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Infinity test Auto Miranda 50mm f/1.4 (8 element version)
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PostPosted: Tue Nov 12, 2024 11:21 am    Post subject: Infinity test Auto Miranda 50mm f/1.4 (8 element version) Reply with quote

First of all, I normally wouldn't take a very old 50/1.4 lens as my go-to landscape lens. But, still I'm always curious how my lenses do in this department. And sometimes, there's a huge surprise (like the Petri CC 55/1.8 which has perfect corners @ f/4).

Click on images for full size:
AutoMiranda5014infinity by devoscasper, on Flickr

There's strong vignetting at wide apertures. Image quality makes a huge jump between f/1.4 and f/2.
Closed down a few stops, image quality becomes very good in most parts of the frame. At f/11, image quality is pretty much perfect into the far corners.

Here's a full image @ f/4, to give a better idea of the image quality at moderate aperture setting.
AutoMiranda5014@f/4 by devoscasper, on Flickr


PostPosted: Tue Nov 12, 2024 12:38 pm    Post subject: Reply with quote

May I know how do you adapter it to E mount? I know that this lens has more vignetting compared to other 50/1.4s but the amount is more than I expected.


PostPosted: Tue Nov 12, 2024 2:59 pm    Post subject: Reply with quote

calvin83 wrote:
May I know how do you adapter it to E mount? I know that this lens has more vignetting compared to other 50/1.4s but the amount is more than I expected.


Fotodiox pro. I will do another test soon to see if it is not caused by the hood (though it appears to be original).


PostPosted: Tue Nov 12, 2024 4:49 pm    Post subject: Reply with quote

I wouldn't be surprised if the vignetting was indeed from the lens itself. The front lens of the 8L Miranda 1.4/50mm is surprisingly small indeed, and the lens section makes me feel uncomfortable about the vignetting too:


Compare this to the lens section of e. g. the Konica AR 1.4/50mm - its front lens is MUCH bigger:


That said, one cannot judge the image quality of the corner crops at f1.4 to about f2.8. It might be useful to re-shoot them using an EV correction of at least +1EV, mabe even +1.5-2 EV.

Thanks for testing this slightly unusual lens - I have one as well, but never bothered to get the special Miranda adapter. Makes me wonder how the other ones would perform, e. g. the 2.8/28mm versions, the 2.8/35, the 1.4/50 7L, the 2.8/105 and the 2.8/135 ...

S


Last edited by stevemark on Tue Nov 12, 2024 6:13 pm; edited 1 time in total


PostPosted: Tue Nov 12, 2024 5:00 pm    Post subject: Reply with quote

caspert79 wrote:
calvin83 wrote:
May I know how do you adapter it to E mount? I know that this lens has more vignetting compared to other 50/1.4s but the amount is more than I expected.


Fotodiox pro. I will do another test soon to see if it is not caused by the hood (though it appears to be original).

Then, it is not caused by stacking the adapters.

The original hood is marked 50mm 1:1.4 https://www.keh.com/shop/miranda-50-f-1-4-46.html .


PostPosted: Tue Nov 12, 2024 6:40 pm    Post subject: Reply with quote

I recently got hold of one of these lenses myself, a Sensorex type with a little window showing the chosen aperture.

Vignetting is noticeable as expected. Viewing the image as a whole, it doesn't seem too intrusive.

I haven't tried it at infinity beyond a few test shots to confirm my homemade adapter was thin enough before bonding the two parts together with JB Weld. I used part of a Miranda extension tube set and the back part of an M42 Adaptall adapter and filed down both parts until the combination focused to infinity using a 'too short' 17-31mm M42 helicoid adapter. The resulting MIR to M42 adapter is very thin and a slot had to be filed out from the M42 threads to accomodate the stop down lever at the back of the lens.

Resolution is way better at f2 than it is wide open. Given the 6 mostly straight aperture blades, the oof highlights at f2 remain surprisingly circular other than right in the centre of the image; the small front element seems to effectively (mostly) mask the shape of the aperture blades. Quite unexpected.


