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macheck
Joined: 30 Oct 2013 Posts: 131 Location: Poland
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Posted: Sat Nov 02, 2013 6:38 pm Post subject: Yet another Pancolar 2/50 M42 Star Wars |
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macheck wrote:
Hello
It is my first post on the forum but previously I have been here and there a lot of times as a guest.
Please help me to evaluate the quality of above mentioned lens.
I think that it produces a sharp distorton free image (Pentax K10D) but I do not have a lot of reference.
First the lens, Pancolar 2/50 M42 with moveable DOF range scale with non locking lever for aperture manual closing (known as Star Wars version):
Front view:
Rear view:
1. Pancolar 2/50 M42 (5.6):
1a. Pancolar 2/50 M42 (5.6) crop 100%:
1b. Pancolar 2/50 M42 (5.6) crop 200%:
2. Pancolar 2/50 M42 (5.6):
2a. Pancolar 2/50 M42 (5.6) crop 100%:
3. Pancolar 2/50 M42 (5.6):
3a. Pancolar 2/50 M42 (5.6) crop 100%:
4. Pancolar 2/50 M42 (2):
Any comments and remarks are very welcome.
Macheck |
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fuzzywuzzy
Joined: 18 Dec 2010 Posts: 1258 Location: Down East, Canada, eh?
Expire: 2013-11-30
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Posted: Sat Nov 02, 2013 6:47 pm Post subject: Re: Yet another Pancolar 2/50 M42 Star Wars |
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fuzzywuzzy wrote:
macheck wrote: |
Hello
It is my first post on the forum but previously I have been here and there a lot of times as a guest.
Please help me to evaluate the quality of above mentioned lens.
I think that it produces a sharp distorton free image (Pentax K10D) but I do not have a lot of reference.
First the lens, Pancolar 2/50 M42 with moveable DOF range scale with non locking lever for aperture manual closing (known as Star Wars version):
Front view:
Rear view:
1. Pancolar 2/50 M42 (5.6):
1a. Pancolar 2/50 M42 (5.6) crop 100%:
1b. Pancolar 2/50 M42 (5.6) crop 200%:
2. Pancolar 2/50 M42 (5.6):
2a. Pancolar 2/50 M42 (5.6) crop 100%:
3. Pancolar 2/50 M42 (5.6):
3a. Pancolar 2/50 M42 (5.6) crop 100%:
4. Pancolar 2/50 M42 (2):
Any comments and remarks are very welcome.
Macheck |
Welcome aboard! Nice images!
Your first post can't contain images as an antispam measure, from now on you'll be fine. _________________ I welcome C&C, editing my pics and reposting them on the forum is fine.
NEX-F3
~~~~~~~~~
CZJ Sonnar 135/4, Biotar 58/2, Pancolar 50/2, Tessar 50/2.8, Flek 35/2.8, Flek 25/4
Super Takumar 135/2.5, 135/3.5, 100/4 bellows, 50/1.4, 28/3.5
Helios 58/2, 3M-5A 500/8, Mir 20M
Vivitar Series 1 70-210 - - - - - - - - Nikkor 200/4
Rikenon 28/2.8 - - - - - - - - Zeiss 50/1.7 Planar
PB 50/2.4, 135/2.8
Yashica 50/1.9, 28/2.8, 135/2.8
Hexanon 28/3.5, 50/1.4 |
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Attila
Joined: 24 Feb 2007 Posts: 57852 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Nov 02, 2013 7:19 pm Post subject: |
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Attila wrote:
Welcome , nice to see here! Great lens congrats! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Nordentro
Joined: 24 Jun 2010 Posts: 4711 Location: Lillehammer, Norway
Expire: 2015-01-29
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Posted: Sat Nov 02, 2013 8:35 pm Post subject: |
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Nordentro wrote:
Welcome!
Very nice samples you got here from the Star Wars
First time I see 200% crop
Why the 200%? _________________ Lars | Manuellfokus.no |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Sat Nov 02, 2013 10:19 pm Post subject: |
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mo wrote:
It's my favorite lens so I am biased,just enjoy it. I know its hard to find for the right price especially in the M42 mount.What serial number is yours? _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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macheck
Joined: 30 Oct 2013 Posts: 131 Location: Poland
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Posted: Sat Nov 02, 2013 10:25 pm Post subject: |
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macheck wrote:
Thank you very much for kind replies.
The main reason for my posting was to ask you for the opinion about the performance of the lens, that is why 200% crop, since 100% was not detailed enough - it is my observation of balcony balustrades.
My opinion is that this lens is better (rather more distinct) at infinity.
