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pentaxpete
 Joined: 02 Dec 2011 Posts: 697 Location: BRENTWOOD England
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visualopsins
 Joined: 05 Mar 2009 Posts: 11638 Location: California
Expire: 2027-07-11
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 Posted: Thu Jun 29, 2023 3:58 pm Post subject: |
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 Posted: Thu Jun 29, 2023 3:58 pm Post subject: |
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visualopsins wrote:
Amazing crisp details! _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Doc Sharptail
 Joined: 23 Nov 2020 Posts: 1475 Location: Winnipeg Canada
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 Posted: Sat Feb 22, 2025 6:05 pm Post subject: |
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 Posted: Sat Feb 22, 2025 6:05 pm Post subject: |
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Doc Sharptail wrote:
Just had a 35 mm roll of the current XP-2 Super developed and printed.
Film was not expired.
Very similar results to here- I was quite surprised by the tonal range.
Negs look like the old FP-4 negs, right down to the purple cast, and have excellent density for ISO 400.
I'll try and make some copy shots to display here once the prints are flattened. The coated digital paper the lab uses has a nasty curl to it- probably a bulk roll for all the X 5" printing they do.
This film is worth trying.
-D.S. _________________
D-810, F2, FTN, FT-3 in Black
35mm f2 O.C. nikkor
50 f2 H nikkor, 50 f2 H.C. nikkor, 50 f 1.4 AI-s, 135 f3.5 Q,
50 f2 K nikkor 2x, 28-85mm f3.5-4.5 A/I-s, 35-105 3.5-4.5 A/I-s, 200mm f4 Micro A/I, partial list.
"Ain't no half-way" -S.R.V.
"Oh Yeah... Alright" -Paul Simon |
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Vintage_Photographer
 Joined: 10 Jun 2024 Posts: 132
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 Posted: Sat Feb 22, 2025 8:15 pm Post subject: |
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 Posted: Sat Feb 22, 2025 8:15 pm Post subject: |
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Vintage_Photographer wrote:
I quite like XP2 and recently ran a couple of rolls through my Contax RX and Voigtländer Vitomatic IIa.
Contax
Voigtländer
 _________________ Current gear list:
Mamiya 645 TL Pro with 80mm and 110mm Sekor C, Rolleiflex SL35 with Rollei HFT 50mm/1.8, Rolleinar 135/2.8, 200/3.5, Pentacon 28/2.8 and Horizont 35/2.8, Minolta SRT100X, Rokkor 35-70mm f/3.5, Rokkor 100-300mm f/5.6.
Fuji X-E2 and X-T4 with Fuji 18-55 AF, 18-135 AF, TTArtisans 27/2.8 AF, 7.5/2 Fisheye, 35/1.4, 7Artisans 18/6.3, Samyang 12mm/2 AF, Tamron SP90 (on Nikon adapter), Ilford Sportsman, Zeiss IKon Contina II and Zeiss Ikoflex 1 TLR. |
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kansalliskala
 Joined: 19 Jul 2007 Posts: 5117 Location: Southern Finland countryside
Expire: 2016-12-30
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 Posted: Sun Feb 23, 2025 7:07 am Post subject: |
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 Posted: Sun Feb 23, 2025 7:07 am Post subject: |
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kansalliskala wrote:
XP2 in 120 format is kind of a mystery because C41 roll film development was so much rarer to find?
The whole idea was to get an easy 135 black & wihte dev? _________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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stevemark
 Joined: 29 Apr 2011 Posts: 5303 Location: Switzerland
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 Posted: Sun Feb 23, 2025 1:28 pm Post subject: |
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 Posted: Sun Feb 23, 2025 1:28 pm Post subject: |
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stevemark wrote:
| kansalliskala wrote: |
XP2 in 120 format is kind of a mystery because C41 roll film development was so much rarer to find?
The whole idea was to get an easy 135 black & wihte dev? |
At least in Switzerland, during the 1990s, C41 roll film development was no problem at all. Most serious wedding photographers would use C41 roll films (mainly 6x7, some even 6x9cm), and that in itself would guarantee that all local photographers would accept C41 roll films for development.
