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Olivier
Joined: 18 Feb 2009 Posts: 5083 Location: France
Expire: 2015-08-06
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Posted: Wed Dec 21, 2011 8:22 pm Post subject: Re: best 50mm bokeh lens suggestions please! |
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Olivier wrote:
andyedward wrote: |
I`m looking for a 50mm which can be used on my nikon via an adaptor or directly. Smoooooth bokeh at MAXIMUM aperture is my main priority. |
Why not a Nikkor 55mm f:1.2 ? _________________ Olivier - Moderator
Dslr : Olympus Pen E-P2 - Fujifilm X-Pro2 - Canon 5D MkII.
SLr and MF lenses : for feedback and helping people, cameras and lenses I own : full list here http://forum.mflenses.com/viewtopic,p,1442740.html#1442740 |
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goombles
Joined: 08 Apr 2010 Posts: 136 Location: UK
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Posted: Wed Dec 21, 2011 10:11 pm Post subject: |
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goombles wrote:
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Does it have to be a 50mm? If you can live with 60mm, I've found the Tamron Macro 60mm f2 SP DI II LD IF WTF ROFL lens to have superb bokeh in all the shots I've seen from it. |
Sorry for venturing off topic, but this comment made my coffee go down the wrong hole. _________________
Cameras: Canon 7D, Olympus OM-2n, Spotmatic SPII
M42: Sonnar 135/3.5, Flektogon 35/2.4, SMC Takumar 50/1.4, SMC Takumar 55/1.8, SMC Takumar 35/3.5
Tamron: SP 90/2.5 Macro |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Wed Dec 21, 2011 10:23 pm Post subject: |
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cooltouch wrote:
Olivier beat me to it. It's been years since I shot with a 55mm f/1.2 Nikkor, and I'd be hard pressed to figure out which of my images from then were taken with it. You can save a little bit of money if you buy an old one. Like this:
Click here to see on Ebay
Still not cheap, though. Another option would be to buy a Canon 55mm f/1.2 -- either FD or FL and have it converted to Nikon mount. You probably won't save any money having that done, though. In fact, you won't, unless you fall into a good deal on one. I just took a look at eBay for Canon 55/1.2s and amazingly enough they are just as expensive, if not more so, than Nikkors. Man-o-man, I'm glad I bought my FL 55/1.2 before all this craziness set in.
I have a few Canon FD 50/1.4's and one Nikkor 50/1.4. I tend to like the bokeh the Canons provide better. But OOF highlights can often form rather hard rings. E.g.,
Canon EOS XS (1000D), FD 50/1.4 @ f/1.4, FD-EOS adapter, corrective element in place.
If you don't have bright highlights to deal with, then the lens is great.
Canon EOS XS (1000D), FD 50/1.4 @ f/1.4, FD-EOS adapter, corrective element removed.
By the way, I find that my FL 55/1.2 behaves similarly with respect to OOF highlights. Maybe not hard rings, but definitely hard luminous disks. Me, I just don't worry about them. If I'm really going for smooth bokeh, I make sure there are no bright light sources or reflections in the background. Problem solved. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Wed Dec 21, 2011 10:24 pm Post subject: |
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cooltouch wrote:
goombles wrote: |
Quote: |
Does it have to be a 50mm? If you can live with 60mm, I've found the Tamron Macro 60mm f2 SP DI II LD IF WTF ROFL lens to have superb bokeh in all the shots I've seen from it. |
Sorry for venturing off topic, but this comment made my coffee go down the wrong hole. |
Yow! Down or up? (and out)
Just goes to show me how much attention I was paying. My eyes just kinda glazed over about halfway through the acronyms. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Thu Dec 22, 2011 9:05 am Post subject: |
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rawhead wrote:
cooltouch wrote: |
goombles wrote: |
Quote: |
Does it have to be a 50mm? If you can live with 60mm, I've found the Tamron Macro 60mm f2 SP DI II LD IF WTF ROFL lens to have superb bokeh in all the shots I've seen from it. |
Sorry for venturing off topic, but this comment made my coffee go down the wrong hole. |
Yow! Down or up? (and out)
Just goes to show me how much attention I was paying. My eyes just kinda glazed over about halfway through the acronyms. |
I mean we all agree how ridiculous the "real" part of that is, right??? _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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stonedes
Joined: 25 Feb 2010 Posts: 27
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Posted: Fri Dec 23, 2011 4:03 am Post subject: Best Nikkor bokeh |
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stonedes wrote:
If your looking for one of the classic mf Nikon 50s, you'd be hardpressed to do better than the old Nikkor-S 5.8cm f/1.4 from the original Nikon F. They're not cheap, usually over $200. They have really lovely smooth bokeh, typical of the period. After this point, Nikon standard 50s weren't known for their quality of bokeh.
