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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sat Mar 04, 2023 2:52 pm Post subject: Non-destructive transformation of film camera into digital |
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alex ph wrote:
Found this video from 2021.
It looks ingenious as idea, as the digital module is inserted into the film compartment and extends to the right place in the film plane. Based on Raspberry Pi, it has a tiny sensor, so a huge crop factor. Curious to think if it could be possible to attach a better sensor, something like the one taken from a non-working Sony RX100, following the steps of DxO One. That could be a real game changer, I guess. |
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visualopsins
Joined: 05 Mar 2009 Posts: 11030 Location: California
Expire: 2025-04-11
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Posted: Sat Mar 04, 2023 5:20 pm Post subject: |
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visualopsins wrote:
https://www.raspberrypi.com/products/raspberry-pi-high-quality-camera/
may not fit without modifying film camera back... _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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RokkorDoctor
Joined: 27 Nov 2021 Posts: 1426 Location: Kent, UK
Expire: 2025-05-01
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Posted: Sat Mar 04, 2023 5:36 pm Post subject: Re: Non-destructive transformation of film camera into digit |
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RokkorDoctor wrote:
alex ph wrote: |
Found this video from 2021.
It looks ingenious as idea, as the digital module is inserted into the film compartment and extends to the right place in the film plane. Based on Raspberry Pi, it has a tiny sensor, so a huge crop factor. Curious to think if it could be possible to attach a better sensor, something like the one taken from a non-working Sony RX100, following the steps of DxO One. That could be a real game changer, I guess. |
I remember years ago (at least 10, maybe 15), they were working on a concept like this. Battery and electronics in a quasi 35mm film-canister, with a (near) full-frame sized thin sensor sticking out the side that would sit between the film guides and pressure plate.
They never managed to get it to work/to market though.
Maybe they should try again, although with the mirrorless cameras available now I doubt the market would still be big enough to merit the investment.
EDIT: it was 22 years ago actually, in 2001 called "Silicon Film". _________________ Mark
SONY A7S, A7RII + dust-sealed modded Novoflex/Fotodiox/Rayqual MD-NEX adapters
Minolta SR-1, SRT-101/303, XD7/XD11, XGM, X700
Bronica SQAi
Ricoh GX100
Minolta majority of all Rokkor SR/AR/MC/MD models made
Sigma 14mm/3.5 for SR mount
Tamron SP 60B 300mm/2.8 (Adaptall)
Samyang T-S 24mm/3.5 (Nikon mount, DIY converted to SR mount)
Schneider-Kreuznach PC-Super-Angulon 28mm/2.8 (SR mount)
Bronica PS 35/40/50/65/80/110/135/150/180/200/250mm |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sat Mar 04, 2023 5:51 pm Post subject: |
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alex ph wrote:
visualopsins wrote: |
https://www.raspberrypi.com/products/raspberry-pi-high-quality-camera/
may not fit without modifying film camera back... |
One should have right hand in its place to do this, and a good technical knowledge, to complete the list!
Look what this guy did with the Super8 camera in the same viene. The effect is amazing, complains really well with an old amateur movie feeling.
RokkorDoctor wrote: |
Maybe they should try again, although with the mirrorless cameras available now I doubt the market would still be big enough to merit the investment.
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If such a device costed 150 euros or dollars offering decent quality, I presume it could find a pretty nice niche in the second hand market of film cameras. 22 years ago the quality was a large issue even in high end consumer digital cameras. |
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visualopsins
Joined: 05 Mar 2009 Posts: 11030 Location: California
Expire: 2025-04-11
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Posted: Sat Mar 04, 2023 7:19 pm Post subject: |
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visualopsins wrote:
Universal fit, and, coupling, are significant engineering problems; adapters for specific cameras may be feasible, i.e. for Spotmatic, For Nikon F, & etc..
I can think of some particularly bright people who would simply remove the lens to adapt onto their modern camera of choice.
Everybody wants the universal Kodachrome sensor for old cameras. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sat Mar 04, 2023 8:01 pm Post subject: |
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alex ph wrote:
visualopsins wrote: |
I can think of some particularly bright people who would simply remove the lens to adapt onto their modern camera of choice.
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SkedAddled
Joined: 19 Oct 2008 Posts: 1443 Location: Michigan, USA
Expire: 2021-08-12
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Posted: Tue Mar 14, 2023 11:09 pm Post subject: Re: Non-destructive transformation of film camera into digit |
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SkedAddled wrote:
RokkorDoctor wrote: |
I remember years ago (at least 10, maybe 15), they were working on a concept like this. Battery and electronics in a quasi 35mm film-canister, with a (near) full-frame sized thin sensor sticking out the side that would sit between the film guides and pressure plate.
