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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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 Posted: Mon Aug 04, 2008 5:37 am Post subject: Contaflex 126 Images |
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Laurence wrote:
One thing I've found with the Zeiss Ikon Contaflex 126 and its lenses is that focus is super-critical. I'm not sure why, but I have to have it "right on" or it seems way out of focus. 
My scanning is slowly improving. I use the 35mm carrier for these 28x28mm negatives.
I think that the Ferrania film has a good "look" for portraiture. It is not a high contrast film. On the other hand, good old Kodacolor is nice too, and one of these is taken with expired Kodacolor cartridge, but it didn't seem to hurt anything as far as I can tell.
The girl in the portraits is an "animal rescue" worker, and she is a sweet girl and always seems so happy.
Contaflex 126
Zeiss Tessar 45/2.8
Ferrania film
Contaflex 126
Zeiss Pantar 45/2.8
Kodacolor (expired August 1992)
Contaflex 126
Zeiss Pantar 45/2.8
Ferrania film
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Mon Aug 04, 2008 6:01 am Post subject: |
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Katastrofo wrote:
Both are great shots, the portrait is superb! I'm sure the girl would be
pleased if you presented this to her!
Bill |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Aug 04, 2008 6:13 am Post subject: |
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Laurence wrote:
| Katastrofo wrote: |
Both are great shots, the portrait is superb! I'm sure the girl would be
pleased if you presented this to her!
Bill |
My thoughts exactly! My wife told me I "had better" render a print for the girl! 
I will scan tomorrow at high resolution and 16.25x16.25 print @300dpi, should be a nice big file with lots of room to tweak anything that might need it. I'll just mat and frame it with my usual off-white mat and narrow black frame to make a nominal 16x16 print. Hard to go wrong with that combination.
Thanks for looking! The 126 cartridge films are surprising! Developing at Blue Moon in Portland, Oregon costs me $12 per roll of 24. A bit steep, but that's okay as I use it only occasionally. The "problem" is that it's so EASY to just hit the slider/winder that you burn through a roll pretty fast!
Next up will be some results in black and white from some Vericolor Pan, using the Zeiss Sonnar 85/2.4...
Believe it or not, I'm finding good results from Walmart printing (Noritsu and Fuji Frontier printers) on Fuji Crystal papers. I just got back a 16x16 in the rain forest, and it's quite a pleasure to have. Very good color matching!
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Schnauzer
Joined: 09 Apr 2008
Posts: 2155
Location: Maine, USA
Expire: 2012-03-08
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| Posted: Mon Aug 04, 2008 12:34 pm Post subject: |
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Schnauzer wrote:
I like the last one best. I bet she would love a print.
_________________
Ron |
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poilu
Joined: 26 Aug 2007
Posts: 10472
Location: Greece
Expire: 2019-08-29
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| Posted: Mon Aug 04, 2008 12:40 pm Post subject: |
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poilu wrote:
superb!
she will be very happy, it's a great shot and the kitty add a nice touch
_________________
T* |
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Aug 04, 2008 1:20 pm Post subject: |
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Attila wrote:
Superb portraits! Perfect from every aspects I like it very much!
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Aug 04, 2008 4:14 pm Post subject: |
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Laurence wrote:
Thank you much, folks!
I can see the color and tonal differences between the Tessar and the Pantar in these images. The reds are different, and the "lightness" is different between the lenses.
If anyone gets a chance, would you mind looking at both portraits and see which one looks "better" to you? I'm sort of leaning to the Pantar in this case. Both images were at 1/125th, which equates to roughly f:4 or so in each lens.
Also, I like the black and white, especially with the low contrast film. I'm a sort of "fan" of low contrast with black and white.
The image is showing its "graininess", as it was scanned at low resolution.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Mon Aug 04, 2008 5:50 pm Post subject: |
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F16SUNSHINE wrote:
Nice ones!
I really like the B+W. This sort of soft glow almost IR shot is very appealing to me for small prints of such subjects. What Are you going to do when you can't get the film for this cam anymore? It seems to have become a favorite  |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Aug 04, 2008 7:10 pm Post subject: |
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Laurence wrote:
| F16SUNSHINE wrote: |
Nice ones!
I really like the B+W. This sort of soft glow almost IR shot is very appealing to me for small prints of such subjects. What Are you going to do when you can't get the film for this cam anymore? It seems to have become a favorite |
Thanks F16SUNSHINE! By the way, I took some with the venerable Electro 35 as well, just haven't gotten them back yet.
Regarding the film - I have 6 blocks of 12 rolls (72 rolls) of the Ferrania 126, about 10 rolls of Kodacolor 126 (expired), and about 10 rolls of Verichrome Pan 126. That should last maybe....five years or more, based on the current rate of shooting about two rolls per month. I don't know what I will do after that. I'm hoping that Ferrania makes another "run" of 126 sometime.