Other than that, the 50/2 in AI is an ok and affordable choice. The Nikkor 50/1.8 and the 50/1.4 quite subjectively had the worst bokeh of any of the manufacturers of the period. Also a quite interesting idea would be a Helios 81N, based on the Biotar I think, and in AI mount.
And the folks that recommended the 50/1.4 G are right. Nikon has figured out that people want good bokeh. Its a great lens, but doesn't have the patina and character of the older lenses, so can't be considered |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Dec 23, 2011 4:26 am Post subject: |
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iangreenhalgh1 wrote:
The Helios-81H is damn cheap, I don't think it's a Biotar copy like the Helios-44 as it's a 50mm f2.
Here is one on ebay:
http://www.ebay.co.uk/itm/RUSSIAN-USSR-Lens-HELIOS-81H-2-58-SLR-/280792558586?pt=Camera_Lenses&hash=item41608a6bfa#ht_4517wt_1163 _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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scsambrook
Joined: 29 Mar 2009 Posts: 2167 Location: Glasgow Scotland
Expire: 2011-11-18
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Posted: Fri Dec 23, 2011 12:46 pm Post subject: |
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scsambrook wrote:
The 50mm f2 Nikkor S wasn't particularly good - but the Nikkor-H which followed it certainly was okay. I had the S version on a Nikkorex F. I think it was replaced around 1965. _________________ Stephen
Equipment: Pentax DSLR for casual shooting, Lumix G1 and Fuji XE-1 for playing with old lenses, and Leica M8 because I still like the optical rangefinder system. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Dec 23, 2011 12:58 pm Post subject: |
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iangreenhalgh1 wrote:
It was the H I had I seem to remember, with a aluminium-coloured part with the aperture scale on. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Mos6502
Joined: 20 Jun 2011 Posts: 960 Location: Austin
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Posted: Fri Dec 23, 2011 5:37 pm Post subject: |
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Mos6502 wrote:
Well it is a discussion of bokeh, so other qualities don't really enter into it much (I think).
Some of the lenses with the absolute smoothest bokeh are really pretty mediocre in most other respects.
For smooth bokeh few things come close to the Kodak VPK achromat, or the Bausch and Lomb rapid rectilinears - but those are hardly excellent lenses in all other respects.
Here's some Macro Switar 1.8 bokeh: http://www.flickr.com/photos/toby_shu/4954352617/
It is hardly anything special. Heck it's actually kind of clumpy compared to what some of the lenses listed here will produce.
Summicron 50mm:
http://www.flickr.com/photos/doistrakh/4280740432/
http://www.flickr.com/photos/madamasu/4160658705/
The double lining is pretty distinct. I don't think anybody would call it a bad lens, but if you want smooth bokeh, you can find something better than this.
Last edited by Mos6502 on Fri Dec 23, 2011 5:46 pm; edited 1 time in total |
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FluffPuppy
Joined: 11 Dec 2011 Posts: 365
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Posted: Fri Dec 23, 2011 5:45 pm Post subject: |
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FluffPuppy wrote:
Mos6502 wrote: |
Well it is a discussion of bokeh, so other qualities don't really enter into it much (I think).
Some of the lenses with the absolute smoothest bokeh are really pretty mediocre in most other respects.
For smooth bokeh few things come close to the Kodak VPK achromat, or the Bausch and Lomb rapid rectilinears - but those are hardly excellent lenses in all other respects.
