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relationship between how contrasty a lens is and CA?
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PostPosted: Tue Jul 28, 2015 8:59 pm    Post subject: relationship between how contrasty a lens is and CA? Reply with quote

please compare the following three images,
all taken wide open against the sun, on Sony NEX5n as RAW, imported to LR + one click on 'auto' which mostly adds 'black' and which enhances the differences





Would you please be so kind, be sport and share your observations? if not obvious, the title of the thread gives away what I am wondering about Wink
I shall tell you which lenses had been used, my observations and ask more questions, if interested will add more samples of the same scene taken with some other lenses more.

thank you, cheers, andreas


PostPosted: Tue Jul 28, 2015 9:24 pm    Post subject: Reply with quote

I vote for third one


PostPosted: Wed Jul 29, 2015 6:56 am    Post subject: Reply with quote

Nope, I don't see a logical connection between contrast and CA.

But I prefer also - of course - #3


PostPosted: Wed Jul 29, 2015 9:26 am    Post subject: Reply with quote

haha, ok!

here 100% crops of the above images in the same order:




reviewing these a simple thought had struck me:
typically CA shows around high contrast lines between dark to very bright areas. Now if a lens has less contrast, the difference between dark and light is less pronounced, there is less CA.
Certainly reality is more complex than that, but wouldn't that thought also make sense?


PostPosted: Wed Jul 29, 2015 6:54 pm    Post subject: Reply with quote

As this page explains

http://toothwalker.org/optics/chromatic.html

CA is an inherent property of a lens and will be more or less pronounced depending on the lighting, f-stop, subject. You can perhaps construct a relationship with contrast since that also is inherent to a lens but it's not really whats going on is it?


PostPosted: Wed Jul 29, 2015 10:41 pm    Post subject: Reply with quote

thank you Marcus, specially for the link.

I accept that technical knowledge says that there is no relation between how contrasty a lens is and how much CA it produces and therefore won't try to argue in favor of the notion. However I must admit that for myself only I will take away my own conclusions from this test, I had taken the same shot not only with the three lenses shown but with a total of 8 lenses of the same focal lengths.

I had not yet mentioned, the three samples shown had been taken with 3 different copies of a Canon LTM 1.8/50mm ( noteable oof highlights have the same shape in all three pics, those taken with other lenses look different ) First has an inner element with strong haze, the second has an inner element with little haze and the last copy is clear.

Specially Canon LTM 1.8/50 and 3.5/100 but also others are notorious for an inner element that is hazy, milky, and it is difficult to get a clean copy. If not the intended purpose this thread at least shows what to expect from a lens with a milky element.. Differences of takes not taken against light of course aren't that dramatic, to note that, if using a mirrorless cam, focus peaking will show less readily when using a 'hazy' lens.


Last edited by kuuan on Wed Jul 29, 2015 10:52 pm; edited 1 time in total


PostPosted: Wed Jul 29, 2015 10:50 pm    Post subject: Reply with quote

Interesting, also interesting to see with and without haze Wink


PostPosted: Wed Jul 29, 2015 11:29 pm    Post subject: Reply with quote

kuuan wrote:

typically CA shows around high contrast lines between dark to very bright areas. Now if a lens has less contrast, the difference between dark and light is less pronounced, there is less CA.
Certainly reality is more complex than that, but wouldn't that thought also make sense?


No, it doesn't make sense. What does make sense is that high contrast scenes reveal whatever CA has been there all along. In other words, it just makes it more obvious.

Or put the other way, diminishing sharpness away from the center (where most images place their focus) can cover up for aberrations by not making them so obvious.


PostPosted: Thu Jul 30, 2015 3:49 am    Post subject: Reply with quote

Or, another way to look at it, CA shows itself where the transition between light and dark is high. IF there is CA, then you get a colour fringe. (purple)

If you have a lens that is less contrasty, the transition between light and dark is less, so the CA is still identical, but the contrast of the CA colour purple is reduced.

So for example, if you take an image with CA, and you reduce the contrast in Photoshop or reduce the saturation then you can't see the bright purple as easily, even though the CA is still there. (if you reduce the saturation so it's B&W, then the purple is less obvious Wink )


PostPosted: Thu Jul 30, 2015 8:31 am    Post subject: Reply with quote

thank's for the input.

You guys say that "high contrast scenes reveal whatever CA has been there all along, just make it more obvious" and "If you have a lens that is less contrasty, the transition between light and dark is less, so the CA is still identical, but the contrast of the CA colour purple is reduced."
To my simple mind there is 'more CA if I see more" and "less CA if I see less". Even though you mean to contradict my notion I feel that 'actually', by that I mean 'only referring to what is seen', you are rather backing it Wink But again, I am not a technical guy and don't want to argue about this!

cheers, andreas


PostPosted: Thu Jul 30, 2015 9:49 am    Post subject: Reply with quote

Andreas has a point. CA is produced in contrasty areas, isn`t it? So less contrast would make less CA?
Would the CA come back if you adjust contrast in post if it`s not any visible CA there? Of course not...


PostPosted: Thu Jul 30, 2015 10:47 am    Post subject: Reply with quote

edited

Last edited by bernhardas on Mon Jun 13, 2016 6:41 am; edited 1 time in total


PostPosted: Thu Jul 30, 2015 2:19 pm    Post subject: Reply with quote

I have low contrast lens with lots of CA, also have high contrast lens with lots of CA, I also have lenses that have high /low contrast but with no CA, I have to conclude that it can be in any lens if it's not been corrected for it.