PostPosted: Sat Nov 16, 2024 7:35 am    Post subject: Reply with quote

A little more info for guys who want to make Miranda-> Sony E mount adapter:

https://pbase.com/kkawakami/lens_mods_miranda_lens_adapter_for_e


PostPosted: Fri Nov 22, 2024 1:17 am    Post subject: Reply with quote



I took a few test pictures today using several F/1.4 lenses from the 60s. The 8 element lens does indeed vignette very noticeably. It does manage to keep good resolution wide open right out the the frame edge, despite the lack of light, the 8 elements must make for a well corrected lens in that respect.

I tested all the lenses I had, with the exception of the Ricoh 55/1.4 which I cannot find the adaptor for, and Konica 52/1.4 for which the adaptor malfunctioned terminally when I tried to use it. I also didn't test the Nikkor 58/1.4 or the earlier Canon FL computation, I was trying to use lenses current when the Miranda lens was sold. I also don't own a Pancolar 1.4 lens, preferring to retain all internal organs, needed or not Smile

Of the rest, the best for wide open corner IQ at infinity (no surprise) was the Topcon 58/1.4, followed by the Planar 55/1.4, with honorable mentions for the Nikkor-S and Canon FL-II lenses. Back in the bunch were the three Miranda computations, the Miranda (Kowa) 58/1.5, a Yashinon DX 50/1.4, Minolta MC 58/1.4, and two 7 element and two 8 element Pentax 50/1.4 lenses. I tested all 4 Pentax lenses, because they performed worse than expected for this particular test. I know it might be sacrilegious to say this, but I don't think that lens killed many (if any) planars.


PostPosted: Fri Nov 22, 2024 11:29 am    Post subject: Reply with quote

Alun Thomas wrote:

Of the rest, the best for wide open corner IQ at infinity (no surprise) was the Topcon 58/1.4, followed by the Planar 55/1.4, with honorable mentions for the Nikkor-S and Canon FL-II lenses. Back in the bunch were the three Miranda computations, the Miranda (Kowa) 58/1.5, a Yashinon DX 50/1.4, Minolta MC 58/1.4, and two 7 element and two 8 element Pentax 50/1.4 lenses. I tested all 4 Pentax lenses, because they performed worse than expected for this particular test. I know it might be sacrilegious to say this, but I don't think that lens killed many (if any) planars.


Unfortunately I don't own the Planar, but what I can say is that some lenses like the 8-element (and 7 element) Tak 50/1.4 are quite hyped on the internet. But once you put them to the test they turn out to be average. And then some unassuming lenses that nobody talks about turn out to be great performers. The Petri CC 55/1.8, Nikkor ai 135/3.5 and Mamiya 55/1.8 come to mind.


PostPosted: Fri Nov 22, 2024 11:44 am    Post subject: Reply with quote

I have to agree, no special passion for TAKs 50 1.4, average is the correct word


PostPosted: Fri Nov 22, 2024 12:54 pm    Post subject: Reply with quote

I think the special charm of the taks come from their build quality and feel while using.

Considering these traits I do prefer the 55 taks to the 50s. Same fantastic build quality and feel, cheaper and with character.


PostPosted: Fri Nov 22, 2024 4:39 pm    Post subject: Reply with quote

pabeu wrote:
I think the special charm of the taks come from their build quality and feel while using.

Considering these traits I do prefer the 55 taks to the 50s. Same fantastic build quality and feel, cheaper and with character.


I agree, the feel of those Taks is great.


PostPosted: Fri Nov 22, 2024 10:03 pm    Post subject: Reply with quote

Here's some sacrilege: the 7 element Tak 50mm f/1.4, if properly deyellowed, is a better lens than the 8 element. Unlike some others here, I am a big fan of the lens, particularly the SMC version.

The Takumar lenses have a very specific look that some like, and some don't, that stems from the unique and very smooth tone and contrast curves they are optimized for. IMO, the archetype is perhaps the 35mm f/2.8. They don't pop the deeply saturated colors like their Minoltas or Canon counterparts do or do the big skies like Olys, but they are extremely flattering for portraits and do great with forestscapes.