Home

Please support mflenses.com if you need any graphic related work order it from us, click on above banner to order!

SearchSearch MemberlistMemberlist RegisterRegister ProfileProfile Log in to check your private messagesLog in to check your private messages Log inLog in

Does this work for you?
View previous topic :: View next topic  


PostPosted: Tue Oct 21, 2014 6:32 pm    Post subject: Does this work for you? Reply with quote

what do you think?



Regards
Alex


PostPosted: Tue Oct 21, 2014 8:02 pm    Post subject: Reply with quote

To me looks like movie poster,

Interesting !!


PostPosted: Tue Oct 21, 2014 8:31 pm    Post subject: Reply with quote

good result
nice noire feeling


PostPosted: Tue Oct 21, 2014 10:39 pm    Post subject: Reply with quote

I can see what the other guys are referring to but for me its a blurry photo of a car in the rain.


PostPosted: Wed Oct 22, 2014 7:56 am    Post subject: Reply with quote

I like it much, the feeling of movement, night and rain.


PostPosted: Wed Oct 22, 2014 9:27 am    Post subject: Reply with quote

Thanks for the feedback...I would like to stay more at phills answer... I am struggling find out what is good or not (one more post with example will follow the next days)

I am trying to understand what makes an intresting composition or not.... How one has to work to find that... what are the mistakes that has to correct... and even more importantly who is the master that has to trust...

It feels so alone this field


PostPosted: Wed Oct 22, 2014 9:30 am    Post subject: Reply with quote

alaios wrote:
Thanks for the feedback...I would like to stay more at phills answer... I am struggling find out what is good or not (one more post with example will follow the next days)

I am trying to understand what makes an intresting composition or not.... How one has to work to find that... what are the mistakes that has to correct... and even more importantly who is the master that has to trust...

It feels so alone this field


Have you tried shooting video, it's very refreshing and you get new angles to stills too.


PostPosted: Wed Oct 22, 2014 4:30 pm    Post subject: Reply with quote

Let me continue the discussion further before I introduce a new topic (that would be in somehow different topic)


Does this work for you?


Alex


PostPosted: Wed Oct 22, 2014 6:17 pm    Post subject: Reply with quote

scary Shocked

that's the sequel for the first movie?
"killer car in the night part II"


PostPosted: Wed Oct 22, 2014 11:27 pm    Post subject: Reply with quote

Now that is interesting. Nicely composed with good, strong contrast. Dramatic. Quite what it's saying is beyond me... but art is like that, you create something that pleases you, in your mind you justify it and there is a reason for it. Other people sometimes just don't 'get' it. I don't get this but Its a good powerful image anyway. Well done.


PostPosted: Thu Oct 23, 2014 6:32 pm    Post subject: Reply with quote

Thanks for the answers... How about those two then?
I am not playing any games.. I am trying to see inside your brains Smile
At the end is a very intresting game





PostPosted: Thu Oct 23, 2014 10:43 pm    Post subject: Reply with quote

The crop and the processing makes a good image, the others , specially the colour one are ho-hum and dont have the impact.


PostPosted: Fri Oct 24, 2014 7:37 pm    Post subject: Reply with quote

alaios wrote:
I am trying to see inside your brains Smile



no - you are a Zombie? Very Happy


PostPosted: Sat Oct 25, 2014 8:09 pm    Post subject: Reply with quote

Thanks for still answering.
Lets take now the close crop to the hand that kind of you guys liked... I am trying to understand when we need more information about the background... as I find that this shot does not reveal where it was taken...
The full versions I posted just afterwards show that this is a train and it was perhaps rather empty as two seats behind were empty.
How much of the background we need to give side information and how much we can crop it out by reserving this time of information?
I tried several croppings but I do not really get this relation.

More samples of other thinks I have tried would follow
Alex


PostPosted: Sat Oct 25, 2014 8:14 pm    Post subject: Reply with quote

the hand looks cut off


PostPosted: Sat Oct 25, 2014 8:37 pm    Post subject: Reply with quote

alaios wrote:
Thanks for still answering.
Lets take now the close crop to the hand that kind of you guys liked... I am trying to understand when we need more information about the background... as I find that this shot does not reveal where it was taken...
The full versions I posted just afterwards show that this is a train and it was perhaps rather empty as two seats behind were empty.
How much of the background we need to give side information and how much we can crop it out by reserving this time of information?
I tried several croppings but I do not really get this relation.

More samples of other thinks I have tried would follow
Alex


Do we need to know where it is? I think the disembodied hand works fine, revealing more background would distract the viewer. The crop was almost perfect. I think from your comments you are not 100% certain exactly what you are doing. That's not a bad thing, you ask for opinions and almost all are positive. Accept the positives and don't question yourself, you must be doing something right! More please!!


PostPosted: Sun Oct 26, 2014 2:14 pm    Post subject: Reply with quote

thanks.
do you mean that in the first version the hand looks like it was cut from the body. right?
Alex


PostPosted: Sun Oct 26, 2014 3:32 pm    Post subject: Reply with quote

No not cut from, but separated from as it appears to be on its own in the image with no visible arm or person behind it. We know its attached to someone we can't see.


PostPosted: Sun Oct 26, 2014 8:15 pm    Post subject: Reply with quote

thanks guys. Tomorrow I move to question number two.
Alex


PostPosted: Wed Nov 05, 2014 8:27 pm    Post subject: Reply with quote

I am sorry I have not replied earlier.. but life gets easily complicated. I am moving forward. Does this work for you?





PostPosted: Thu Nov 06, 2014 4:34 pm    Post subject: Reply with quote

The bike should be either in the frame completely or out of it completely in my opinion. as it is its cut off.

However it is an interesting image, you use light, shade and black and white to good effect. You have an imaginative eye.

edit: (leaving my original comment as it is rather than changing it) The more you look at it the better it seems. The composition is non-standard, I would have tried to use the rule of thirds but the way you did it has a pleasing effect.

my version with the rule of thirds applied, not as powerful as yours.



PostPosted: Tue Nov 18, 2014 7:38 pm    Post subject: Reply with quote

Hi thanks for the reply... sorry for the late reply but I try to not forget photography Smile

that would be my latest version



which I think I would keep

Regards
A


PostPosted: Tue Nov 18, 2014 7:48 pm    Post subject: Reply with quote

I really like the last one!


PostPosted: Tue Nov 18, 2014 8:57 pm    Post subject: Reply with quote

thanks for feedback. Lets allow more users to comment and then I will proceed with my next shot


PostPosted: Wed Nov 19, 2014 7:07 pm    Post subject: Reply with quote

Moving forward with the title "Loneliness"
Does this work for you?