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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Jul 06, 2013 5:14 am Post subject: |
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iangreenhalgh1 wrote:
Panagor are often Kirons, certainly the 2/28 and 2/35 Panagors are.
Yeah, you're right Mo, it is a bit of fun, but it can be taken too far. To use the sports analogy, you can spend a few pleasant hours debating who was the better cricketer - Bradman or Warne, or Botham or Flintoff, that's fun. But if you spend days on end analysing old match tapes, studying statistics, looking at minutiae, then it becomes a waste of time.
I don't know much about the Japanese Optical industry, but I've read a few books about Japan, trying to understand Japanese corporate and business culture is extremely difficult, companies in Japan have complex interwoven relationships and it all functions completely differently to business in the West. Even Westerners that have lived there for years don't fully understand how it all works. One key difference is how gifts play a huge part in business relationships. Companies give out expensive gifts to their partners, this is key to developing and maintaining business relationships in Japan. Also, business is done with people you know and have a relationship with, a Japanese must get to know you first before he will enter into a business relationship with you. It's all very complex, very alien to western minds and quite unfathomable to an outsider.
That's a large part of why I say trying to work out the minutiae of who made what for whom is a waste of time, like the Gaijin who lives and works 20 years in Tokyo and still doesn't understand the minutiae of Japanese business culture, we are going to remain largely ignorant of the actuality of how things worked. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Sat Jul 06, 2013 5:42 am Post subject: |
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mo wrote:
Yes,true... but everyone's different what bores you may be highly exciting for someone else (my son loves those basketball statistics...I think that's a waste of time, but hey he enjoys it and did come up with a valid point on why they are handy to know)
I always think some discovery may come from one of these "dead end" lens topics. You know one of those missing puzzle pieces that a new member may provide because they came across this topic out in cyber space. _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Sat Jul 06, 2013 6:54 am Post subject: |
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luisalegria wrote:
Japanese business certainly isn't impenetrable, and the relationships there certainly aren't as unlike "western" business as one could imagine. The only problem really, for most of us, is the language barrier.
I have worked in the machine tool business in California, way back in a previous life, and I know all about an environment of hundreds of subcontractors (LA and South Bay/SF Penninsula were like that) in the aerospace industry. And all about the relationship based partnerships and subcontracting. Japanese industry is not weird. Designs and details are very often worked out in partnerships and the basis for partnerships could be very complex. But its something that can certainly be understood.
And the parts, machined or glass, are not interchangeable between different basic types, in fact it would be unusual to find them so unless the lens is fundamentally the same. I have opened enough lenses to know on which Hanimex I can find a part that will go into a particular Vivitar. One needs to find a lens design in both that is fundamentally identical.
Individual bits and pieces from random lenses will almost never be swappable. For example, I have a couple of dozen Japanese 135/2.8 presets made in the 1960's. I have opened and disassembled all of them, at least partially. They fall very much into "families", where ALL the parts tend to be interchangeable within a "family". But not across "families". A "Tokina" is not a "Sankor" is not a "Tamron" is not a "Kawanon". About the only things that can be swapped between "families", sometimes, are the grub screws.
And the finish on lenses tends to be determined by the customer, in most cases where the customer has the will and the influence to get precisely what they want. Where that isn't the case the manufacturer normally had some default standard design. The details of finish are not random at all. One tends to find the same finish details in the same "family", but not in another.
As for Yashica, they are an odd case in some respects. Not only did they have partnerships with specific lens makers, they also happily bought in generic designs and rebranded them. Check out a 1960's Yashica lens "family photo" and you will spot a bunch of lenses that are found in a dozen other brands. And of course also a few that are Yashica-only.
Why bother to learn to spot "old familiars" ? Several reasons.
An early Tokina Auto 35/2.8 (the one often seen as a T4) has a certain predictable performance, which is pretty good. If you see the same lens as a Soligor, Vivitar, or a Hanimex, you have some confidence that you are looking at the same lens and can expect similar performance.
Another reason is for pure collectors interest. Its just like collecting stamps or coins or silverware or Picassos. Some of us really aren't good or even keen photographers. But we like having a shelf of all the Tamron Adaptamatics all neatly lined up and matching.
