "Rome isn't just glittering and tourism" ?
So you imply there's something more to it. But you can not know it because it's all subjective and individual opinion... so why bother at all? Why open a thread with that title?
Sorry, but to my mind, you're inside a big contradiction here.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sun Nov 16, 2008 7:25 am Post subject: |
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A G Photography wrote:
Orio wrote: |
If truth does not exist, and only subjective opinions exist, then neither the moral can exist, because in absence of truth it's not possible to tell what is right and what is wrong.
- |
Hmm... we're on dangerous terrain here and I don't know if I'm able to express this kind of concepts in a foreign language.
Anyway...
Your point Orio is exactly the same of the Catholic Church. Without God and Faith can't exist any truth, without any truth there's no moral or ethic.
Still I believe in personal, laical ethic. An ethic that knows we're limited beings and can't ever get the "whole frame".
An ethic that can change following the experience without having the support of some book or men cladded in black who said to you "this is good, this is bad".
I guess there's some middle road between the faith in supernatural beings and the complete amoralism of Nietzsche Overman and the ideologies that stole his concept and that, by the way, felt in the "Gott mit Uns" syndrome to justify their practical acts.
Orio wrote: |
But what could be known more of him, if truth does not exist? |
Maybe his truth. Maybe he could tell me that that is the life he choosed to live, not forced by disgrace. Or maybe the opposite. This doesn't mean this would be the real truth, but I'd have paid respect to the subject.
Some of you said that the scene depicted was "sad". Maybe he was happy to sleep there. Maybe not, but he could have said otherway because of pride.
For sure I couldn't enter another person's mind, but some work to create a relationship imho is needed for some kind of photographic (and also journalistic) production. This doesn't mean one would have the arrogance to pretend to have grasped all the truth about the subject. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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