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BenediktW
Joined: 24 Jan 2008 Posts: 336 Location: Solingen, Germany
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Posted: Tue Dec 01, 2009 12:36 am Post subject: |
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BenediktW wrote:
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And this one obviously has. They wear very gracefully in my opinion. Just think of all the great pictures it has taken over the decades. |
cooltouch, you perfectly describe the conception of a wabi-sabi object. _________________ http://www.1979fotographie.de/
Nikon D90, Sony NEX-3
AF-Nikkors 24mm F2,8, 35mm F1,8 DX, 85mm F1,8, 28-105mm F3,5-4,5D IF
Nikon MF: Nikkor 20mm F4, Nikkor 50mm F2 Ai, Micro-Nikkor-P 55mm F3,5, Nikkor 135mm F2,8 Ai, Nikkor 200mm F4
Carl Zeiss Sonnar 135mm F2,8 [for sale], Vario-Sonnar 80-200mm F4 T* (C/Y) with Leitax for Nikon-F
Minolta MD-Rokkors: 28mm F2,8, 45mm F2
M42 Lenses: Mamiya/Sekor SX 21mm F4, SX 28mm F2,8, SX 55mm F1,8, SX 135mm F2,8, 400mm F6,3 [for sale], Asahi-Pentax Super-Tak. 28mm F3,5 and 55mm F1,8, CZJ Tessar 50mm F2,8, Vivitar 135mm F2,8
Mamiya 645 Lenses: Mamiya Sekor C 80mm F2,8 N, 300mm F5,6, 105-210mm F4,5 ULD [for sale] |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Tue Dec 01, 2009 2:37 am Post subject: |
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cooltouch wrote:
BenediktW wrote: |
Quote: |
And this one obviously has. They wear very gracefully in my opinion. Just think of all the great pictures it has taken over the decades. |
cooltouch, you perfectly describe the conception of a wabi-sabi object. |
Huh. I've never thought to apply the wabi-sabi aesthetic to lens wear before, but now that you mention it, this is an on-target observation, and, yes, I suppose it is the wabi-sabi aspect, which I find appealing and agree with in many ways.
Just so's you know, I studied Japanese back in the 80s and 90s, read extensively on Japanese culture, visited Japan during the early 80s, and used Japanese as my 'qualifying language' as a linguistics major in college. So, I'm somewhat familiar with the concept, which in many ways is at the very heart of the Japanese perception of beauty. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/
Last edited by cooltouch on Thu Dec 03, 2009 5:57 pm; edited 1 time in total |
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BenediktW
Joined: 24 Jan 2008 Posts: 336 Location: Solingen, Germany
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Posted: Thu Dec 03, 2009 12:12 pm Post subject: |
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BenediktW wrote:
Some things are also visible when beneath the surface
Great, I hope to find the time to get more deeply involved with these things. I have been reading Okakura and Tanizaki, and I find a lot of truth in it - especially aesthetic truth.
Yeah, I really thing this concept can be applied to Nikkor lenses, among some others. When I buy an old lens, I often think about the photos which might have been taken with it, decades ago.
Best regards
Benedikt _________________ http://www.1979fotographie.de/
Nikon D90, Sony NEX-3
AF-Nikkors 24mm F2,8, 35mm F1,8 DX, 85mm F1,8, 28-105mm F3,5-4,5D IF
Nikon MF: Nikkor 20mm F4, Nikkor 50mm F2 Ai, Micro-Nikkor-P 55mm F3,5, Nikkor 135mm F2,8 Ai, Nikkor 200mm F4
Carl Zeiss Sonnar 135mm F2,8 [for sale], Vario-Sonnar 80-200mm F4 T* (C/Y) with Leitax for Nikon-F
Minolta MD-Rokkors: 28mm F2,8, 45mm F2
M42 Lenses: Mamiya/Sekor SX 21mm F4, SX 28mm F2,8, SX 55mm F1,8, SX 135mm F2,8, 400mm F6,3 [for sale], Asahi-Pentax Super-Tak. 28mm F3,5 and 55mm F1,8, CZJ Tessar 50mm F2,8, Vivitar 135mm F2,8
Mamiya 645 Lenses: Mamiya Sekor C 80mm F2,8 N, 300mm F5,6, 105-210mm F4,5 ULD [for sale] |
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