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Attila
Joined: 24 Feb 2007
Posts: 57867
Location: Hungary
Expire: 2025-11-18
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 Posted: Mon Apr 04, 2011 9:14 pm Post subject: Konica Hexanon 2.8/24 AR AE |
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Attila wrote:
B+W Polar filter was on. Panasonic G1
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Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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DigiChromeEd
Joined: 29 Dec 2009
Posts: 3462
Location: Northern Ireland
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| Posted: Sun May 16, 2021 6:00 pm Post subject: |
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DigiChromeEd wrote:
Sony A6000 @ f11 ISO100
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"I've got a Nikon camera, I like to take a photograph" - Paul Simon
Last edited by DigiChromeEd on Fri May 21, 2021 6:02 pm; edited 2 times in total |
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lumens pixel
Joined: 27 Feb 2019
Posts: 921
Expire: 2021-06-25
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| Posted: Sun May 16, 2021 7:07 pm Post subject: |
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lumens pixel wrote:
Nice light. The lens lacks a bit of sharpness. But that may be due to F11 on high end APSC where diffraction hits hard.
I view that good lenses on recent APSC bodies must peak around F4 or 5,6 for best results.
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Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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DigiChromeEd
Joined: 29 Dec 2009
Posts: 3462
Location: Northern Ireland
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| Posted: Sun May 16, 2021 8:26 pm Post subject: |
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DigiChromeEd wrote:
I think you're correct Michel, I meant to take the shot at f8 but maybe f5.6 would be better. The location is near my home so I'll return when the light is right. 
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mazgier
Joined: 03 Jul 2023
Posts: 16
Location: Poland
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| Posted: Tue Dec 03, 2024 4:19 am Post subject: |
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mazgier wrote:
Finally managed to get the f/22 (Tokina made) version.
Nikon Z6II, ƒ/8.0, 1/320, ISO 100
 Konica Hexanon AR 24mm f-2.8_(008) by mazgier, on Flickr
Nikon Z6II, ƒ/8.0, 1/320, ISO 160
 Konica Hexanon AR 24mm f-2.8_(004) by mazgier, on Flickr
Nikon Z6II, ƒ/5.6, 1/320, ISO 160
 Konica Hexanon AR 24mm f-2.8_(005) by mazgier, on Flickr
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lumens pixel
Joined: 27 Feb 2019
Posts: 921
Expire: 2021-06-25
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| Posted: Tue Dec 03, 2024 2:52 pm Post subject: |
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lumens pixel wrote:
Looks very good to my eyes.
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Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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stevemark
Joined: 29 Apr 2011
Posts: 4213
Location: Switzerland
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| Posted: Sat Dec 28, 2024 10:11 pm Post subject: |
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stevemark wrote:
| lumens pixel wrote: |
| Looks very good to my eyes. |
The second "compact" computation (the f22) of the AR 2.8/24mm indeed is one of the better 2.8/24mm vintage lenses, almost as good as the Minolta MD-III (and probably the new FD 2.8/24mm which, as far as I remember, perform pretty similarly to the MD-III).
It's the same patent as the Konica AR 2.8/21 "compact", BTW.
S
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