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stevemark
Joined: 29 Apr 2011 Posts: 4015 Location: Switzerland
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Posted: Sat Oct 19, 2024 11:01 pm Post subject: TEST 4/200mm: late Pentacon vs Minolta MC-X and Nikkor AI |
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stevemark wrote:
Since I found a rather well preserved Pentacon 4/200mm (last version from the early 1980s) lens on the flea market today, I did a quick test comparing it to the well known Minolta MC-X and Nikon Ai 4/200mm lenses from the mid-1970s. The weather was sub-optimal, but sufficient to get a first a glimpse at the performance of the Pentacon 4/200mm.
While my sample of the Pentacon was produced in the 1980s, its optical computation was still the same as that of the original Meyer Görlitz Orestegor 4/200mm. Even in the late 1980s, after 25 years of production, the lens had still the original pre-set aperture!
First center performance wide open and stopped down to f5.6:
(CLICK TWICE AND/OR DOWNLOAD TO GET FULL RESOLUTION)
Given the fact that the Meyer Görlitz Orestegor 4/200mm (which has the same optical formula as the Pentacon 4/200mm) was applied for patent in 1961 (roughly tean years before the calculation of hte corresponding Minlta MC-X and Nikkor K/AI), its center performance is surprisingly good even at f4.
Now lets move to the corners:
It immediately becomes clear how outdate the computation from 1961 is. While it may have been a good and advanced lens in the early 1960s, it simply can't compete with the mid-1970s tele lenses from Nikon or Minolta - let alone those produced in the mid-1980 such as the Nikkor AiS 2.8/180mm ED or the Minolta AF 2.8/200mm APO. But hey - since the GDR (and their products) was perfect by definition, there was no need for improvement ...
These test results reflect my experiences with two other common Pentacon lenses, the Pentacon 2.8/29mm and the Pentacon 2.8/135mm. Both are Good or even very good in the center, but both clearly fail to reach the border or corner performance of contemporary Nikkors or Rokkors. Interestingly, the excellent CZJ Sonnar 3.5/135mm has its roots in Bertele's 4/13.5cm Sonnar which was calculated in the 1930s ...
That much for today
S
EDIT: in a first version of the test images, the description of the Pentacon vs the Minolta were mixed up. Corrected thanls to kiddos hint below! _________________ www.artaphot.ch
Last edited by stevemark on Sun Oct 20, 2024 1:44 am; edited 3 times in total |
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Raxar
Joined: 25 Mar 2014 Posts: 226
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Posted: Sat Oct 19, 2024 11:52 pm Post subject: |
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Raxar wrote:
nice work as always steve ,I always wondered if the corner's sharpness of these tele-lenses differ becuz they have bigger and smaller image circle. did you ever test coverage? |
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kiddo
Joined: 29 Jun 2018 Posts: 1266
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Posted: Sun Oct 20, 2024 12:45 am Post subject: |
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kiddo wrote:
on the pictures for the corner test, i see Minolta worse of the three of them wide open and center wide open Nikon is worse of the 3
my guess would be on the first test, second row would be Pentacon and on the second test, the third would be pentacon
this is the lens called Bokeh Monster, right? i had one multiblades one, but was so hapy when i`ve got rid of it together with the 29mm and 50mm 1.8 (this wasn´t as bad though) - I`m also happy owner of the Apo 2.8 and honestly, except weight, there is no need to look for another 200mm lens
this pentacon lens might fit for portraits and probably the maker had that in mind firstly, not as a landscape lens |
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stevemark
Joined: 29 Apr 2011 Posts: 4015 Location: Switzerland
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Posted: Sun Oct 20, 2024 1:51 am Post subject: |
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stevemark wrote:
kiddo wrote: |
on the pictures for the corner test, i see Minolta worse of the three of them wide open and center wide open Nikon is worse of the 3
my guess would be on the first test, second row would be Pentacon and on the second test, the third would be pentacon |
Right!! I shouldn't be working late night / early in the morning, indeed. The mistake has been corrected! Thanks !!
kiddo wrote: |
this is the lens called Bokeh Monster, right? i had one multiblades one, but was so hapy when i`ve got rid of it together with the 29mm and 50mm 1.8 (this wasn´t as bad though) - I`m also happy owner of the Apo 2.8 and honestly, except weight, there is no need to look for another 200mm lens
this pentacon lens might fit for portraits and probably the maker had that in mind firstly, not as a landscape lens |
For the late 1950s (when the pentacon was developed) the lens was quite good (if not very good) indeed! Compare it to a Steinheil 4.5/200mm or an early Nikkor 4/20cm [4/4] and you will see that the Orestegor (Pentacon) 4/200mm isn't bad at all. Twenty years later, however, without improving the Pentacon, the eastern German Zeiss 200mm tele lenses weren't up to date any more ...