Another reason is parts. If I need a new rear cell for my Old Tamron 135/2.8 I know that I can look for a particular Soligor, Rokunar or Aetna Coligon and have a likely prospect.
As for Optomax, I gather that was an importers brand that carried many manufacturers designs. Not a different case than Soligor or Vivitar. If one wants a certain lens, and you can recognize it as an Optomax, then you know that much at least. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Sat Jul 06, 2013 8:52 am Post subject: |
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Pancolart wrote:
praktiman wrote: |
Ricoh seems to be the company which is most widely (and wildly) speculated about, for whatever reason. Some say they never made their own lenses, others that they did, and so on. |
My statement wasn't pure speculation. I've disassembled most existing 3rd party 1.4/50mm PK bayonet lenses:
COSINA (PORST Color Reflex)
Chinon (Revuenon, AGFA COLOR)
Ricoh Rikenon XR
Here i've thoroughly presented Chinon vs. COSINA: http://forum.mflenses.com/viewtopic.php?t=43590
COSINA & CHINON have more in common then Ricoh with COSINA for instance. Ricoh is an oddball. Some distinctive features:
1. Largest rear element diameter
2. Typical Ricoh PK teflon smearing blades
3. Internal construction
4. Yashica / Tomioka golden yellow purple coating colors
nice pictured here: http://www.pentaxforums.com/forums/sold-items/225244-sale-sold-ricoh-xr-rikenon-50-1-4-non-ricoh-pin-leather-case.html
_________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Sat Jul 06, 2013 1:30 pm Post subject: |
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woodrim wrote:
iangreenhalgh1 wrote: |
It's all a big waste of time, quite frankly and it distracts from the real question - is the lens any good or not? Instead of worrying who made it where and when, take the damn thing out and shoot it, then see if the results are any good, if not, get rid of it and get something else. Don't waste your efforts on speculating about it's origins, just ask it what it can do! |
Always consider advice from a man who has learned through his own experience. _________________ Regards,
Woodrim |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Jul 06, 2013 2:41 pm Post subject: |
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iangreenhalgh1 wrote:
Yeah, I wasted a lot of time and effort on lenses bought for next to nothing in the hope that I would uncover a hidden gem. I learnt that the approach I took was not a good way to go, instead of buying a dozen dirt cheap lenses in the hope one or two are really good, it would have been better to save my cash until I could afford one or two really good lenses, and there are more than enough really good lenses out there in the secondhand universe that we can all chose to avoid the crappy stuff.
I agree with what Luis said, there is a lot of commonality between third party lenses, that's why I'm pretty sure many lens makers bought parts from the same sources, especially the metal barrel parts. Another thing fujinonuser and luis mention that I have also noticed through personal experience - the older Japanese lenses, from before 1973 tend to be better quality, you can see this not only in the third party stuff but also in the major makers, clearly there was cost cutting after 73. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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casualcollector
Joined: 01 Aug 2008 Posts: 750 Location: Spaced out on Florida's Space Coast
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Posted: Sat Jul 06, 2013 3:27 pm Post subject: |
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casualcollector wrote:
I agree, 1973 give or take a year was the beginning of the change.
In the United States at that time, inflationary pressure was strong and the value of the US Dollar was falling in relation to the Yen and other currencies. As the US was Japan's largest market, Japanese manufacturers looked for ways to cut costs to hold price points. Where feasible, aluminum replaced brass, plastic replaced aluminum, molded parts replaced machined parts, some features disappeared. _________________ In Search Of "R" Serial Soligors
Found: 135/2.8 #R407660, 200/4 #R405526, 300/5.5 #R411127 |
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calvin83
Joined: 12 Apr 2009 Posts: 7588 Location: Hong Kong
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Posted: Sat Jul 06, 2013 4:00 pm Post subject: |
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calvin83 wrote:
Old lens have its own character but most modern lens are similar to each other. I think the 1950's to 1970's is the golden age for MF lenses lovers as many optical company produce lenses in different style(both mechanically and optically).
