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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Aug 24, 2013 11:09 pm Post subject: |
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iangreenhalgh1 wrote:
This thread has ceased to be informative and has descended into semantics. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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invisible
Joined: 06 Jun 2013 Posts: 344
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Posted: Sat Aug 24, 2013 11:19 pm Post subject: |
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invisible wrote:
iangreenhalgh1 wrote: |
This thread has ceased to be informative and has descended into semantics. |
Unfortunately, this is true. The good news is that some pretty interesting resources have been shared by different posters, so people with the patience to wade through the whole thread might feel it was worth the effort |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Aug 24, 2013 11:23 pm Post subject: |
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iangreenhalgh1 wrote:
Yes, that is good, shame about the needing to wade though.
I'd love to see some more sample pics when you shoot some more, as i said before, I'm thinking of buying a Nikkor 2.5/105 and am uncertain which version I would prefer. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Sat Aug 24, 2013 11:33 pm Post subject: |
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sichko wrote:
iangreenhalgh1 wrote: |
This thread has ceased to be informative and has descended into semantics. |
Ian, we can all use words in any way that we wish. But even if all of us on this forum agree on how to use words like Planar, Gauss and Double Gauss isn't it important that we try to understand how these words are used by the "big players", the lens designers and manufacturers, so that, when we read their literature, articles, papers, patents, etc., we have some idea of how they are being used.
@mfkita When I read your posts on Friday I was confused and I tried to explain why. On Saturday I had another look at your posts. I thought that I might have misinterpreted them and apologised if that what was the case. I then tried to understand them further. If I am continuing to misunderstand them I apologise gain. I will reply to your latest post later today. However it is now after midnight and I must to bed. _________________ John |
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invisible
Joined: 06 Jun 2013 Posts: 344
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Posted: Sat Aug 24, 2013 11:40 pm Post subject: |
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invisible wrote:
iangreenhalgh1 wrote: |
I'd love to see some more sample pics when you shoot some more, as i said before, I'm thinking of buying a Nikkor 2.5/105 and am uncertain which version I would prefer. |
Here are a couple test shots I took when I got the lens, back in March I think. Both shot wide open, with tripod. Second one had no processing done (just the NEF>jpeg conversion).
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Aug 24, 2013 11:58 pm Post subject: |
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iangreenhalgh1 wrote:
Thanks very much for those, the lens looks really good, very sharp indeed. The bokeh on the first shot is a bit different to the classical Sonnar rendering but still very pleasant to my eyes. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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invisible
Joined: 06 Jun 2013 Posts: 344
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Posted: Sun Aug 25, 2013 12:04 am Post subject: |
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invisible wrote:
iangreenhalgh1 wrote: |
Thanks very much for those, the lens looks really good, very sharp indeed. The bokeh on the first shot is a bit different to the classical Sonnar rendering but still very pleasant to my eyes. |
It is really sharp at basically all apertures, I've been very happy with it. It does vignette a bit when shot wide open, as you can see in the last photo I posted, but I guess that's something to be expected. |
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Nikonshooter
Joined: 12 Nov 2012 Posts: 228 Location: Spokane, Washington
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Posted: Sun Aug 25, 2013 12:07 am Post subject: |
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Nikonshooter wrote:
none the least I will add this lens to my collection once when I can find one at a good price. _________________ D7000
Nikon 50mm E F1.8
Vivitar 70-210mm F3.5 x4
Rokinon 28mm F2.8
Nikon 35mm E F2.5
Jupiter 9 (1954)
SMC Takumar 28mm 3.5
Super Takumar 200mm 3.5
SMC TAKUMAR 135MM 2.5
MamiyaRZ67
Sekor RZ 110 mm f/2.8
Sekor RZ 150 mm f/3.5
Sekor RZ 180 mm f/4.5 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Aug 25, 2013 1:08 am Post subject: |
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iangreenhalgh1 wrote:
invisible wrote: |
It is really sharp at basically all apertures, I've been very happy with it. It does vignette a bit when shot wide open, as you can see in the last photo I posted, but I guess that's something to be expected. |
That's good to know, not many lenses are sharp at all apertures. I don't mind some vignette when it is of the gradual falloff type like here, it actually looks rather pleasant to my eyes. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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invisible
Joined: 06 Jun 2013 Posts: 344
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Posted: Sun Aug 25, 2013 1:17 am Post subject: |
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invisible wrote:
iangreenhalgh1 wrote: |
invisible wrote: |
It is really sharp at basically all apertures, I've been very happy with it. It does vignette a bit when shot wide open, as you can see in the last photo I posted, but I guess that's something to be expected. |
That's good to know, not many lenses are sharp at all apertures. I don't mind some vignette when it is of the gradual falloff type like here, it actually looks rather pleasant to my eyes. |
Here's a similar shot taken at f/8. Sorry, this one is fully processed, can't find the NEF file at the moment for you to compare with the unprocessed file I posted above.