That said, the XP2 roll film never got traction. The whole idea behind C41 b/w films was variable speed (in the 50 to 1600 ISO range) on the same roll, something that to some extent was already known for C41 color films: Common 400 ISO color film gave pretty good results in the ISO 100-800 range at least. The professionals didn't use b/w for their 6x7 and 6x9 cameras, and the dedicated amateurs could not enlarge the resulting C41 b/w negatives at home ... so no real market for the C41 roll films!
S _________________ www.artaphot.ch |
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Doc Sharptail
 Joined: 23 Nov 2020 Posts: 1475 Location: Winnipeg Canada
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 Posted: Sun Feb 23, 2025 8:44 pm Post subject: |
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 Posted: Sun Feb 23, 2025 8:44 pm Post subject: |
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Doc Sharptail wrote:
I don't think the XP-2's exposure latitude approaches anything near what Kodak was trying to accomplish.
It does show signs of over-exposure (at least) with-in a stop and a half (which is still pretty good). Under exposure I'm not all that sure on- it's kind of hard to work with what isn't there in the image.
At any rate, I was far less impressed with the Kodak version than I am with the XP-2 Super.
120 C-41 film abounded in the wedding industry locally.
Not many opted for the added cost of square prints, and there were very few complaints about "common sense" crops that were the commercial labs' norm at the time. Kodak Gold 100 was just coming on the scene in 120 when I put the cameras down and got a "real" job.
-D.S. _________________
D-810, F2, FTN, FT-3 in Black
35mm f2 O.C. nikkor
50 f2 H nikkor, 50 f2 H.C. nikkor, 50 f 1.4 AI-s, 135 f3.5 Q,
50 f2 K nikkor 2x, 28-85mm f3.5-4.5 A/I-s, 35-105 3.5-4.5 A/I-s, 200mm f4 Micro A/I, partial list.
"Ain't no half-way" -S.R.V.
"Oh Yeah... Alright" -Paul Simon |
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stevemark
 Joined: 29 Apr 2011 Posts: 5303 Location: Switzerland
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 Posted: Mon Feb 24, 2025 2:39 pm Post subject: |
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 Posted: Mon Feb 24, 2025 2:39 pm Post subject: |
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stevemark wrote:
| Doc Sharptail wrote: |
I don't think the XP-2's exposure latitude approaches anything near what Kodak was trying to accomplish.
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Ilford claims ISO 50 to ISO 800:
https://www.ilfordphoto.com/xp2-super-35mm
I have used the XP-2 only once or twice, so no real experience here ...
S _________________ www.artaphot.ch |
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Doc Sharptail
 Joined: 23 Nov 2020 Posts: 1475 Location: Winnipeg Canada
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 Posted: Mon Feb 24, 2025 5:11 pm Post subject: |
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 Posted: Mon Feb 24, 2025 5:11 pm Post subject: |
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Doc Sharptail wrote:
| stevemark wrote: |
| Doc Sharptail wrote: |
I don't think the XP-2's exposure latitude approaches anything near what Kodak was trying to accomplish.
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Ilford claims ISO 50 to ISO 800:
https://www.ilfordphoto.com/xp2-super-35mm
I have used the XP-2 only once or twice, so no real experience here ...
S |
Thanks for that link. There was no data sheet supplied with the 35mm version. The maker's commentary comes quite close to what I found with the film.
-D.S. _________________
D-810, F2, FTN, FT-3 in Black
35mm f2 O.C. nikkor
50 f2 H nikkor, 50 f2 H.C. nikkor, 50 f 1.4 AI-s, 135 f3.5 Q,
50 f2 K nikkor 2x, 28-85mm f3.5-4.5 A/I-s, 35-105 3.5-4.5 A/I-s, 200mm f4 Micro A/I, partial list.
"Ain't no half-way" -S.R.V.
"Oh Yeah... Alright" -Paul Simon |
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