BTW, it might a good idea to open a thread for sharing our own experience on MF lenses to let others learn before they step into the ocean of MF lenses. _________________ The best lens is the one you have with you.
https://lensfever.com/
https://www.instagram.com/_lens_fever/ |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Jul 06, 2013 4:06 pm Post subject: |
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iangreenhalgh1 wrote:
It's due to the level of corrections. The older lenses are less highly corrected, hence they have character. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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praktiman
Joined: 15 May 2013 Posts: 22 Location: United States
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Posted: Sat Jul 06, 2013 7:23 pm Post subject: |
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praktiman wrote:
Pancolart wrote: |
praktiman wrote: |
Ricoh seems to be the company which is most widely (and wildly) speculated about, for whatever reason. Some say they never made their own lenses, others that they did, and so on. |
My statement wasn't pure speculation. I've disassembled most existing 3rd party 1.4/50mm PK bayonet lenses: |
Actually, I wasn't disagreeing with you. Just making a general comment. In fact, I tend to agree. I think I already stated previously that I find it extremely improbable that all these different companies were completely farming out their lens lines to third parties. Ricoh simply had far too large a presence to believe that. On the other hand, it also seems clear that they did rely on suppliers for a healthy portion of their lenses. But their standard prime, definitely seems to be theirs.
luisalegria wrote: |
Individual bits and pieces from random lenses will almost never be swappable. For example, I have a couple of dozen Japanese 135/2.8 presets made in the 1960's. I have opened and disassembled all of them, at least partially. They fall very much into "families", where ALL the parts tend to be interchangeable within a "family". But not across "families". A "Tokina" is not a "Sankor" is not a "Tamron" is not a "Kawanon". About the only things that can be swapped between "families", sometimes, are the grub screws.
And the finish on lenses tends to be determined by the customer, in most cases where the customer has the will and the influence to get precisely what they want. Where that isn't the case the manufacturer normally had some default standard design. The details of finish are not random at all. One tends to find the same finish details in the same "family", but not in another. |
I'm not sure whether the above statement is in response to my earlier comment? I actually don't see the two as inconsistent. It's certainly reasonable to assume that in certain cases, the name marked on the lens indicates who designed it and made it (e.g. Tamron, Komine, Kyoei/Acall, and others), but I would argue that we need to maintain a certain degree of skepticism. Specific components, such as internal mechanical bits or what have you, are not necessarily conclusive evidence of origin, either of manufacture or optical design. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Jul 06, 2013 8:28 pm Post subject: |
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iangreenhalgh1 wrote:
Some PK Rikenons are M series Pentax. I forget where I read it now, but Ricoh made some lenses themselves, most were bought in. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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visualopsins
Joined: 05 Mar 2009 Posts: 11067 Location: California
Expire: 2025-04-11
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Posted: Sun Jul 07, 2013 12:20 am Post subject: |
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visualopsins wrote:
praktiman wrote: |
Pancolart wrote: |
praktiman wrote: |
Ricoh seems to be the company which is most widely (and wildly) speculated about, for whatever reason. Some say they never made their own lenses, others that they did, and so on. |
My statement wasn't pure speculation. I've disassembled most existing 3rd party 1.4/50mm PK bayonet lenses: |
Actually, I wasn't disagreeing with you. Just making a general comment. In fact, I tend to agree. I think I already stated previously that I find it extremely improbable that all these different companies were completely farming out their lens lines to third parties. Ricoh simply had far too large a presence to believe that. On the other hand, it also seems clear that they did rely on suppliers for a healthy portion of their lenses. But their standard prime, definitely seems to be theirs.
luisalegria wrote: |
Individual bits and pieces from random lenses will almost never be swappable. For example, I have a couple of dozen Japanese 135/2.8 presets made in the 1960's. I have opened and disassembled all of them, at least partially. They fall very much into "families", where ALL the parts tend to be interchangeable within a "family". But not across "families". A "Tokina" is not a "Sankor" is not a "Tamron" is not a "Kawanon". About the only things that can be swapped between "families", sometimes, are the grub screws.
