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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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 Posted: Sun Jan 29, 2023 5:56 pm Post subject: Canon FD 2,8/35 |
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lumens pixel wrote:
A nice lens indeed. Sharp, light to carry. What else?
Déjeuner à l'Arche de la Défense | Lunch at the Arche de la Défense by lumens pixel, sur Flickr
L'Eglise de Saint-Cloud by lumens pixel, sur Flickr
Short distance and almost wide open @f3,5:
Troncs au couchant | Trunks at sunset by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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Olivier
Joined: 18 Feb 2009
Posts: 5095
Location: France
Expire: 2015-08-06
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| Posted: Sun Feb 26, 2023 11:09 am Post subject: |
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Olivier wrote:
Michel merci.
Superbes résultats.
Thank you, superb results. 
Which camera did you mount this Canon FD on ?
_________________
Olivier - Moderator 
Dslr : Olympus Pen E-P2 - Fujifilm X-Pro2 - Canon 5D MkIII.
SLr and MF lenses : for feedback and helping people, cameras and lenses I own : full list here http://forum.mflenses.com/viewtopic,p,1442740.html#1442740 |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Sun Feb 26, 2023 8:04 pm Post subject: |
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lumens pixel wrote:
| Olivier wrote: |
Michel merci.
Superbes résultats.
Thank you, superb results.
Which camera did you mount this Canon FD on ? |
Thank you Olivier, merci! All pics on Sony A7II, processed with Rawtherapee.
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Tue Sep 03, 2024 5:50 pm Post subject: |
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lumens pixel wrote:
Bedouin at 2000 meters. Lebanese mountains.
 Le bédouin by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Sun Sep 29, 2024 12:13 pm Post subject: |
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lumens pixel wrote:
 Charme-houblon | Hop hornbeam by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Sun Mar 09, 2025 11:48 pm Post subject: |
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lumens pixel wrote:
Passing by Saint-Augustin church, Paris.
 Eglise Saint-Agustin | Paris by lumens pixel, sur Flickr
 Eglise Saint-Augustin | Paris by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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gaeger
Joined: 16 Jan 2010
Posts: 765
Location: Brier, Wash.
Expire: 2026-01-06
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| Posted: Wed Mar 12, 2025 5:22 pm Post subject: |
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gaeger wrote:
Those church interiors are just extraordinary, lumens. Such deep, rich color.
_________________
Nikon: Bunch of stuff
Minolta: Bunch of stuff
Petri & Zenobia: Less stuff
Instagram | the.klahini |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Wed Mar 12, 2025 9:30 pm Post subject: |
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lumens pixel wrote:
| gaeger wrote: |
| Those church interiors are just extraordinary, lumens. Such deep, rich color. |
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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Rolf
Joined: 02 May 2009
Posts: 4166
Location: NRW/Germany
Expire: 2015-12-26
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| Posted: Sat Mar 15, 2025 7:37 pm Post subject: |
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Rolf wrote:
Hi, I would like to know something about your post production. I'm very impressed about the image quality and I think it is not only the lens.
Thank you.
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Rolf |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Tue Mar 18, 2025 6:49 pm Post subject: |
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lumens pixel wrote:
| Rolf wrote: |
Hi, I would like to know something about your post production. I'm very impressed about the image quality and I think it is not only the lens.
Thank you. |
Hi Rolf,
I do not use jpeg and record only RAW on the SD card, all settings to neutral and imported to Rawtherapee that is my preferred post processing software.
I also tend not to use my A7 over 400 iso with some incursions at 800 iso. This is a behaviour from my analogue days.
First rule, do not process files that seems overly difficult to process, so eliminate all crappy light shots and obviously under or over exposed shots.
Then do not forget to adjust the luminosity of the screen in relation to ambient light. Otherwise you will end up with inadequate results. (By the way I process files on a 14 inch laptop and do not feel the need for 4000 € screens to obtain acceptable results.
Adjust White and Black points to your taste for the widest tonal range without looking for excessive contrast.
Observe the tonal range and make up an opinion about the fact that you would like more or less contrast for your pic.
Then flatten (reset) the tonal curve and rebuild it starting with the highlights (right side of the curve) and ending with the shadows. You are not obliged to mimic the preset curve that is close to the in camera jpeg.
Test if additional actions on luminosity, contrast and chromaticity trigger a benefit or deteriorate the file. This is all about trial and error. I have no specified routine for that.
If your actions on the tonal curve were precise enough you do not need to use tools like tone mapping. Sometimes it is very useful and there is no harm testing a bit and judge the result.
If needed you can then apply local corrections for blown highlights and black shadows.
In most cases it is appropriate to add a bit of local contrast.
Finish with wavelets and/or sharpening through deconvolution and you are all set.
Usually I need from 10 to 15 minutes per file.
Most important, if you have the opportunity, spend some time in museums watching paintings from the 18th and 19th century, specially French and Flemish painters. These guys understood and knew everything about light. They teach us how deep shadows should be and where whites are brilliant without being blown up. Best approach to photography.
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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Rolf
Joined: 02 May 2009
Posts: 4166
Location: NRW/Germany
Expire: 2015-12-26
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| Posted: Wed Mar 19, 2025 9:40 pm Post subject: |
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Rolf wrote:
Thank you for the detailed information.
I experimented with rawtherapee many years ago, but then lost track of it. It's amazing that this program still exists and is being developed further. I agree with you regarding old churches, museums, etc. The lighting conditions there are truly unique.
Last question. Do you use a special framing program ? Thanks again.
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Rolf |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Wed Mar 19, 2025 10:49 pm Post subject: |
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lumens pixel wrote:
| Rolf wrote: |
Thank you for the detailed information.
I experimented with rawtherapee many years ago, but then lost track of it. It's amazing that this program still exists and is being developed further. I agree with you regarding old churches, museums, etc. The lighting conditions there are truly unique.
Last question. Do you use a special framing program ? Thanks again.
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I have played long time ago with Darktable but I prefer Rawtherapee. However I kept using the framing function of Darktable when I finish processing with Rawtherapee.
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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Rolf
Joined: 02 May 2009
Posts: 4166
Location: NRW/Germany
Expire: 2015-12-26
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| Posted: Thu Mar 20, 2025 6:18 am Post subject: |
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Rolf wrote:
Ok, many thanks.
Don´t know this software but will have a try.
_________________
Rolf |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Fri Apr 25, 2025 12:15 pm Post subject: |
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lumens pixel wrote:
More of the same.
Lebanon, city of Aley, the druze bakers.
 The druze baker | Le boulanger druze by lumens pixel, sur Flickr
 The Druze baker | Le boulanger druze by lumens pixel, sur Flickr
 The Druze baker | Le boulanger druze | Aley by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Thu May 01, 2025 11:39 pm Post subject: |
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lumens pixel wrote:
City of Saïda, Lebanon | Carpenters' quarter
 Le menuisier | The carpenter | Saïda by lumens pixel, sur Flickr
 Souks de Saïda by lumens pixel, sur Flickr
 Mosquée de la mer | Sea mosqe | Saïda by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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lumens pixel
Joined: 27 Feb 2019
Posts: 974
Expire: 2021-06-25
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| Posted: Sat May 03, 2025 12:05 pm Post subject: |
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lumens pixel wrote:
El Omari Mosque, Saïda.
 Mosquée El Omari | Saïda, Liban by lumens pixel, sur Flickr
_________________
Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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