S _________________ www.artaphot.ch |
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Doc Sharptail
Joined: 23 Nov 2020 Posts: 1200 Location: Winnipeg Canada
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Posted: Sun Oct 20, 2024 5:26 am Post subject: |
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Doc Sharptail wrote:
There seemed to be quite a lot of sample variation with-in the A/I line of Nikkors.
That being said, from a quick perusal of what Stephan has provided, the nikkor still leads on contrast.
I had the A/I 200 f 4 here for a couple of years, and it was not immune to trouble- oil on the blades.
For what it was, I found it to be pleasurably compact (if a 200 can be called that).
It never did strike me as much of a landscape lens, but managed to hold up well with what I put it up to: mostly animals and birds.
Current nikkor 200 f 4 I have here is the internally focusing A/I Micro, and I can never seem to get the time to give it an honest run-down.
-D.S. _________________
D-810, F2, FTN.
35mm f2 O.C. nikkor
50 f2 H nikkor, 50 f 1.4 AI-s, 135 f3.5 Q,
50 f2 K nikkor 2x, 28-85mm f3.5-4.5 A/I-s, 35-105 3.5-4.5 A/I-s, 200mm f4 Micro A/I, partial list.
"Ain't no half-way" -S.R.V.
"Oh Yeah... Alright" -Paul Simon |
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Alsatian2017
Joined: 05 Mar 2018 Posts: 243
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Posted: Sun Oct 20, 2024 9:33 am Post subject: |
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Alsatian2017 wrote:
Very nice comparison, thank You, Steve. Note that there was another version of the Pentacon 200 mm f/4, issued in 1979 and described in detail in the Zeissikonveb pages. It has an automatic diaphragm and an improved optical design.
It might have been very interesting to include that in your test. I've got the two of them but i'm unfortunately too busy to test them.
Best regards
Volker _________________ Personal website : https://volkergilbertphoto.com
Classic lenses : https://volkergilbertphoto.com/objektive/
Instagram : https://www.instagram.com/volker.gilbert/ |
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stevemark
Joined: 29 Apr 2011 Posts: 4015 Location: Switzerland
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Posted: Sun Oct 20, 2024 11:13 am Post subject: |
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stevemark wrote:
Alsatian2017 wrote: |
Very nice comparison, thank You, Steve. Note that there was another version of the Pentacon 200 mm f/4, issued in 1979 and described in detail in the Zeissikonveb pages. It has an automatic diaphragm and an improved optical design. |
Yes, I am aware of that:
https://zeissikonveb.de/start/objektive/wechselobjektive-1960er/meyer-optik-goerlitz/orestegor-4-200.html
Alsatian2017 wrote: |
It might have been very interesting to include that in your test. |
Sure! Those ZeissMeyer/Pentacon lenses - expecially the newer ones - are excruciatingly rare here in Switzerland. If anyone was buing an SLR from eastern Germany, he/she rarely bought more than the 1.8/50mm and maybe a 2.8/135mm or a 2.8/29mm. On local platforms I may have seen the old Pentacon/Orestegor 4/200mm tree or four times during the last 20 years, offered at unreasonably high prices. There was once a 2.8/200 of the "electric" line, a 2.8/20 and the 4.5/500mm mirror (yes, the eastern one!). The 2.8/35 sometimes is available too, but even the 2.4/35 is difficult to get. Ten or fifteen years ago, as part of a huge collection, I saw the late 1.8/80mm too but never managed to shoot with it. As I said: rare birds here in Switzerland, for sure.
Alsatian2017 wrote: |
I've got the two of them ... |
Lucky guy
S _________________ www.artaphot.ch |
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D1N0
Joined: 07 Aug 2012 Posts: 2535
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Posted: Sun Oct 20, 2024 11:37 am Post subject: |
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D1N0 wrote:
The Pentacon/Meyer is obviously not a landscape type lens, but more for portrait and close up, where the center matters most and the borders are out of focus anyway. The obsession with corner to corner sharpness in the newer designs has affected center image contrast. _________________ pentaxian |
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stevemark
Joined: 29 Apr 2011 Posts: 4015 Location: Switzerland
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Posted: Sun Oct 20, 2024 12:25 pm Post subject: |
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stevemark wrote:
D1N0 wrote: |
The Pentacon/Meyer is obviously not a landscape type lens, but more for portrait and close up, where the center matters most and the borders are out of focus anyway. |
That's true. And I certainly would prefer the Pentacon/Meyer over the old and clumsy early Nikkor 4/200mm!!
D1N0 wrote: |
The obsession with corner to corner sharpness in the newer designs has affected center image contrast. |
Really? In some old computations: yes. However I'm not aware at all that my Minolta 2.8/200 APO (which was patented around 1985) would have an "affected center image contrast" . I still use that one for large format calendar images such as this one:
Once offset printed on high quality, glossy paper, using special UV curing colors the results are stunning. And for that purpose I still prefer that 1987 Minolta APO prime over the modern f2.8 tele zooms (which I use, too).