And the finish on lenses tends to be determined by the customer, in most cases where the customer has the will and the influence to get precisely what they want. Where that isn't the case the manufacturer normally had some default standard design. The details of finish are not random at all. One tends to find the same finish details in the same "family", but not in another. |
I'm not sure whether the above statement is in response to my earlier comment? I actually don't see the two as inconsistent. It's certainly reasonable to assume that in certain cases, the name marked on the lens indicates who designed it and made it (e.g. Tamron, Komine, Kyoei/Acall, and others), but I would argue that we need to maintain a certain degree of skepticism. Specific components, such as internal mechanical bits or what have you, are not necessarily conclusive evidence of origin, either of manufacture or optical design. |
We've seen lenses obviously made by Tokina with different brand names -- brand name didn't indicate who made it -- and found interchangeable parts among the different brand name lenses, and with lenses branded Tokina (or Tokyo Kogaku). _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Jul 07, 2013 12:26 am Post subject: |
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iangreenhalgh1 wrote:
There are so many 'coincidental' similarities between Tokina and Sun lenses of the 70s that I'm pretty sure they were using the same supplier for some metal barrel parts.
You'd go crazy trying to work this out, methinks. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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dimitrygo
Joined: 01 Apr 2009 Posts: 561
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Posted: Sun Jul 07, 2013 11:34 am Post subject: |
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dimitrygo wrote:
iangreenhalgh1 wrote: |
There are so many 'coincidental' similarities between Tokina and Sun lenses of the 70s that I'm pretty sure they were using the same supplier for some metal barrel parts. |
This is partially valid only for lenses made for Soligor since they were designed to meet Soligor requirements. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Thu Jul 11, 2013 5:36 pm Post subject: |
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Pancolart wrote:
iangreenhalgh1 wrote: |
RioRico wrote: |
[...]In other words, Japanese lens manufacture is too complicated to sort out.[...] |
Precisely.
Furthermore, it's a pointless waste of time. |
3rd party manufacturers could also be called independent. Having movie industry analogy in mind you can on one side compare major distributors that have higher ratio of guaranteed satisfaction but are so often stupidifing, uninventive and mediocre.
Whereas independent side of industry offers many B-grade stuff but also some highly addictive, creative, "that we love so much that we are ready to forget their flaws", even cult classics.
To diminish that part of Japan optical industry is just like saying independent movies suck. Surely valid for some people. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Jul 11, 2013 7:09 pm Post subject: |
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iangreenhalgh1 wrote:
dimitrygo wrote: |
iangreenhalgh1 wrote: |
There are so many 'coincidental' similarities between Tokina and Sun lenses of the 70s that I'm pretty sure they were using the same supplier for some metal barrel parts. |
This is partially valid only for lenses made for Soligor since they were designed to meet Soligor requirements. |
No it's not, you see them in all sorts of importers and store brands, there is lots of commonality and it's not just Soligor.
There are so few gems among third party lenses you can waste years and pots of money searching for them, so it's a lot more sensible to just buy a good lens and spend your time taking pictures and being creative than wasting it on crappy lenses. Especially because when you do find a 'gem' it's probably only as good as an average quality lens from a major maker. If a lens existed that was better than what the major makers were selling, we'd all have heard of it. So yeah, it's a waste of time searching for a gem when all it's going to be is average at best.
Maybe some people are happy with average...
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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dimitrygo
Joined: 01 Apr 2009 Posts: 561
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Posted: Thu Jul 11, 2013 7:43 pm Post subject: |
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dimitrygo wrote:
iangreenhalgh1 wrote: |
dimitrygo wrote: |
iangreenhalgh1 wrote: |
There are so many 'coincidental' similarities between Tokina and Sun lenses of the 70s that I'm pretty sure they were using the same supplier for some metal barrel parts. |
This is partially valid only for lenses made for Soligor since they were designed to meet Soligor requirements. |
No it's not, you see them in all sorts of importers and store brands, there is lots of commonality and it's not just Soligor.
There are so few gems among third party lenses you can waste years and pots of money searching for them, so it's a lot more sensible to just buy a good lens and spend your time taking pictures and being creative than wasting it on crappy lenses. Especially because when you do find a 'gem' it's probably only as good as an average quality lens from a major maker. If a lens existed that was better than what the major makers were selling, we'd all have heard of it. So yeah, it's a waste of time searching for a gem when all it's going to be is average at best.
Maybe some people are happy with average...
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You don't relax, ah?
I didn't say a single word about their quality. I didn't say anything about purchasing these or other lenses. I just say there is not so many similarity between Tokina and Sun lenses. If you see this similarity you probably don't pay attention to small but significant details and differences. I can understand that they are not important for you. But in this case please concentrate on lens IQ and don't try to guess the 3rd party lens manufacturers. |
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