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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Mar 22, 2007 11:34 pm Post subject: Understanding lens diagrams |
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Orio wrote:
I am curious if there is someone here who can understand a lens diagram.
Let's take the Planar diagram for instance:
http://en.wikipedia.org/wiki/Zeiss_Planar
Is anyone able to tell the purpose of each glass in the diagram?
i am really curious, and would like to learn how to understand a lens diagram. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Fri Mar 23, 2007 8:49 am Post subject: |
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LucisPictor wrote:
Good question, Orio!
I also would like to understand that, since I only know a little bit about the difference between a concave and convex lens.
But, I suppose, the complete lens design is really complicated.
People learn this at university.
Let's hope someone comes up with a quick'n'dirty summary...
Carsten _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
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Borges
Joined: 09 Mar 2007 Posts: 646 Location: Moers, Germany
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Posted: Fri Mar 23, 2007 9:49 am Post subject: |
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Borges wrote:
I can't explain, but erwin puts can...
This is a wonderful 80-side publication from leica written by erwin puts. It's a kind of image brochure, so intended as advertisment. But this publication opens your mind if optical theories are new for you. You will found something about history of lens design, about the work of a designer, the different glass types, thickness, the aberrations - I read it many times the last weeks. This is no concrete explanation why a specific lens has this a concave glass there and a convex here and so on, but he describes the process and the theories behind it.
I am sure you will love this!
english:
www.leica-camera.us/assets/file/download.php?filename=file_139.pdf
german (for carsten):
www.leica-camera.de/assets/file/download.php?filename=file_116.pdf
Michael _________________ list of lenses:
Helios 44 (many different versions), Jupiter-9 , Jupiter 21M, Jupiter 37AM, Mir-1W, Mir-1V, Mir-10A, Mir-47M, Zenitar Fisheye, Tair 11-2, Industar 50-2 and a few more ...
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Fri Mar 23, 2007 11:22 am Post subject: |
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LucisPictor wrote:
Thanks, Michael!
Just downloaded it. Will have a look at it (at both versions ) as soon as I find the time.
And I'm going to post the link in the German forum.
Carsten _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Rob Leslie
Joined: 20 Mar 2007 Posts: 1103 Location: UK Swindon
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Posted: Fri Mar 23, 2007 8:23 pm Post subject: |
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Rob Leslie wrote:
I don't think we need to understand and would go as far to say it wont help your photography any, even if you do. The time and effort is best spent taking photos and a study of what your lens will do and how it behaves with different subject matter and lighting. This also applies to Lens test charts OK as a rough guide but they often bear no relation to how a lens behaves when you come to us it in anger.
Put another way what's the point of understing how a Sigma APO element works if the lens is no good when you take it out and use it! _________________ Pentax K10D & K100D. Many Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet +++ and many film cameras. Mainly a Digital user inc G5, GR2
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Mar 23, 2007 9:17 pm Post subject: |
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Orio wrote:
Rob Leslie wrote: |
I don't think we need to understand and would go as far to say it wont help your photography any, even if you do. |
We don't need to understand (but to such objection, one could also reply that we don't need to take photographs, either. We don't need almost everything in life except some food, water, and shelter)
But I agree with you, this is just my private curiosity. No practical usefulness in it.
I'm fascinated by how can the rays pass from one glass to the other, maybe many glasses, and finally align perfectly.
I always been curious of these things, since a child. My drama is that this curiosity for scientific "miracles" always fights in the end with my total inability in mathematical studies.
My scientific curiosity is really much closer to Jules Verne than it is to real science. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
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dnas
Joined: 14 Nov 2008 Posts: 488 Location: Japan
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Posted: Fri Nov 14, 2008 4:42 am Post subject: |
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dnas wrote:
I'm new to this forum, but I post on various other ones. I know this is an old topic, but it doesn't seem to have been answered in very simple terms.
When you have two transparent media at a common boundary (a lens in air, for example), the light bends at the boundary(glass surface) between glass and air. This is called refraction.
If the light stikes at 90 degrees to the surface, it doesn't bend. However, if it strikes on an angle, it does bend.
Convex lenses are wider in the middle, while concave lenses are wider at the edges.
If we take a single convex lens, then light passing through it will bend a little TOWARDS the center. The further the light rays are from the center, the more the light will bend. Concave lenses work the other way around, bending away from the center.
In a perfect world, we would only need just this one lens element. However, the amount the light bends, depends on the color or the light. For example, blue bends more than green, which bends more than red. If we use just one lens element, then the different colors will not focus on the same point. The lenses also have spherical surfaces, which contribute to the problem.
So lens designers use other glass elements (both convex and concave) to modify the paths of the light rays, in an attempt to focus the different colors on the same point. With glass of the same type, this is a little difficult, and even more so when you have a zoom lens.
That's why low dispersion (SD, UD, etc) glass is used in some lenses for some of the elements, and because it has a different refractive index, it's easier to correct for the different colors.
Also used are aspherical lens elements which do not have a spherical surface, which bends the light in a more correct direction because of its shape.
So to trace the light ray patterns, draw some parallel lines towards the lens. Bend the rays slightly towards the center for convex, and slightly away from the center for concave. The further from the center, the more it will bend. When the ray leaves the lens element, it will bend again towards the center for convex or away for concave. The lines will bend less for the low dispersion elements.
Hopefully, you will find all of your lines converging to a single point!!! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Fri Nov 14, 2008 7:25 am Post subject: |
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Attila wrote:
NIce to see you here! Many thanks for this explanation! We all look forward more posts from you! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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kds315*
Joined: 12 Mar 2008 Posts: 16628 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Fri Nov 14, 2008 8:03 am Post subject: |
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kds315* wrote:
Good to read:
APLLIED PHOTOGRAPHIC OPTICS, Sydney F Ray:
http://books.google.com/books?id=cuzYl4hx-B8C&dq=photographic+optics+Ray&pg=PP1&ots=n_PsxXyzLz&sig=SZlovoRVrm-mKBCBlTHz2p7SKnk&prev=http://www.google.com/search%3Fhl%3Den%26safe%3Doff%26client%3Dopera%26rls%3Den%26hs%3DAIN%26sa%3DX%26oi%3Dspell%26resnum%3D0%26ct%3Dresult%26cd%3D1%26q%3Dphotographic%2Boptics%2BRay%26spell%3D1&sa=X&oi=print&ct=result&cd=1&cad=legacy
and
http://www.vanwalree.com/optics.html
and
http://photo.net/photo/optics/lensTutorial
and the "classic" Kingslake:
http://www.amazon.com/Lens-Design-Fundamentals-Rudolph-Kingslake/dp/0124086500 _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
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https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
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X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
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Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
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Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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