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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Wed Sep 04, 2024 7:32 pm Post subject: Konica Hexanon AR 28mm F1.8 collimation |
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AntonioS wrote:
Hello,
Recently I acquired a Hexanon AR 28mm F1.8 "as is" for almost no cost. The lens was in bad condition, with tons of oil in the aperture blades, and needed a total CLA. Not difficult to do , but I'm struggling with the colimation.
This thing has a floating system and there are two helicoids linked to the front group.
My question to the dear members is if someone here has the service manual for this lens or some sort of useful information about how to properly do the job ?
At the present state I can have infinity focus (sort of) but the image is extremely blurry at F1.8 and I can't believe this is normal.
Cheers,
Antonio |
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visualopsins
Joined: 05 Mar 2009 Posts: 11067 Location: California
Expire: 2025-04-11
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Posted: Wed Sep 04, 2024 8:18 pm Post subject: |
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visualopsins wrote:
Welcome here AntonioS!
Adjusting the focus distance ring, are closer objects in sharp focus wide open? If so, helicals are close but not quite screwed together correctly, or, helical assembly is not screwed into the body correctly, or, both. Keep trying possibilities. I've found the correct assembly typically almost falls into place after many sometimes difficult tries.
If wide open infinity focusing stops just short of being in-focus, the lens adapter could be too thick.
If wide open infinity focusing goes past best infinity focus, well, that is probably a feature not a problem! _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Wed Sep 04, 2024 9:01 pm Post subject: |
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AntonioS wrote:
Hi ! Thanks for the reply !
I'll make some images as soon as possible. It's almost night here and it will be difficult to proceed.
I adjusted the outermost helicoid to the supposed infinity position with that end of course bolt at the very end of the slit, the loosen the 3 slit bolts of the focusing ring assembly and then finding the supposed infinity position an then tightening back the bolts.
I have infinity focus, confirmed by the focus peaking of my Sony A7300. Focus appears to be correct.
What is bugging me is the fact of this lens being so soft at f1.8. I thought that maybe this could be caused by some sort of problem with the helicoids relative adjustments. This is the first time I try to service a lens like this. |
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RokkorDoctor
Joined: 27 Nov 2021 Posts: 1438 Location: Kent, UK
Expire: 2025-05-01
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Posted: Thu Sep 05, 2024 8:55 am Post subject: |
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RokkorDoctor wrote:
I can't comment on the Konica specifically, but AFAIK Konica lenses have a good reputation so my guess would be that indeed the float space is incorrect.
I have serviced similar Minolta lenses with floating focus. Minolta's service instructions require the float space cams to be loosened temporarily, and a "tool" (really just a pin with two mounting screws) is then used to temporarily lock the float space in a pre-calibrated position whilst adjusting infinity focus on the focus helicoid.
Your Konica may employ a similar system, but they may equally likely have a different construction/procedure; it very much depends not only on manufacturer but also on each individual model lens.
If you are lucky the Konica service manual mentions the required float space in mm, so you can make your own float space setting tool. If you are unlucky it only mentions the order number for the float space setting tool, in which case it is crucial to measure that space prior to disassembling the helicoid, or you take a float space measurement at infinity focus setting from a known good other lens of the same model. _________________ Mark
SONY A7S, A7RII + dust-sealed modded Novoflex/Fotodiox/Rayqual MD-NEX adapters
Minolta SR-1, SRT-101/303, XD7/XD11, XGM, X700
Bronica SQAi
Ricoh GX100
Minolta majority of all Rokkor SR/AR/MC/MD models made
Sigma 14mm/3.5 for SR mount
Tamron SP 60B 300mm/2.8 (Adaptall)
Samyang T-S 24mm/3.5 (Nikon mount, DIY converted to SR mount)
Schneider-Kreuznach PC-Super-Angulon 28mm/2.8 (SR mount)
Bronica PS 35/40/50/65/80/110/135/150/180/200/250mm |
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stevemark
Joined: 29 Apr 2011 Posts: 4088 Location: Switzerland
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Posted: Thu Sep 05, 2024 11:29 am Post subject: |
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stevemark wrote:
AntonioS wrote: |
What is bugging me is the fact of this lens being so soft at f1.8. I thought that maybe this could be caused by some sort of problem with the helicoids relative adjustments. |
RokkorDoctor wrote: |
I can't comment on the Konica specifically, but AFAIK Konica lenses have a good reputation so my guess would be that indeed the float space is incorrect.