Here's some Macro Switar 1.8 bokeh: http://www.flickr.com/photos/toby_shu/4954352617/
It is hardly anything special. Heck it's actually kind of clumpy compared to what some of the lenses listed here will produce. |
I don't know what you are talking about, then, this 'bokeh' business. The overall quality of the lens is what matters to most. |
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Mos6502
Joined: 20 Jun 2011 Posts: 960 Location: Austin
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Posted: Fri Dec 23, 2011 5:52 pm Post subject: |
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Mos6502 wrote:
They are looking for a lens that gives the smoothest out of focus areas. So that should be considered above all other qualities when making a recommendation I would guess. |
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FluffPuppy
Joined: 11 Dec 2011 Posts: 365
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Posted: Fri Dec 23, 2011 5:57 pm Post subject: |
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FluffPuppy wrote:
Mos6502 wrote: |
They are looking for a lens that gives the smoothest out of focus areas. So that should be considered above all other qualities when making a recommendation I would guess. |
I am not sure what is meant by that. A lens that is highly corrected for most aberrations should give the best overall image quality. |
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Mos6502
Joined: 20 Jun 2011 Posts: 960 Location: Austin
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Posted: Fri Dec 23, 2011 6:01 pm Post subject: |
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Mos6502 wrote:
Well this should be a very interesting and informative read then: http://www.rickdenney.com/bokeh_test.htm |
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stonedes
Joined: 25 Feb 2010 Posts: 27
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Posted: Fri Dec 23, 2011 6:42 pm Post subject: |
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stonedes wrote:
Fluffpuppy, you won't find a better definition for bokeh than the one Ken Rockwell wrote:
http://www.kenrockwell.com/tech/bokeh.htm
It really is a mixture of art and science. A technically perfect lens typically does not give good bokeh. That is why as lenses got better, bokeh got worse. However, there are lenses today, usually portrait lenses, that are designed for good bokeh.
For me astigmatism, spherical aberration, and flare can be the bread of life. It is why we cherish old lenses. They each have their own character. Some of their faults can be corrected in PP, some can't. And most importantly, some faults we would never want to change. |
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gmonkman1
Joined: 08 Jun 2011 Posts: 45 Location: se of Winnipeg Manitoba
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Posted: Fri Dec 23, 2011 6:54 pm Post subject: |
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gmonkman1 wrote:
Seems to me that all this bokeh stuff is highly personal as far as good and bad.
Any lens is never perfect and reminds me of the saying " a chain is only as strong as its weakest link. "
We all have our favorite lens and while using it we will always learn to dance around
its perceived weakness , bokeh is one of those factors.
A discussion like this reminded of another saying ....." do not confuse me with the facts , my mind is made up."
Happy Holidays to all |
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FluffPuppy
Joined: 11 Dec 2011 Posts: 365
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Posted: Fri Dec 23, 2011 6:59 pm Post subject: |
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FluffPuppy wrote:
Mos6502 wrote: |
Well I think you ought to re-read the first post then, since you seem to be going down the wrong line of thought here.
The original poster was not looking specifically for 1960s Nikon lenses. They were looking for lenses that would give the smoothest blur - or "bokeh". Age has nothing to do with it. Either the out of focus areas are rendered smoothly, or they aren't.
The Nikon bit only entered into it because they own a Nikon, so using non-Nikon lenses is a bit of a bother. |
Oh, well in any case the 70s and 80s Nikon lenses are generally very good, and quite a bit better than the 60s ones, and furthermore I would not prefer them (the 60s lenses) to the 70s and 80s ones for any use that I could contemplate.
In fact, I am pretty much antipathetic to the Nikkors of the the 60s, which are well-made, no doubt about that, but optically not to my liking. |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Sat Dec 24, 2011 1:51 am Post subject: |
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cooltouch wrote:
Regarding the much maligned Nikkor 43-86, I must state for the record that it did indeed find a niche following. While it has pretty much always been known as a lens that was never sharp at any aperture setting, it was just the right sort of lens for many portrait photographers. On the long end of 86mm, it was just the right focal length, and its unsharp qualities made it ideal for portraiture. Many subjects do not like seeing every pore in their skin when they see photos of themselves. And the 43-86 was just unsharp enough to have their dreams come true. Ah, vanity! _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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Mos6502
Joined: 20 Jun 2011 Posts: 960 Location: Austin
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Posted: Sat Dec 24, 2011 10:50 am Post subject: |
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Mos6502 wrote:
Don't forget the counter intuitive mirror lock up, the anti-ergonomic shutter release, and the impossibility of changing the film while the camera was on a tripod. (also the Nikon F looks unusually similar to the Miranda C, but I'm sure this is purely coincidental ) |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Sat Dec 24, 2011 11:34 am Post subject: |
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RioRico wrote:
Mos6502 wrote: |
Don't forget the counter intuitive mirror lock up, the anti-ergonomic shutter release, and the impossibility of changing the film while the camera was on a tripod. (also the Nikon F looks unusually similar to the Miranda C, but I'm sure this is purely coincidental ) |
But with a long zoom, it's quite good for crushing wolverines, flailing beggers, and breaking-down locked doors. _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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goombles
Joined: 08 Apr 2010 Posts: 136 Location: UK
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Posted: Sat Dec 24, 2011 6:06 pm Post subject: |
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goombles wrote:
I don't own many manual focus lenses but I find the S-M-C Takumar to be a well balanced lens with nice bokeh (when not used at f/1.4)
Thanks for providing that website on bokeh (Mos6502). An interesting read, especially this part:
Quote: |
But the Sonnar design had a fault when used as a normal: The glass got too close to the film and did not allow room for a reflex mirror. Thus, the Sonnar design could not be used for normal lenses in single-lens reflex cameras what had a mirror box between the lens and the film.The Sonnar design has therefore shifted to longer focal lengths where sufficient clearance could be attained. |
Maybe Sony could develop a nice 50mm Sonnar lens to go with their mirrorless systems? _________________
Cameras: Canon 7D, Olympus OM-2n, Spotmatic SPII
M42: Sonnar 135/3.5, Flektogon 35/2.4, SMC Takumar 50/1.4, SMC Takumar 55/1.8, SMC Takumar 35/3.5
Tamron: SP 90/2.5 Macro |
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AhamB
Joined: 22 Jun 2008 Posts: 733 Location: Germany
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Posted: Sat Dec 24, 2011 6:20 pm Post subject: |
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AhamB wrote:
Zeiss has the ZM Sonnar 50/1.5 and I believe that Voigtländer has a very similar lens. They can be used on a Sony NEX, but rangefinder lenses aren't usable on a DSLR so they are not useful for the original poster. |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Sat Dec 24, 2011 6:42 pm Post subject: |
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kuuan wrote:
goombles wrote: |
I don't own many manual focus lenses but I find the S-M-C Takumar to be a well balanced lens with nice bokeh (when not used at f/1.4)
Thanks for providing that website on bokeh (Mos6502). An interesting read, especially this part:
Quote: |
But the Sonnar design had a fault when used as a normal: The glass got too close to the film and did not allow room for a reflex mirror. Thus, the Sonnar design could not be used for normal lenses in single-lens reflex cameras what had a mirror box between the lens and the film.The Sonnar design has therefore shifted to longer focal lengths where sufficient clearance could be attained. |
Maybe Sony could develop a nice 50mm Sonnar lens to go with their mirrorless systems? |
I find the bokeh of the S-M-C 1.4/50 wonderful also wide open, with good sharpness, a truly great lens made in Japan in the 60s
Don't forget there is a Sonnar normal lens made for SLR, the only one ever made for SLR, Takumar f2/58m from the late 50s, it's bokeh is gorgeous!
( my photos taken with it on Pentax dSLR: http://www.flickr.com/photos/kuuan/sets/72157624940446285/ ) _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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FluffPuppy
Joined: 11 Dec 2011 Posts: 365
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Posted: Sat Dec 24, 2011 7:08 pm Post subject: |
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FluffPuppy wrote:
kuuan wrote: |
goombles wrote: |
I don't own many manual focus lenses but I find the S-M-C Takumar to be a well balanced lens with nice bokeh (when not used at f/1.4)
Thanks for providing that website on bokeh (Mos6502). An interesting read, especially this part:
Quote: |
But the Sonnar design had a fault when used as a normal: The glass got too close to the film and did not allow room for a reflex mirror. Thus, the Sonnar design could not be used for normal lenses in single-lens reflex cameras what had a mirror box between the lens and the film.The Sonnar design has therefore shifted to longer focal lengths where sufficient clearance could be attained. |
Maybe Sony could develop a nice 50mm Sonnar lens to go with their mirrorless systems? |
I find the bokeh of the S-M-C 1.4/50 wonderful also wide open, with good sharpness, a truly great lens made in Japan in the 60s
Don't forget there is a Sonnar normal lens made for SLR, the only one ever made for SLR, Takumar f2/58m from the late 50s, it's bokeh is gorgeous!
( my photos taken with it on Pentax dSLR: http://www.flickr.com/photos/kuuan/sets/72157624940446285/ ) |
Focal lengths of 55mm and 58mm were much more common for fast normals in the past, because design constraints were somewhat eased. |
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
Expire: 2014-04-21
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Posted: Sat Dec 24, 2011 8:12 pm Post subject: |
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Excalibur wrote:
Going through my saved links and there might be something interesting here:-
http://www.bokeh.de/en/bokeh_images.html _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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