Last edited by invisible on Mon Aug 26, 2013 5:09 pm; edited 1 time in total |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Aug 25, 2013 1:20 am Post subject: |
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iangreenhalgh1 wrote:
That's also nice, but I think I prefer the wide open one as it has a certain sense of cold bleakness. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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mfkita
Joined: 29 Jul 2007 Posts: 222
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Posted: Sun Aug 25, 2013 2:40 am Post subject: |
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mfkita wrote:
I've done the search needed to show the different 105/2.5 lenses
the 105/2.5P silver nose Sonnar
http://www.barthworks.com/nikon/nikon10525.htm
This page shows the "Pre-AI" 105 lenses in the black barrel metal and scalloped focusing barrel and the "K" rubber-covered barrel
http://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/preAI70/105mm.htm
This page purportedly shows the AI version that is identical in cosmetics to the pre-AI "K" version...but
Other than the lens next to the box in the small photo in the middle of the page that has the AI aperture ring (and "hollow rabbit ears"), the others photos show the same pre-AI aperture ring...
This appears to be an error in identification.
http://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/late70nikkor/telephoto/105mm.htm
This page shows the black-scalloped barrel 105 with an AI aperture ring but without the indexing post in the mount.
http://www.sgshoot.com/forums/showthread.php?t=9062
The "K" with AI aperture ring; though it has no indexing post it is identified as an AI lens
http://www.clubsnap.com/forums/showthread.php?t=461774
Side by side of "K" and scalloped barrel lens versions
http://www.djcphoto.com/index.php/nikkor-105mm-f2-5/
And the "K" AI with both AI aperture ring and AI indexing post
http://photos.smugmug.com/photos/84403616-L.jpg
From this page....
http://www.nikonians.org/forums/dcboard.php?az=show_topic&forum=137&topic_id=15336&mesg_id=15336&page=5
I hope this is clear enough.... _________________ I favor the simple shot...and uncomplicated technology that won't distract me from seeing it...
NIKON D610, Canon 30D/450D/s90/A570is: Canon 35/2, 50/1.8 MKI, 18-55IS, 28-105/3.5-4.5, 70-210/3.5-4.5; MF Nikkors 50/2K, 50/1.4AIS, 60/2.8 Micro, 85/1.8-K (AI'd), 135/2.8K, 135/2.8Q.C, 180/2.8ED, 200/4Q (AI-cut), 200/4AIS, 300/4.5-H (AI'd), Olympus 24/2.8, Vivitar 28/2, Vivitar S1 70-210/3.5 and S1 28-90;Tamron sp90/2.5; (and 28-85 AF nikkor), 35mm Nikon F, FM, FE2/MD12 drive |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Aug 25, 2013 3:28 am Post subject: |
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iangreenhalgh1 wrote:
I think you should start your own thread to discuss the different versions rather than continue in this one. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Sun Aug 25, 2013 9:02 pm Post subject: |
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sichko wrote:
mfkita wrote: |
sichko wrote: |
mfkita wrote: |
.Again, "K" refers to COSMETICS NOT OPTICS... |
Simply because the "K" and the "Ai" share the same cosmetics doesn't mean that you can call a "K-lens" an "Ai lens". And you can't do it even when you've replaced the aperture ring of the "K" with a new factory (Nikon) ring. |
I NEVER SAID THAT "K" AND "AI" ARE THE SAME.... |
I'm sorry if there is a language problem here - but I don't think that I accused you of that. I said Simply because the "K" and the "Ai" share the same cosmetics doesn't mean that you can call a "K-lens" an "Ai lens. However you did say, in an earlier post, ..
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that a "K" lens is NOT necessarily an AI lens....it may be |
....and it’s that phrase with which I was disagreeing
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AND AGAIN, I SPECIFICALLY POINTED OUT THAT YOU CAN HAVE.... A "K" LENS WITH AN AI APERTURE RING AND WITH AN INDEXING POST. |
You showed me a picture of an Ai lens and told me that me that it was a K lens. Why ? Because of the cosmetics ….