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Some years ago I have been testing a like-new Konica AR 1.8/28mm UC on 24 MP FF cameras (not my own, thus I cannot make some new images using a 20 MP APS-C camera):
http://artaphot.ch/systemuebergreifend/objektive/524-28mm-1-2-canon-nfd-konica-ar-minolta-md-iii
As you can see even on a 24 MP FF camera the lens is quite soft. Since 24 MP FF corresponds to 10.7 MP APS-C, we can easily imagine how soft the lens would have been on your 20 MP APS-C sendor (Sony A5000)!!
So yes, it's possible that you have re-assembled your lens correctly. Maybe you can publish two landscape/cityscape images taken at f1.8 and f5.6? That would give us some indications about the severity of the softness of your lens ...
S _________________ www.artaphot.ch |
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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Thu Sep 05, 2024 12:05 pm Post subject: |
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AntonioS wrote:
Hi !
Thank you for the replies. I really appreciate.
Here are two samples. The focus was made using the peaking aid.
The apertures are F1.8 and F5.6.
Something is very wrong.
For the street sign, the distance was about 1 meter. Note that the sharpness at F1.8 is far better at 1m than at infinity.
Puzzling...
#1
https://drive.google.com/file/d/1TPOE70SchsZBNtah3HglE7fOpQQB9QMm/view?usp=drive_link
https://drive.google.com/file/d/1gq15ZN7VemcPfiy_AO9DLbMNK9HKh7Il/view?usp=drive_link
https://drive.google.com/file/d/1CFSkwga4PVXW9IGOeNsKyFmMcPk5k5Hq/view?usp=drive_link
https://drive.google.com/file/d/1BqdR2AfksaFio8GEB_e6keRSzJjo-q37/view?usp=drive_link
Last edited by AntonioS on Thu Sep 05, 2024 12:32 pm; edited 1 time in total |
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stevemark
Joined: 29 Apr 2011 Posts: 4088 Location: Switzerland
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Posted: Thu Sep 05, 2024 12:15 pm Post subject: |
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stevemark wrote:
Just for clarification: Are the 3000x2000px images above
1) 100% crops from the 20 MP A5000 images?
2) re-sized to 6 MP from the original 20 MP images?
S _________________ www.artaphot.ch |
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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Thu Sep 05, 2024 12:24 pm Post subject: |
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AntonioS wrote:
Yes they are resizes. I was not confortable to upload 4 24MP images to the forum, they are too big.
I need to figure out how to post images in a better way in this fortum.
Maybe I can upload to my Google Drive or something like and link them.
PS. Edited the previous message and put links to the original images. |
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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Thu Sep 05, 2024 12:40 pm Post subject: |
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AntonioS wrote:
RokkorDoctor wrote: |
I can't comment on the Konica specifically, but AFAIK Konica lenses have a good reputation so my guess would be that
If you are lucky the Konica service manual mentions the required float space in mm, so you can make your own float space setting tool. If you are unlucky it only mentions the order number for the float space setting tool, in which case it is crucial to measure that space prior to disassembling the helicoid, or you take a float space measurement at infinity focus setting from a known good other lens of the same model. |
Yeah, but it's almost impossible to find the service manual for this lens. Last time I saw it it was so expensive that I gave up... |
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BrianSVP
Joined: 09 Jun 2023 Posts: 354 Location: Philadelphia
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Posted: Thu Sep 05, 2024 4:04 pm Post subject: |
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BrianSVP wrote:
Often on lenses with floating elements of this vintage, there is a limited number of positions at which the float can be set, corresponding to helical entry points or keyway orientation, depending on the style of mount used for the floating element.
If this is the case with this particular lens, you might be able to get away with disassembling and reassembling the lens and doing trial-and-error tests at each entry point/cam position.
Somewhat tedious, yes, but doesn't require special tools as in the Minoltas.
