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spiralcity
Joined: 02 Oct 2008
Posts: 1207
Location: Chicago, U.S.A
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 Posted: Thu May 07, 2009 10:21 pm Post subject: 50mm Penatx-M 1.7 SMC (From RAW) |
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spiralcity wrote:
I've been trying to get better with my RAW files. I was in the yard and shot these pics.
5.6 I think
Cropped a bit.
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Last edited by spiralcity on Fri May 08, 2009 12:13 am; edited 1 time in total |
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mUg
Joined: 13 Dec 2008
Posts: 128
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| Posted: Fri May 08, 2009 12:09 am Post subject: |
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mUg wrote:
Sweet, a very smooth background...it also helps that the colours are not really satured. |
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Fri May 08, 2009 12:29 am Post subject: |
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F16SUNSHINE wrote:
It's great you are using RAW 
You will find you can really squeaze ever last drop out of the lens sensor combo.
I think if you just edge up the black point here you will recover some tighter edges that reducing and uploading take away.
Try it .........I could be wrong.
The lens is very smooth huh?
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poilu
Joined: 26 Aug 2007
Posts: 10472
Location: Greece
Expire: 2019-08-29
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| Posted: Fri May 08, 2009 6:27 am Post subject: |
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poilu wrote:
great results spiral!
I like the spiral geometry on the heart and the dreamy bokeh |
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spiralcity
Joined: 02 Oct 2008
Posts: 1207
Location: Chicago, U.S.A
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| Posted: Fri May 08, 2009 8:09 am Post subject: |
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spiralcity wrote:
Thanks guys for taking a look.
RAW is really the only way to control vibrant colors. I just have to keep practicing with my files.
_________________
Nikons : F4-EM-FG-FE2-FA-EL-FTN-N2020-N70-F Nikkorex
Fujica: ST605N-ST701-ST705-ST705W-ST801-ST901-AZ1-AX-3
Chinon: CE4s-CM4s-CM5
Pentax: ME-Soptmatic
Ricoh:XR6
Pentax- K10D
Lenses- M42's-Nikon F mount, Pentax PK
FREE PHOTOGRAPHY COURSE |
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zewrak
Joined: 12 Apr 2008
Posts: 1212
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| Posted: Fri May 08, 2009 4:40 pm Post subject: |
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zewrak wrote:
Lab mode in photoshop. Add a curves adjustment and edit the A/B channel curve by dragging the lowest and highest point towards the middle. If you change the lower end, compensate with the higher, so that the curve stays a straight line thru the middle.
Thats a nice way to get REALLY vibrant colours.
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zewrak
Joined: 12 Apr 2008
Posts: 1212
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| Posted: Fri May 08, 2009 4:45 pm Post subject: |
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zewrak wrote:
Quick try to demonstrate. Right half edited with a quick curves adjustment in lab. Obviously not as good as youll get with a fullsize profoto 16 bit. But should illustrate a bit.
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
Expire: 2011-11-18
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| Posted: Fri May 08, 2009 6:19 pm Post subject: |
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patrickh wrote:
Try getting those results quickly with a jpeg to start. Personally I think the jpeg believers should take a close look at what comes out of RAW files in the hands of someone who has some experience
patrickh
_________________
DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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spiralcity
Joined: 02 Oct 2008
Posts: 1207
Location: Chicago, U.S.A
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| Posted: Fri May 08, 2009 10:55 pm Post subject: |
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spiralcity wrote:
| patrickh wrote: |
Try getting those results quickly with a jpeg to start. Personally I think the jpeg believers should take a close look at what comes out of RAW files in the hands of someone who has some experience
patrickh |
Im trying patrichh, Im pretty new to the digital process. 
_________________
Nikons : F4-EM-FG-FE2-FA-EL-FTN-N2020-N70-F Nikkorex
Fujica: ST605N-ST701-ST705-ST705W-ST801-ST901-AZ1-AX-3
Chinon: CE4s-CM4s-CM5
Pentax: ME-Soptmatic
Ricoh:XR6
Pentax- K10D
Lenses- M42's-Nikon F mount, Pentax PK
FREE PHOTOGRAPHY COURSE |
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
Expire: 2011-11-18
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| Posted: Sat May 09, 2009 12:02 am Post subject: |
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patrickh wrote:
You are doing really well - it's not actually any easier than a photolab, just smells less and is less messy.
patrickh
_________________
DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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