Serial number: 7244854
Macheck |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Sat Nov 02, 2013 10:29 pm Post subject: |
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mo wrote:
Here are some samples from Attila's gallery on this site
http://www.mflenses.com/gallery/v/german/zeiss/pancolar/carl_zeiss_jena_pancolar_50mm_f2/?
Thanks for your serial number,I am collecting them as a hobby. _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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Mos6502
Joined: 20 Jun 2011 Posts: 961 Location: Austin
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Posted: Mon Nov 04, 2013 1:35 am Post subject: |
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Mos6502 wrote:
The 2/50 is my favorite lens when using my Exakta, I think maybe the best standard lens for the Exakta that was made. Its sharpness and rendering are admirable and classic. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 498 Location: Santa Clara, CA, USA
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Posted: Mon Nov 04, 2013 4:03 am Post subject: |
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Ray Parkhurst wrote:
With lenses which are capable of resolutions well beyond DSLR or MILC sensors, it's often difficult to make an objective determination of just how good they really are. Your 200% crops are a valiant attempt to do this, but don't actually give any more info than 100% crops since the limiting factor is your camera, not your lens. Your K10 has around 6um pixels, and this results in a DLA of about f10. So any aperture larger than f10 is being "lost" on the camera from a sharpness perspective. In fact, your f2 lens is more than 4 stops better than your camera(!!). The anti-aliasing filter in your camera makes the situation even worse, reducing the effective resolution to an even smaller aperture value. Large apertures of course make sense from a DOF perspective but they are useless for checking lens sharpness.
The simplest way to compare the real capability of large-aperture lenses is to add a teleconverter, or even stacked teleconverters. For instance, if you add a 2x teleconverter to your 50mm f2 lens, it effectively becomes a 100mm f4 lens. The resolution of this system is still well beyond your camera's capabilities, so you'll see little degradation in image quality (except for any distortion caused by the teleconverter itself). In fact, for your case, you could add a cascade of two 2x teleconverters, making an effective 200mm f8 lens, and still not cause image degradation problems due to diffraction(!!). This is because f8 is still larger than the f10 DLA of your camera.
Try a simple experiment with 2 images:
1) Shoot without teleconverter at f2 and take a 100% crop of representative part of the image.
2) Shot with teleconverter (still at f2 on the lens). Take a 100% crop of the same area, but of course it will be 2x the size. Downsize this resulting crop by 2x so it is same size as #1 crop above and compare.
Since you were doing 200% crops, you could also compare a 200% crop from #1 with 100% crop from #2.
In each case, you will see a better result with the teleconverter image than with the bare lens.
Ray |
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macheck
Joined: 30 Oct 2013 Posts: 131 Location: Poland
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Posted: Mon Nov 04, 2013 10:20 pm Post subject: |
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macheck wrote:
Thank you very much for inputs.
Ray, the method you propose is worth trying. I never thought of teleconverter as an aid for assessing lens quality but using it as a magnifying glass might be of some help when lens over resolves the sensor. The drawback is the observation will be more limited to central part of image.
Thank you for the inspiration I promise to produce the testing results.
Pardon me but reading the first paragraph of your post I have a feeling that in two places there it would be better to replace the word "aperture" with phrase "f-stop value".
Departing from the pure diffraction issues, I would also say that moderate f-stop values help to minimize the lens aberrations that are also playing some role in the sharp image creation.
Sincerely
Machcek |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 498 Location: Santa Clara, CA, USA
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Posted: Tue Nov 05, 2013 5:17 am Post subject: |
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Ray Parkhurst wrote:
macheck wrote: |
Pardon me but reading the first paragraph of your post I have a feeling that in two places there it would be better to replace the word "aperture" with phrase "f-stop value".
Departing from the pure diffraction issues, I would also say that moderate f-stop values help to minimize the lens aberrations that are also playing some role in the sharp image creation. |
I suppose I prefer "aperture" to "f-stop value" as it's more general, but it could go either way as a matter of style. Not sure either one conveys the message better than the other.
Usually lenses are at their sharpest slightly stopped-down from max aperture, but this is not always the case. I own lenses that are sharpest wide-open, and others that require significant aperture reduction for best sharpness. Without using some sort of technique like I described, it's difficult to judge sharpness beyond a certain point, and unless the lens gets really bad at larger apertures you will never know. |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Tue Nov 05, 2013 5:39 am Post subject: |
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mo wrote:
This isn't the best example but I hope it conveys that sharpness is not always needed.Although I think this lens is sharp enough stopped down.
This is from my Pancolar 2/50 on the Pentax K-01, I think it's either wide open or at least under F4
_________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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