PostPosted: Fri Jul 31, 2015 10:56 am    Post subject: Reply with quote

Nordentro wrote:
Andreas has a point. CA is produced in contrasty areas, isn`t it? So less contrast would make less CA?
Would the CA come back if you adjust contrast in post if it`s not any visible CA there? Of course not...


You would be mistaken. If you knew what to look for it would be very obvious.

Fringing is not the only consequence of CA. A lack of sharpness at certain wavelengths can also occur.

Please consider this image:

A Bower of Flowers on Flickr

In the foreground, there is sufficient depth of field that all the leaves appear sharp with clean edges and good detail, yet all the purple flowers among them appear blurred. A check of the histogram shows that blown highlights is not the cause; it's CA at the shorter wavelengths.


PostPosted: Fri Jul 31, 2015 12:57 pm    Post subject: Reply with quote

This look more like spherical aberration with a dash of chromatic aberration, what lens is used?


PostPosted: Fri Jul 31, 2015 1:29 pm    Post subject: Reply with quote

Nordentro wrote:
Andreas has a point. CA is produced in contrasty areas, isn`t it? So less contrast would make less CA?
Would the CA come back if you adjust contrast in post if it`s not any visible CA there? Of course not...


Lars that exactly had been my thoughts Smile

Here an edited version with contrast added of the third image taken with the more cloudy lens.


for better comparison again the image taken with the good copy:


My simple, non technical observation would say that it is an overall lack of color reproduction that is responsible for the lack of seen color fringing.
Also that 'double lines' of CA are partially visible and also, again due to lack of color reproduction, partially invisible.

I am happy if the images and the issue is of interest and discussed. Please bear with my lack the necessary technical knowledge, I will try to stay away of the technical discussion, only can bother you with simple observations

cheers, andreas


PostPosted: Sat Aug 01, 2015 8:39 am    Post subject: Reply with quote

Nordentro wrote:
This look more like spherical aberration with a dash of chromatic aberration, what lens is used?


Tamron SP 60~300mm 1:3.8~5.4 23a.

Unfortunately, I didn't make very good notes that day, so I can only guess that's around 100mm and f/8.0.


PostPosted: Sat Aug 01, 2015 1:03 pm    Post subject: Reply with quote

leonAzul wrote:
Nordentro wrote:
This look more like spherical aberration with a dash of chromatic aberration, what lens is used?


Tamron SP 60~300mm 1:3.8~5.4 23a.

Unfortunately, I didn't make very good notes that day, so I can only guess that's around 100mm and f/8.0.


Never mind, I struggle with taking notes myself Very Happy


PostPosted: Sat Aug 01, 2015 7:38 pm    Post subject: Reply with quote

kuuan wrote:
Would you please be so kind, be sport and share your observations?

fast Zeiss lens also have this behavior

some tips:

- use it with film
- use it in a studio, this CA appear on overexposed area, studio have controlled light
- remove it with software
- let it like that, everyday I see it in films and tv
it is the signature that a great lens was used Wink


PostPosted: Sun Aug 02, 2015 6:16 am    Post subject: Reply with quote

Could there also be a relationship with the coating? I get the feeling most of the older single coated lenses doesn't suffer from CA this much as lenses with stronger MC do.


PostPosted: Sun Aug 02, 2015 6:54 am    Post subject: Reply with quote

Tedat wrote:
Could there also be a relationship with the coating? I get the feeling most of the older single coated lenses doesn't suffer from CA this much as lenses with stronger MC do.


That has more to do with a different design. Without the material science knowledge of today, lens-makers needed to discover configurations that were inherently self-compensating. The result sometimes allowed for minor distortions, other aberrations, and lesser performance, yet was predictable enough to be useful.

Being able to perfectly reproduce reality is not always desirable. Having a reliable tool for expression is much more fun. Sometimes a little blur and mystery is useful in the process of creating an expressive image.


PostPosted: Sun Aug 02, 2015 10:47 am    Post subject: Reply with quote

Tedat wrote:
Could there also be a relationship with the coating? I get the feeling most of the older single coated lenses doesn't suffer from CA this much as lenses with stronger MC do.

No, I don't think so. CA depends on the corrections included in the opt. design itself.

From my amateur observation the CA might be somehow related to design's sharpness wide-open - at least for non-macro ~50mm lenses.

Some observations:
single-coated | KMZ Zenitar 50/1.7 | M42 | very sharp wide-open | strong CA
MC | Rollei HFT Planar 50/1.8 | QBM | sharp wide-open | somewhat strong CA
MC | Zeiss T* Planar 50/1.7 | C/Y | very sharp wide-open | somewhat strong CA
MC | Zeiss T* Planar 45/2 | Contax-G | very sharp wide-open | strong CA
MC | CZJ MC Pancolar 50/1.8 | M42 | medicore sharpness wide-open | barely noticeable CA
single-coated | KMZ Helios 44M-4 58/2 | M42 | medicore sharpness wide-open | almost none CA
MC | Asahi S-M-C Takumar 50/1.4 | M42 | relatively sharp wide-open | low amount of CA
single-coated | Nikon Nikkor-S Auto 50/1.4 | F-mount | relatively sharp wide-open | medium amount of CA