If not, then I'll start re-loading 35mm film into the cassettes, which has been already accomplished with success by other 126 users. The only caveat is the winding...takes about 4 "winds" to advance the 35mm to the next frame properly.
I sure would hate to give up the unique Zeiss glass: Tessar and Pantar 45/2.8 lenses, Distagon 32/2.8, Sonnar 85/2.8, and Tele-Tessar 135/4.
Larry
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Mon Aug 04, 2008 7:38 pm Post subject: |
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A G Photography wrote:
If you get fond of the square format you could then move to Hassy, that system has all the zeiss lens you love (except the Pantar), just a tad bit more expensive I guess 
Jokes apart, since your results with square format are very good, it could really be an opportunity. Nowadays a basic old Hassy 500C with the 80/2.8 Planar costs about 500 USD. Then you can add more lenses slowly with time. On the plus side you'll have the greater quality of medium format and a wide choice of films.
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Aug 04, 2008 8:19 pm Post subject: |
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Laurence wrote:
| A G Photography wrote: |
If you get fond of the square format you could then move to Hassy, that system has all the zeiss lens you love (except the Pantar), just a tad bit more expensive I guess
Jokes apart, since your results with square format are very good, it could really be an opportunity. Nowadays a basic old Hassy 500C with the 80/2.8 Planar costs about 500 USD. Then you can add more lenses slowly with time. On the plus side you'll have the greater quality of medium format and a wide choice of films. |
Thanks Allesandro. I take great respect for your professional results of your images. They CONSTANTLY impress me with the composition and tonality as top notch.
Well...I do have the Yashica Mat 124 that I've gotten good results from. This has been posted before, but is a typically fine transparency, as the output from the Yashica Mat square format is pleasing to me. I'm a long-time fan of square format.
Forgive my re-post, those who have already viewed:
Yashica Mat 124
Yashinon 80/3.5 lens
I recently had a Rollei SLR system model 6006, but the camera was so prone to little things going wrong that I just let it go. Output was good though, with very nice three-dimensional output. It was a tough call, but I just couldn't afford each little problem that seemed to crop up.
Rollei 6006 SLR
Sonnar 80/2.8 lens
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Mon Aug 04, 2008 8:29 pm Post subject: |
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A G Photography wrote:
Great shots, actually #1 is A M A Z I N G, I saw less impressive stuff in National Geographic books.
Your talent really shines in square format.
Yep I heard a lot of similar experiences with Rollei 6000 series, basically they depend on batteries that are aging fast. But they share the same Zeiss lenses with Hasselblad and they also had marvellous Schneider ones.
Think, all that stuff will be useless because of unreliable batteries, I feel sick thinking about it.
I'd go for an all mechanical medium format camera, this why I choosed Pentacon Six and I'm looking forward in the future to get a Hassy C/CM or a Mamiya RB67.
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Aug 04, 2008 9:34 pm Post subject: |
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Laurence wrote:
Thanks Allesandro.
Regarding my recent acquisition of an RB67, I think that I will very much like the output at 6x7, because I can leave it as is, or with very little image loss, turn it to square format.
It is a sad thing for sure about battery-dependent equipment starting to wear out. That was one of the reasons I picked up the RB67.
I wish I would not have given my Agfa Isolette away sometimes. But, thinking this over...I am going to go ahead and take the Yashica Mat along with my K110D on my trek. The 'Mat is a lot lighter than the RB67, and will give me that big transparency that I desire.
Larry
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Schnauzer
Joined: 09 Apr 2008
Posts: 2155
Location: Maine, USA
Expire: 2012-03-08
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| Posted: Mon Aug 04, 2008 9:48 pm Post subject: |
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Schnauzer wrote:
Those are both nice but the yashica mat picture just blows me away. Absolutely beautiful.
_________________
Ron |
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A G Photography
Joined: 11 May 2008
Posts: 1480
Location: Bologna - Italy
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| Posted: Mon Aug 04, 2008 9:55 pm Post subject: |
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A G Photography wrote:
I have an Isolette II with the Solinar 75/3.5 (which should be the best lens for Isolettes) but there's an ocean of quality difference with the P6 with the 80/2.8 Biometar or the 50/4 Flek.
Lately I used a lot the P6 just like a big reflex camera, it's not so huge and heavy once you're accostumed to it.
I just hope to find a good film developer open in these august days as I have two Ilford delta 100 rolls from my recent trip to Rome that I'm eager to scan.
Good choice about the RB67, I like Mamiyas but after seeing how the Hasselblad performs with the Zeiss lens (look this post I made http://forum.mflenses.com/giancarlo-rado-t9291.html#77855) I'm very undecided.
In an ideal world I should buy both the systems 
_________________
Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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