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I SPECIFICALLY SAID THAT "K" IS STRICTLY COSMETICS,.. |
And this is where one of the problems comes from. There is a large community which understands particular things when you say “K” lens. A description is given here....
http://www.photosynthesis.co.nz/nikon/lenstype.html
It includes more than cosmetics. For example, it tells us that there is no indexing post. Why are you unwilling to join the community ? Why do have to use terms in ways which are very different from the ways used by many others ? I have asked twice before if there is large alternative community which follows your way of thinking. If there isn’t why should anyone desert the crowd and join you ?
In the end I suppose it's all about words. But sometimes they matter. If you and I use the same words to mean different things we are going to find it difficult to talk to each other.
@mfkita I've had a look at your latest post and will comment shortly.
@ADMIN I have no particular wish to destroy the OP's thread. I won't object if you move my contribution elswhere - or delete it entirely! _________________ John
Last edited by sichko on Sun Aug 25, 2013 10:38 pm; edited 1 time in total |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Aug 25, 2013 9:14 pm Post subject: |
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iangreenhalgh1 wrote:
sichko wrote: |
In the end I suppose it's all about words. |
There's your problem. This is a photography forum, so it's all about pictures. Less words and more pictures would be desirable. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Sun Aug 25, 2013 9:27 pm Post subject: |
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sichko wrote:
I don't think that this one is contentious.
I've been trying all day to get to the 105 mm page on the mir site and I can't get in.
The problem is that the poster calls it: Nikon Nikkor-P 105mm f2.5 AIS manual focus lens !!!
It has been mis-identified. It's an Ai-converted K. Note the minimum aperture f/32.
The caption says that the one on the left is "Ai" not "K". Correct. Note the minimum aperture f/22.
You call it "K" Ai. I don't know anyone else who uses that terminology. The seller calls it Ai. I agree.
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I hope this is clear enough.... |
Thanks for your efforts but No. I guess that we continue to use terms differently _________________ John |
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lenny
Joined: 23 Feb 2013 Posts: 47 Location: British Columbia
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Posted: Sun Aug 25, 2013 11:18 pm Post subject: |
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lenny wrote:
I'm not sure if someone has posted this link but, I think it's a comprehensive and easily understood version history:
http://www.photosynthesis.co.nz/nikon/serialno.html#105 |
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hifisapi
Joined: 25 Sep 2012 Posts: 941 Location: USA
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Posted: Mon Aug 26, 2013 12:28 am Post subject: |
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hifisapi wrote:
Wow, identifying Nikon lens versions sure can be tricky. Pentax has about 8 lens series but they are all pretty easily identified
right on the front ring of the lens. K,M,A,F,FA DA, DFA etc _________________ ===========
ACQUIRED OVER 30 YEARS:
Cameras: DSLR=Pentax istDS FILM=Pentax SP, SP-F, ESII, SP1000, KX, K2
Lenses : Pentax M42 = Super Multi Coated Takumars 50/1.4 55/1.8 100/4-BELLOWS 500/4.5 1000/8 135-600/6.7 Pentax PK= SMC Pentax-Ks K17/4-FF Fisheye K18/3.5 K20/4 K24/3.5 K28/3.5 K28/2 K35/3.5 K35/2 K50/1.2 K50/1.4K 50/4-MACROK 55/1.8 K85/1.8 K100/4-MACRO K100/4-BELLOWS K105/2.8 K120/2.8 K135/3.5 K135/2.5 K150/4 K200/4 K400/5.6 K45-125/4K 85-210/4.5 Pentax PKM = SMC Pentax-M M40/2.8-Pancake M50/1.4 M75-150/4 M80-200/4.5 Pentax PKA= SMC Pentax-A A15/3.5 A50/2.8-MACRO A28/2 A35/2 A50/1.4 A135/2.8 A200/4 A*300/4 A35-105/3.5 A24-50/4 A70-210/4 TAMRON AD2= SP80-200/2.8 SP180/2.5 TOKINA AT-X PK= ATX28-85/3.5-4.5 ATX35-70/2.8 ATX60-120/2.8 ATX80-200/2.8 ATX100-300/4 ATX90/2.5 MACRO KIRON-LESTER DINE PK = 105/2.8-MACRO VIVITAR PK = 135/2.8-MACRO 28-85/4 NOFLEXAR AUTOBELLOWS PK = 60/4 105/4 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
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Posted: Mon Aug 26, 2013 1:05 am Post subject: |
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iangreenhalgh1 wrote:
There's only two significant versions of this lens really, all the arguing is about minor differences that aren't of any real importance.
First version is a Sonnar type, second is a Xenotar type, if you go back a couple of pages you can see the info from Nikon about it. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Mon Aug 26, 2013 2:14 am Post subject: |
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luisalegria wrote:
Pentax can be a little complex at times also.