They never managed to get it to work/to market though.
Maybe they should try again, although with the mirrorless cameras available now I doubt the market would still be big enough to merit the investment.
EDIT: it was 22 years ago actually, in 2001 called "Silicon Film". |
I also remember this, and I was fascinated by the potential of it.
I would have loved to drop one of them into my hand-me-down Olympus OM-1
or Minolta X-1 manual SLR.
I'd love to see what modern technologies and manufacturing methods
could bring to the market nowadays. It could now be a simple back replacement,
without even requiring the bottom part to be mounted like an old film winder.
Swap the back of an older Olympus, Nikon, Minolta or Canon camera,
and you've got a classic body converted to a fully modern film camera.
Realistically, the only additional thickness would come from the external display
and control buttons; the circuitry could easily be on a flexible film substrate.
Such a setup could even be designed to be applied to an original camera back
in this context. _________________ Craig
Of course I'm all right! Why? What have you heard!?
Canon Digital EOS 5D Mk IV, EOS 50D, Powershot S3 iS
Vivitar 28 f/2.8 OM - Zuiko 50 f/1.8 OM - Tamron SP 28-80 f/3.5 AD2[Favorite!] - Hanimar 135 f/3.5 M42 - Soligor 135 f/2.8 T4 - Tamron SP 60-300 f/3.8 AD2 - Soligor 75-260 f/4.5 M42 - Soligor 400 f/6.3 T4 - Soligor 500 f/8 T2 Cat + Matched 2X TC - Addiction Growing!
This is us -- We drive these -- We're named these |
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RokkorDoctor
Joined: 27 Nov 2021 Posts: 1426 Location: Kent, UK
Expire: 2025-05-01
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Posted: Wed Mar 15, 2023 10:17 am Post subject: Re: Non-destructive transformation of film camera into digit |
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RokkorDoctor wrote:
SkedAddled wrote: |
RokkorDoctor wrote: |
I remember years ago (at least 10, maybe 15), they were working on a concept like this. Battery and electronics in a quasi 35mm film-canister, with a (near) full-frame sized thin sensor sticking out the side that would sit between the film guides and pressure plate.
They never managed to get it to work/to market though.
Maybe they should try again, although with the mirrorless cameras available now I doubt the market would still be big enough to merit the investment.
EDIT: it was 22 years ago actually, in 2001 called "Silicon Film". |
I also remember this, and I was fascinated by the potential of it.
I would have loved to drop one of them into my hand-me-down Olympus OM-1
or Minolta X-1 manual SLR.
I'd love to see what modern technologies and manufacturing methods
could bring to the market nowadays. It could now be a simple back replacement,
without even requiring the bottom part to be mounted like an old film winder.
Swap the back of an older Olympus, Nikon, Minolta or Canon camera,
and you've got a classic body converted to a fully modern film camera.
Realistically, the only additional thickness would come from the external display
and control buttons; the circuitry could easily be on a flexible film substrate.
Such a setup could even be designed to be applied to an original camera back
in this context. |
I can imagine two problems that would be difficult (but maybe not impossible) to solve:
a) dust; older cameras with old cloth shutters are quite a bit more dusty and likely you would be removing dust bunnies in PP all day long.
b) on many traditional SLRs there really is not much space between the film guides (= plane of focus), and the rearmost shutter curtain. This may simply not be enough for the required filter stack thickness on a modern sensor; you wouldn't want your shutter curtain to accidentally scrape against the sensor's AR filter coating every now and then... _________________ Mark
SONY A7S, A7RII + dust-sealed modded Novoflex/Fotodiox/Rayqual MD-NEX adapters
Minolta SR-1, SRT-101/303, XD7/XD11, XGM, X700
Bronica SQAi
Ricoh GX100
Minolta majority of all Rokkor SR/AR/MC/MD models made
Sigma 14mm/3.5 for SR mount
Tamron SP 60B 300mm/2.8 (Adaptall)
Samyang T-S 24mm/3.5 (Nikon mount, DIY converted to SR mount)
Schneider-Kreuznach PC-Super-Angulon 28mm/2.8 (SR mount)
Bronica PS 35/40/50/65/80/110/135/150/180/200/250mm |
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