AntonioS wrote: |
RokkorDoctor wrote: |
I can't comment on the Konica specifically, but AFAIK Konica lenses have a good reputation so my guess would be that
If you are lucky the Konica service manual mentions the required float space in mm, so you can make your own float space setting tool. If you are unlucky it only mentions the order number for the float space setting tool, in which case it is crucial to measure that space prior to disassembling the helicoid, or you take a float space measurement at infinity focus setting from a known good other lens of the same model. |
Yeah, but it's almost impossible to find the service manual for this lens. Last time I saw it it was so expensive that I gave up... |
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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Sat Sep 07, 2024 2:28 pm Post subject: |
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AntonioS wrote:
After three days working on it, I ended up with more questions than answers
This lens is a little nightmare to adjust. Maybe I'll put it inside a box and wait until (and if) I have the service manual.
Thanks anyway to everyone. |
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AntonioS
Joined: 04 Sep 2024 Posts: 11
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Posted: Wed Sep 18, 2024 9:35 pm Post subject: Finally |
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AntonioS wrote:
Hi!
Finally, I managed to re-assemble it and set up the floating element, by trial and error all thread entries one by one.
I was lucky enough to find somewhere a single page of the service manual that was a very nice starting point.
The lens is indeed very sharp from F5.6 and up, but rather soft wide open as expected.
The real improvement after adjusting the floating element was the sharpness at closer distances and wider apertures. Probably it's not perfect but it's acceptable.
Thanks everyone ! |
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tej
Joined: 16 Mar 2013 Posts: 6
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Posted: Sat Nov 16, 2024 1:11 pm Post subject: Re: Finally |
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tej wrote:
Not sure whether this video that I just found might be helpful:
https://www.youtube.com/watch?v=4KVMuoWnXOo
BTW, I have a 28/1.8 and it is very sharp even wide open (better close than at distance, which I think is typical for this lens), and extremely sharp from f2.8 or so. _________________ Konica AR: FT-1 Black, T3n, T3, 21/2.8, 24/2.8, 28/1.8 UC, 40/1.8, 50/1.7, 50/1.4, 55/3.5 Macro, 57/1.2, 85/1.8, 100/2.8, 135/3.2
Other 35mm: Yashica T4 Super, Canonet QL17 Giii (x2), 35mm Pinhole (wide angle w/ shift)
Med Format: Voigtlander Perkeo II, Moskva 5, 6x9 Pinhole (ultrawide angle w/ shift) |
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stevemark
Joined: 29 Apr 2011 Posts: 4088 Location: Switzerland
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Posted: Sat Nov 16, 2024 2:27 pm Post subject: Re: Finally |
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stevemark wrote:
AntonioS wrote: |
The lens is indeed very sharp from F5.6 and up, but rather soft wide open as expected.
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tej wrote: |
BTW, I have a 28/1.8 and it is very sharp even wide open (better close than at distance, which I think is typical for this lens), and extremely sharp from f2.8 or so. |
While I don't own a Konica AR 1.8/28mm, I have been shooting with a like-new sample extensively, comparing it to other fast (and not so fast) vintage 28mm lenses. Some 100% crops from the 24 MP A7II are shown here:
http://www.artaphot.ch/systemuebergreifend/objektive/524-28mm-1-2-canon-nfd-konica-ar-minolta-md-iii
ATTENTION - PLEASE DOWNLOAD THE IMAGES IN THE ABOVE LINK AND COMPARE THEM IN A SOFTWARE SUCH AS PHOTOSHOP. TODAY'S "INTELLIGENT" BROWSERS ARE UP- AND DOWNSCALING THE IMAGES RELENTLESSLY, THUS MAKING MEANINGFUL COMPARISONS DIRECTLY ON WESITE IMPOSSIBLE!
In my experience the Konica AR, while being the fastest 28mm available back thenm it certainly wasn't the best, at least in the infinity range.
S
EDIT here are the corresponding images; first the overview, then the crops:
Overview
Canon nFD 2/28mm
Konica AR 1.8/28mm
Minolta MD-III 2/28mm
Konica AR 3.5/28mm [7L]
Minolta MD-II 3.5/28mm [5L]
Nikkor Ai 3.5/28mm
_________________ www.artaphot.ch |
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