"Corner-to-corner" sharpness, sometimes, is necessary.
S _________________ www.artaphot.ch |
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Alsatian2017
Joined: 05 Mar 2018 Posts: 243
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Posted: Sun Oct 20, 2024 7:12 pm Post subject: |
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Alsatian2017 wrote:
stevemark wrote: |
Alsatian2017 wrote: |
Very nice comparison, thank You, Steve. Note that there was another version of the Pentacon 200 mm f/4, issued in 1979 and described in detail in the Zeissikonveb pages. It has an automatic diaphragm and an improved optical design. |
Yes, I am aware of that:
https://zeissikonveb.de/start/objektive/wechselobjektive-1960er/meyer-optik-goerlitz/orestegor-4-200.html
Alsatian2017 wrote: |
It might have been very interesting to include that in your test. |
Sure! Those ZeissMeyer/Pentacon lenses - expecially the newer ones - are excruciatingly rare here in Switzerland. If anyone was buing an SLR from eastern Germany, he/she rarely bought more than the 1.8/50mm and maybe a 2.8/135mm or a 2.8/29mm. On local platforms I may have seen the old Pentacon/Orestegor 4/200mm tree or four times during the last 20 years, offered at unreasonably high prices. There was once a 2.8/200 of the "electric" line, a 2.8/20 and the 4.5/500mm mirror (yes, the eastern one!). The 2.8/35 sometimes is available too, but even the 2.4/35 is difficult to get. Ten or fifteen years ago, as part of a huge collection, I saw the late 1.8/80mm too but never managed to shoot with it. As I said: rare birds here in Switzerland, for sure.
Alsatian2017 wrote: |
I've got the two of them ... |
Lucky guy
S |
It seems that Swiss photographers prefered high end photo equipment while widely ignoring cheap stuff from eastern european countries. Is that because they could (they simply had and still have higher incomes than their EU neighbors...) or because of a non existant diffusion chain ?
In France and Germany, most CZJ and Pentacon lenses are mostly quite common and cheap to come by, with the exception of the rarer birds (20 mm f/2,8, 50 mm f/1,4, 80 mm f/1,8 and 200 mm f/2,Cool and the ultra rare and very expensive mirror lenses. _________________ Personal website : https://volkergilbertphoto.com
Classic lenses : https://volkergilbertphoto.com/objektive/
Instagram : https://www.instagram.com/volker.gilbert/ |
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stevemark
Joined: 29 Apr 2011 Posts: 4015 Location: Switzerland
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Posted: Sun Oct 20, 2024 8:26 pm Post subject: |
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stevemark wrote:
Alsatian2017 wrote: |
It seems that Swiss photographers prefered high end photo equipment while widely ignoring cheap stuff from eastern european countries. Is that because they could (they simply had and still have higher incomes than their EU neighbors...) |
During the 1980s - when I started with photography - Nikon was the way to go for professionaly (and therefore keen amateurs as well). There was enough money for highschool teachers to go for Leica (if they were into photography), and for successful lawyers to buy every year each single new Leica lens / camera that came out: Easily 20'000.-- CHF a year, if not more. If you were not as successful (or not as greedy) a nice Minolta would do fine, and so would a Canon. Pentax was seen rarely, and - as I said - the "DDR" (German Democratic Republic or simply "Ostdeuschland" as we called it) stuff virtually was inexistent, sauf aux écoles. Dunno why, but the Praktica SLRs plus the Pentacon 1.8/50mm were the school cameras. But of course everyone disliked it, an no one would ever buy a DDR / Zeiss Jena camera in real life.
In Switzerland there are some (few) Zeiss Jena SLRs (Contax S, D, Pentacon, ...) from the 1950s available on the used market, often with an original CZJ normal lens. And of course there are truckloads of western Zeiss Contaflexes from that time period available. Plus some Edixas, but not too many.
Yep, at least in the 1970s and 1980s most Swiss people were ignoring the non-refined DDR cameras.
Alsatian2017 wrote: |
or because of a non existant diffusion chain ? |
There was not much fun in establishing a Pentacon diffusion chain when sales would be sloppy ...
Alsatian2017 wrote: |
In France and Germany, most CZJ and Pentacon lenses are mostly quite common and cheap to come by, with the exception of the rarer birds (20 mm f/2,8, 50 mm f/1,4, 80 mm f/1,8 and 200 mm f/2,8 Cool and the ultra rare and very expensive mirror lenses. |
As I said I occasionally have seen those lenses here in Switzerland - probably not sold by ex-users, but by collectors. They go for quite a lot of money.
S _________________ www.artaphot.ch |
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