The famous case of the 7 and 8 element 50/1.4 Super Takumars and how to tell them apart is instructive. More than one unofficial variant has been found. No doubt similar things are also true of other types. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Mon Aug 26, 2013 9:29 am Post subject: |
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sichko wrote:
The site has been mentioned several times including a link to the 105 page. But thanks for mentioning it again. It's an incredible resource. _________________ John |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Mon Aug 26, 2013 9:41 am Post subject: |
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sichko wrote:
iangreenhalgh1 wrote: |
There's only two significant versions of this lens really, all the arguing is about minor differences that aren't of any real importance.
First version is a Sonnar type, second is a Xenotar type, if you go back a couple of pages you can see the info from Nikon about it. |
But if you make a choice between Sonnar & Xenotar, and if you choose Xenotar, some of the differences are important - to some people. For example ...
Ai & Ais lenses will mount on high end Nikon cameras. Pre-Ai lenses won't mount without modification. If you can't find a factory Ai aperture ring you need to physically modify the existing one. But this might reduce the value - unimportant for a user maybe but important for a collector.
There are differences between the Ai and Ais lenses which make some people prefer one and others the other. _________________ John |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Mon Aug 26, 2013 2:44 pm Post subject: |
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Ray Parkhurst wrote:
sichko wrote: |
But if you make a choice between Sonnar & Xenotar, and if you choose Xenotar, some of the differences are important - to some people. For example ...
Ai & Ais lenses will mount on high end Nikon cameras. Pre-Ai lenses won't mount without modification. If you can't find a factory Ai aperture ring you need to physically modify the existing one. But this might reduce the value - unimportant for a user maybe but important for a collector.
There are differences between the Ai and Ais lenses which make some people prefer one and others the other. |
Good, back to optics rather than cosmetics, sort of. You hint at the difference but then talk about cosmetics. Given that we know the difference in lens forumula between the earlier and later lenses, what are the known differences in performance? I also believe (from my qualitative tests) that there are significant differences between versions within each formula. Does anyone have any info on what physical differences exist? Different coatings should be apparent, even documented since as coatings were improved the lenses were marketed as improved and Nikon was not shy to talk about their coatings. But changes in coating come with at least small changes in lens formulas, materials, etc. Does anyone on this forum have knowledge in this area? |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Mon Aug 26, 2013 4:45 pm Post subject: |
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sichko wrote:
Ray Parkhurst wrote: |
sichko wrote: |
But if you make a choice between Sonnar & Xenotar, and if you choose Xenotar, some of the differences are important - to some people. For example ...
Ai & Ais lenses will mount on high end Nikon cameras. Pre-Ai lenses won't mount without modification. If you can't find a factory Ai aperture ring you need to physically modify the existing one. But this might reduce the value - unimportant for a user maybe but important for a collector.
There are differences between the Ai and Ais lenses which make some people prefer one and others the other. |
Good, back to optics rather than cosmetics, sort of. You hint at the difference but then talk about cosmetics. |
I think that whether you can mount a lens, or not, is a question of functionality rather than cosmetics. Similarly, the Ais lens has linear control of aperture via the camera's stop down lever when the camera is used in shutter mode. But no - I don't know of any optical differences between the different Xenotar versions. Like you, I suspect that there are some - if only minor. If you look at the Nikon 50 mm f/1.8 series - Ai, Ais, Series E, AF, AF-D - then some people claim that they all use the same optical formula - apart from coatings. However Marco Cavina has discovered two different formulae (radii, glass types, etc) for lenses with the same Ais designation. It's an interesting article - http://www.marcocavina.com/articoli_fotografici/Nikkor_lenses_by_Sei_Matsui/00_pag.htm - which has appeared before on this forum, possibly in translation, but I can't remember where..
Perhaps someone feels strong enough to search the Nikon Patent literature for different 105 mm lenses. _________________ John |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Mon Aug 26, 2013 5:05 pm Post subject: |
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iangreenhalgh1 wrote:
Instead of all these words, we need pictures. Information on details is all fine and well, but we need to see image samples from the different versions to be able to draw any meaningful conclusions.
I have to wonder, do these people who are full of words but never post a single picture actually shoot? Do they actually know what they're talking about? Without any image evidence, I think they are best ignored to be honest, all they do is ruin threads with endless words that are bereft of meaning due to no evidence they even know how to use a camera. It is most annoying, I call them armchair photographers and like back seat drivers, they are more of a hindrance than a help. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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